O Mago da Velocidade e do Tempo

I saw this first years ago, when I was kid, around the time it came out. My dad loved it, and we had it on tape. It was then lost in the streams of time and I totally forgot about it. About a year ago, my sister and her husband, while i was over visiting, pulled a video out of their shelf and asked if I'd ever seen this. It was "The Wizard of Speed and Time", and I said that it looked familiar. From about 10 seconds in, I remembered this movie competely, and was filled with merriment in the way people get when you see something again that you loved as a kid, and is still as good.

Jittlov wrote, directed, produced, audited, gripped, funded, cranked, cameraed, composed, googled, flamboozed, and starred in this almost one-man show. He's extremely talented, in all respects. The movie is extremely cleverly written, well acted, well directed, and amusing to the point of extremes. Very clever shots are taken to many different facets of hollywood, as Mike tries to complete a movie he's making. The ending is witty, the romance is credible, and this movie is just plain fun. It even has good music! Definately high on my list of all time goodies. I did get a bit sick of it after watching it about 30 times or so, but very few movies keep my attention that long. A warning though, you really have to be a certain kind of person to enjoy this movie. Most people I tried to get to watch it didn't enjoy it. Let's face it, Mike is a nerd, getting all the chicks, and stands up for nerds everywhere. You kinda have to be a nerd to enjoy this movie. And I am a nerd. 9/10

Bizarre and obscure little film that charms you into watching it with gusto once a few minutes of it pass your eyes. It's an homage to struggling independent film makers everywhere, and filled with lots of subtle bits of humor and satire and quick-to-pass messages during the F/X. This film looks like it was made for about 40 bucks but don't let that keep you from watching it. What's more, evidently Mike Jittlov cast all his friends (a LOT of them) and his mom in the film as well, and it appears that each and every one of them are having the time of their lives doing this movie.

One of my favorite scenes is when Mike enters the office that Dora Belair (portrayed by Angelique Pettyjohn, sadly her last film appearance) works from, and there's a poster on the wall behind them of her Star Trek character "Shana" dressed in that aluminum foil bikini from the episode "The Gamesters Of Treskelian". It's a nice sci-fi touch... And nobody seems to notice.

Mike has a hard time trying to get his work recognized by anyone of substance (very much like real life) and it seems there's a crooked producer at every turn waiting to rip him off, and it isn't helped by his stigma about shaking hands... which is never really explained other than that he simply "...doesn't shake hands".

Throughout the film we see Mike working on film F/X in what appears to be his own garage and his own tools and props, and we get to see him actually producing the F/X that end up running in the short that he presents as his product, "The Wizard Of Speed And Time".

This is an astonishing little film that deserves much more recognition than it ever got, and it's a gem in the rough for being so matter-of-fact and innovative. It's also a must-have for any cult film or obscure cinema collector to include in their video collection. Of my all-time top 20 films, this would have to slip into the mix somewhere by its sheer tenacity and strength of will and innovation, if not for anything else. I really would have liked to have seen Mike Jittlov do something else similar to "Wizard..." but alas nothing ever came to be. I can watch this film over and over again, and with each viewing its atmosphere and flavor makes me feel like I'm 20 years back in time.

It's not for all tastes. Some people think it's absolutely wonderful, some people think it's amateurish nonsense. Some people simply won't get it at all. I got it. I liked it a lot, and the somewhat silly segments with the terribly cliche'd producer are forgivable if not perfectly allowable for the sake of comic relief, especially seeing as how that's the real producer of this film hamming it up on camera. If you *do* appreciate films like this, you'll feel refreshed after watching it and you'll feel like you'd like to meet Mike and maybe buy him a coke... just don't try to shake his hand.

Then go out and become an independent film maker yourself.

Bravo Mike, ya done good!

Some years ago, the USA cable network carried a late-night program called "Night Flight" which featured an assortment of entertainment, including rock videos and short films. Although I wasn't a regular viewer, I stumbled across "Night Flight" when it aired a live-action animated short called "The Wizard of Speed and Time." I was blown away by the film's ingenious use of stop-motion photography and other camera trickery as it told the story of a green-robed wizard who possesses the ability to run around the world in just a matter of minutes.

"The Wizard of Speed and Time," it turned out, began as a short subject made in 1979 by filmmaker Mike Jittlov. Some years after making the original film, Jittlov took his idea and expanded it into a low-budget feature, also called "The Wizard of Speed and Time," which tells the story of a young filmmaker named Mike Jittlov and his struggle to make a special-effects-laden short film for a TV special despite having few resources (i.e., money) while battling the Hollywood bureaucracy.

The five minutes or so of "Wizard" material in the feature are a triumph of shoestring ingenuity. We see a one-minute "work in progress" featuring marching tripods, dancing light stands and flying film cans as well as an infectiously catchy title tune (this was part of Jittlov's original short, with new music added). The film's climax is the finished product mentioned above (a remake and elaboration of the first part of the 1979 short - I think the remake is what I saw on USA). I marvel at Jittlov's ability to visualize in advance the dazzling images he's reaching for and his skill in achieving those images through frame-by-frame animation and undercranking. And notice how the camera refuses to stand still for the animations - other stop-motion films may seem rooted to the floor one set-up at a time, but Jittlov refuses to let his camera be tied down.

I just wish I could praise the rest of the movie as highly. It's friendly, it's likable, but when the Wizard isn't conjuring up his magic, the feature turns into what is, at best, only a mildly funny takeoff on Hollywood. I was hoping the ingenuity that Jittlov displayed in the Wizard sequences would also transform the surrounding story, which supposedly is based on his real-life experiences, but what we get is pretty thin stuff.

Jittlov's love of movie-making is much in evidence; there's at least one visual homage to the Walt Disney Company, and one of Disney's original "nine old men," animator Ward Kimball, makes a brief appearance as an examiner for the "Infernal Revenue Service." That's right, "infernal," and I'm afraid that's an indicator of the general level of verbal wit in "Wizard." We also get a studio head with a supposedly comic Jewish accent.

Still, Jittlov comes across as such an engagingly eccentric fellow - an animated character in his own right - that I wanted to believe in him and his house chock full of film-related gadgets and toys. Former Miss Virginia Paige Moore makes for a charming leading lady, both in the movie and the movie-within-the-movie. Philip Michael Thomas, the biggest name in the cast, plays a cop far removed from Miami. Fans of "Get Smart" may remember Angelique Pettyjohn, who was undercover agent Charlie Watkins in the 60s TV spy spoof; fans of the original "Star Trek" series will remember her from "The Gamesters of Triskelion."

Welcome to the church of Cinematology....

The story of one man's impossible dream: to create with the aid of Hollywood a feature length motion picture with a real story, with real people and special effects that mean something.

CAN it be done?

Mike Jittlov is employed by two producers to work an a special effects extravaganza for their network. Of course they make a bet whether he can do it all in time, cue: the sleaze trying to sabotage Jittlov at every turn.

Okay, babe.

It may not sound too original but the film's quirky sense of humour, staggering attention to detail, several thousand jokes and inspirational messages and cast of characters you actually CARE about set it apart from other formulaic hokey comedies.

What a way to make a living.

And as if that wasn't enough the film features some of the most amazing stop-frame work seen since Harryhausen (except less jerky and unnatural), all building towards the film's climax - Jittlov's finished piece the "Wizard Run".

Nothing can stop the creative spirit.

What more can I say? Be amazed, be happy and (you've guessed it) may all your good dream and fine wishes come true!

The truth is, eye came across this movie in a video store and thought it looked like the most stupid thing ever. Im 17 & interested in film-making & so like to watch total low-budget crap and laugh at how poor some low budget movies are!

But not this. The wizard of speed & time is literally more than a movie. I feel like Mike J is a movie & magic pioneer in the industry showing that Creativity and magic are still very much alive:)

The film is just so magical & feel-good. There are odd sequences cut & pasted together & look so different. There are 3 unicorn references (I love unicorns) and the fact Mike J basically MADE THIS MOVIE HIMSELF is a testament to how much passion he put into this project. The Prince of the movie industry! The sequence with Mike going to all the unions is a clever & witty dig at the ugly crapiness of hollywood. This movie is a reminder of all the guys & girls sitting in their rooms making the most magical stories,pictures & music that only they will hear. I just wish that Mike J had been sucessful and given us more movies like this. Well, at least the movie lives on.....

Peace Nyrone (uk)