Adicionar um enredo no seu idiomaThe Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 5 indicações no total
- Phil Balsley
- (as The Statler Brothers)
- Lew DeWitt
- (as The Statler Brothers)
- Harold Reid
- (as The Statler Brothers)
Avaliações em destaque
The plot is essentially the same as the first film, with the more politically-correct elephant replacing 400 cases of good ol' Coors, and for a higher stake - $320,000 more than their original run to Texarkana. While Reynolds, Field, Reed et al are entertaining and do the best with a mediocre repeat of the original plot, the true star here is Gleason. Particularly memorable is the scene where Justice and Junior stop for a toilet break and Junior announces after paying a visit, that his zipper is stuck. What happens next is hilarious, and I won't spoil it.
I agree with one of the other reviews in that the original premise of the characters as defined in the original was completely ignored in this sequel, but maybe this was done on purpose. Maybe the writers felt they were giving the characters more depth. This is the downfall of the movie, that and the script...especially the inclusion of brothers Reggie and Gaylord Justice.
Having said that, it's not completely awful. The saving graces are Gleason, Dom DeLuise as the leading gynaecologist (or gornocolagalist as he pronounces it) in Pompeii (population 23) on a sabbatical to the Deep South, and Mike Henry as the long suffering and equally very dim Justice Junior. The latters' performance, while certainly not Shakespeare material, is exactly what is called for - bewildered and confused.
Everyone who was anyone in the country music industry contributed to the soundtrack, including Jerry Reed once again recording the film's theme (a virtual carbon copy of East/West Bound and Down). Brenda Lee and Don Williams make cameos, as do Burt's buddies Joe Klecko, Terry Bradshaw and Messrs Dudley Remus and Hal Carter.
All in all, disappointing and disowned by hardcore fans of the original, but definitely worth a look for Gleason's contributions. They are what keeps the film going when the rest of it is bogged down and turned into a melodrama of sorts, rather than sticking with the winning formula that made the original such a smash and a classic. Beware though, it's nearly destroyed towards the end with the inclusion of his "twin brothers", but that isn't Gleason's fault - blame the scriptwriters and director. Mixed feelings on this one, guys and gals...
What makes this not sink below a 4/10 is that Burt and Sally are always good together, Burt is a charismatic film presence even in a bad film, and Jackie Gleason has still got it 25 years after "The Honeymooners" made early TV history.
Some of the scenes with Justice were even better than the original, at least until he met up with his brothers. Down hill from there.
Everything about the film seemed rather contrived, especially the comedy. The comedy seemed to be forced most of the time.
While I can watch the first film over and over and it never seems to get old for me, the second film wore out its welcome almost right away. I don't know, but maybe if they hadn't tried so hard with the second film to measure up to the first film it would have been better.
Now, for the Justices. Two words: Good grief. They made them even dumber than in the first, and while there are a few funny lines, it goes into overdrive and messes the whole thing up. Another thing, Buford's Canadian cousin (I forget his name) was a disgrace. Was he supposed to be gay? If so, that wasn't funny either.
I guess I've trashed this one enough. On the bright side, there were a few moments that made me giggle, but I can't remember the scenes to save my life. Please, if you consider yourself a fan of the first, avoid this one. Save yourself a lot of disappointment.
Você sabia?
- CuriosidadesJackie Gleason's scenes were filmed first because he was ill and he wanted to be finished with the movie as soon as possible.
- Erros de gravaçãoThere is no desert between Miami and Dallas.
- Citações
Junior: Daddy, look at that big ugly alligator.
Buford T. Justice: That reminds me; I gotta call yo' mama tonight.
Junior: You know, Daddy, I like this place. All the 'gators and snakes and stuff. Why don't we move down here?
Buford T. Justice: Why don't YOU move down here?
Junior: Oh no, Daddy, I ain't NEVER leavin' home. That's a promise.
Buford T. Justice: Don't you ever, EVER threaten yo' daddy like that again!
- Cenas durante ou pós-créditosJackie Gleason is credited as Ms. Jackie Gleason for the character Gaylord.
- Versões alternativasThe most recent home video version boasts that some of the music has been changed.
- ConexõesFeatured in The Electronic Press Kit: Psycho II (1983)
Principais escolhas
- How long is Smokey and the Bandit II?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Los caraduras
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 66.132.626
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.883.835
- 17 de ago. de 1980
- Faturamento bruto mundial
- US$ 66.132.626