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4,3/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the wo... Ler tudoAn ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the work of the Syngenor - the synthesized genetic organism!An ex-cop, now working as a hack novelist, is called out of retirement to help investigate a string of deaths that appear to be the work of a serial killer but soon are revealed to be the work of the Syngenor - the synthesized genetic organism!
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
David Moses
- Detective Lou Capell
- (as Jonathan David Moses)
Mike Muscat
- Howard Tindall
- (as Michael Muscat)
David Daniels
- Michael, roller skater
- (as Joseph Daniels)
John Moskal
- Police Lab Man
- (as John Moskal Jr.)
Avaliações em destaque
(Warning: I'm not fully bilingual, so please forgive me for my poor English vocabulary) This one was awful from start to finish! There was no notable action: the main characters were in a big investigation, full of dull dialogues, and the creature was just wandering around in the sewers doing some cheap kills once in a while, nothing too original, entertaining or gory.
Not absolutely painful, just plain boring.
If you want to see something a little better with the same creature, try Syngenor instead. I'm a big fan of the genre, especially the "so bad it's good" sub-genre, but this one is definitely not in that league. Avoid.
Not absolutely painful, just plain boring.
If you want to see something a little better with the same creature, try Syngenor instead. I'm a big fan of the genre, especially the "so bad it's good" sub-genre, but this one is definitely not in that league. Avoid.
My review was written in December 1982 after a screening at Lyric theater on Manhattan's 42nd St.
Made during the horror production boom of 1980, "Scared to Death" is an unusual amalgam of the standard Earthbound killer on the rampage format with many elements lifted from the sci-fi hit "Alien". Never trade-screened, this thriller has already played off and is reviewed here for the record. Picture is unrelated to Ovidio Assonitis's "Scared to Death", aka "There Was Once a Child", also shot in 1980.
Monster on the loose in L. A. is a synthesized genetic organism, known as the Syngenor, the result of a genetic engineering experiment. While local police are searching for a maniac, it is the real killer, using its long tongue to live off its victims' spinal fluid.
Picture works best in atmospheric chases through the storm sewers, a favorite haunt of monsters dating back to "Them" and "The Snow Creature" in the early 1950s. Filmmaker William Malone's self-designed creature is effective when glimpsed briefly, but looks like a man in a rubber suit when shown too fully in the final reels. Besides the careful "Alien" imitation regarding the monster's appearances and attacks, pic's climax for dealing with the beast is taken from "The Fly".
Cast is okay, though little interest is created during the sluggish non-horror scenes. Credits are below par, with an adequate blowup from 16mm.
Made during the horror production boom of 1980, "Scared to Death" is an unusual amalgam of the standard Earthbound killer on the rampage format with many elements lifted from the sci-fi hit "Alien". Never trade-screened, this thriller has already played off and is reviewed here for the record. Picture is unrelated to Ovidio Assonitis's "Scared to Death", aka "There Was Once a Child", also shot in 1980.
Monster on the loose in L. A. is a synthesized genetic organism, known as the Syngenor, the result of a genetic engineering experiment. While local police are searching for a maniac, it is the real killer, using its long tongue to live off its victims' spinal fluid.
Picture works best in atmospheric chases through the storm sewers, a favorite haunt of monsters dating back to "Them" and "The Snow Creature" in the early 1950s. Filmmaker William Malone's self-designed creature is effective when glimpsed briefly, but looks like a man in a rubber suit when shown too fully in the final reels. Besides the careful "Alien" imitation regarding the monster's appearances and attacks, pic's climax for dealing with the beast is taken from "The Fly".
Cast is okay, though little interest is created during the sluggish non-horror scenes. Credits are below par, with an adequate blowup from 16mm.
While Star Wars Episode V and The Howling were winning awards from the Academy of Science Fiction, Fantasy & Horror Films, this film was also a winner as Best Low-Budget Film. Low-Budget filmmakers could do worse in watching how William Malone (House on Haunted Hill ) managed to make an interesting film with award winning special effects for $74,000.
It was Malone's first film and it starred Diana Davidson, whom I am sure no one remembers as they girl who was shot in the swimming pool in Dirty Harry. It also stars John Stinson, Jonathan David Moses, and Toni Jannotta, in her only film. Malone made sure that he had a good selection of beautiful victims to keep your interest.
The staging was good in the respect that terror was built up gradually with a lot of suspense, and the creature was only partially shown until it got towards the end. You never really knew what you were dealing with.
And, of course, when it is all over, you don't really know if you solved the problem.
It was Malone's first film and it starred Diana Davidson, whom I am sure no one remembers as they girl who was shot in the swimming pool in Dirty Harry. It also stars John Stinson, Jonathan David Moses, and Toni Jannotta, in her only film. Malone made sure that he had a good selection of beautiful victims to keep your interest.
The staging was good in the respect that terror was built up gradually with a lot of suspense, and the creature was only partially shown until it got towards the end. You never really knew what you were dealing with.
And, of course, when it is all over, you don't really know if you solved the problem.
An ex-cop who's a writer now, gets brought back on the job after a string of weird murders with the killer leaving a web like substance
Is it human or not?
Really this is nothing but cheap (and that's very cheap) z-grade trash, but still 'fairly' amusing well that's if you're in the right frame of mood. This is no more than a "Alien" rip-off, but set on earth. There are certain shots that resembled some of those from "Alien" and as well the creature looks very similar too.
The story is extra ordinary. The usual scientific creation that's on the loose killing victims and an ex-cop who's the only one that can stop it. So don't expect anything special or original. Sometimes the pacing is a bit tedious; like a slasher film.
The acting is not that bad from a bunch of nobodies... with a pretty charming and gawky heroine. Although there is one or two annoying characters which you have to deal with. Added to the film's script is some sharp humour and witty one-liners, especially from the geeky lead. A very gritty and grim atmosphere is found throughout the picture, with a lot of the film taking place in dark and dim lighting. While the special effects are hilariously shoddy and cheap, which gives it a sort of charm... well I think so.
I found this more enjoyable than the glossy, but bland "Ghost Ship (2002)" I watched before it.
This film is unoriginal, campy and cheap... but I found this schlock watchable and rather fun.
3/5
Really this is nothing but cheap (and that's very cheap) z-grade trash, but still 'fairly' amusing well that's if you're in the right frame of mood. This is no more than a "Alien" rip-off, but set on earth. There are certain shots that resembled some of those from "Alien" and as well the creature looks very similar too.
The story is extra ordinary. The usual scientific creation that's on the loose killing victims and an ex-cop who's the only one that can stop it. So don't expect anything special or original. Sometimes the pacing is a bit tedious; like a slasher film.
The acting is not that bad from a bunch of nobodies... with a pretty charming and gawky heroine. Although there is one or two annoying characters which you have to deal with. Added to the film's script is some sharp humour and witty one-liners, especially from the geeky lead. A very gritty and grim atmosphere is found throughout the picture, with a lot of the film taking place in dark and dim lighting. While the special effects are hilariously shoddy and cheap, which gives it a sort of charm... well I think so.
I found this more enjoyable than the glossy, but bland "Ghost Ship (2002)" I watched before it.
This film is unoriginal, campy and cheap... but I found this schlock watchable and rather fun.
3/5
William Malone didn't exactly deliver a good movie here. Far from, actually, but heck, it was his first one. Still, you'll have to tolerate some atrocious 'chop-chop' editing, some bad acting and a plot way too basic for its own good. All the events in this film move at the pace of a snail that's stuck in the mud. The whole story is played by the book, and it's one with not many pages in it (just enough to write down the premise: a murderous creature is loose in the city and two people must stop it). Surprisingly, things do remain watchable most of the time, somehow. The creature design is pretty cool, but also nothing more than a man in a rubber suit. A bit of full frontal female nudity during the opening-scene and a lack of gore throughout the entire film is what we get. But my guess is that it's still worth a watch for lovers of obscure creature features (honestly, I myself didn't mind watching it). "Scared To Death" always seemed to me a bit of a stupid, unsuitable title for this kind of film though. Given the place where the creature resides, why not dub it... "The Sewer Dweller"? Malone's first outing even got some sort of a semi-(un)official sequel nine years later, called "Syngenor" (1990). Would have been much easier if they had called that one "Syngenor 2" and this one simply "Syngenor". Aw, what the hell am I talking about.
Você sabia?
- CuriosidadesDirector William Malone had to sell most of his possessions (including his car and mortgaging his house) in order to raise enough money to make the movie.
- Cenas durante ou pós-créditos[Before the film commences, this is placed across the screen] PROLOGUE: The events portrayed in the film, although fictional, are based on scientific fact. If they have not already happened, they soon could. Genetic engineering is real, and soon we may all have to deal with new values and definitions for life and death.
- Versões alternativasA TV print that aired on USA Network included a scene not included on Media's VHS: a group of teens searching for their lost friend in a parking garage find her body hanging upside down much like a scene in Halloween (1978).
- ConexõesFeatured in Working with a Master: William Malone (2006)
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- How long is Scared to Death?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Grito de pánico
- Locações de filme
- 12142 Ventura Blvd, Studio City, Califórnia, EUA(Ted and Victor argue while walking to car. Ted then rear-ends Jennifer Stanton. Specifically the rear parking lot of then 'Harry's camera'. Building and area still remain.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 74.000 (estimativa)
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