Phobia

Fear of something is called a "phobia". This movie takes it to a whole new level. Paul Michael Glaser, fresh off "Starsky & Hutch" plays a psychiatrist, who uses a new method to treat his patients with certain fears. When they get the treatment, they would try to conquer their fears, one step at a time. However, they would end up dead. They would have their own fears used against them. The victims aren't innocent. They are criminals. John Huston is known for his work. This movie may not have been a big hit, but I respect the fact that he is a very good man behind the stuff he does. There's no need for putting down the movie. It could be a cult classic one day. I can guarantee you that! It could have added more intrigue though. 2 out of 5 stars

If some movie magazine ever comes up with the bright idea of putting together a list entitled "the top 100 most idiotic ways to spoil a movie", than the number 1 spot is undoubtedly reserved for "simply reading the tagline for John Huston's Phobia!". Seriously, if you are considering to watch this film and you haven't yet paid any attention to reading the tagline, well then … DON'T! I mean, guessing the denouement of the film isn't exactly quantum physics, but the stupid tagline just gives away the end twist. Other than that "Phobia" honestly wasn't as bad as I was led to believe, in fact. I almost exclusively read reviews and user comments stating that "Phobia" is a terribly boring thriller effort and undeniably the absolute low point in John Huston's overall magnificent career. Well okay, in spite of all the warnings, I still desperately wanted to see it for two reasons. First and foremost, it might be an inferior John Huston film but it's still remains a John Huston film and they should always be worth checking out! Besides, this is the only horror movie Huston directed, even though he starred in a couple of weird Italian ones like "Tentacles" and "The Visitor". Secondly, and this is truly a personal weakness of mine, the movie poster very much appealed to me. The simply image of a face, half covered in darkness and half depicting people's death struggles is already a lot scarier than the entire content of most other thrillers.

In all honesty, I'm really glad that I took the effort of tracking down "Phobia" and I would definitely encourage other people not to base your judgment on the negative reviews. This isn't a terrific thriller, obviously, mainly due to the slow pacing and continuous predictability of the script, but it nevertheless contains a few good ideas and even a handful of genuinely suspenseful and macabre moments. I found the basic subject matter to be very interesting and full of horrific potential, maybe partly because I have a couple of bizarre and inexplicable phobias myself. Paul Michael Glaser (yes yes, the original Starsky!) plays the acclaimed but slightly controversial psychiatrist Dr. Peter Ross. With the support of his hospital, he started a project to help a test group of five patients get over their various phobias including heights, crowded places, drowning and snakes. Dr Ross' methods are unorthodox and even dangerous, as he literally forces his patients to confront their fears and pushes them quite far into them. Shortly after having received the media's attention, Ross' patients start dying under mysterious circumstances and each one according to their own phobia.

I've been watching horror practically my entire life and I really think that there aren't enough movies that deal with people's fears. "Phobia" is not a great or highly memorable effort, but at least it's decent and attempts to thrive on slow-brooding tension instead of on cheap shocks and gore. The film admittedly has too many shortcomings, like the clichéd selection of phobias and the truly disappointing climax, but several sequences are properly elaborated and the wholesome is definitely worth watching.

A phobia is an irrational fear of something that drives a person to avoid it at all costs. Dr. Peter Rose (Paul Michael Glaser) had five patients with phobias: heights, public places, snakes, men, and an unknown. Some of these things can and should be feared in the right situation, but it is the extreme fear that makes it a phobia, such as seeing a snake on T.V. and having a panic attack.

Dr. Rose is practicing a new and totally unproven form of therapy he called "Implosion Therapy." The idea is that he would force his patients to face their phobias head on to break them of their phobia. I think it's more of immersion than implosion. Implosion connotes that something burst inward or collapse upon itself. That's not what was going on. He was immersing the patients in an environment with that which they feared. Like putting a claustrophobic in a closet.

Problems started when his first patient was killed. To make matters worse a second, then third patient was killed. Who was the killer was the question. Was it another patient, was it his coworker and ex-lover, or was it the doctor himself? Surely, any surviving patients were going to have death phobia at the rate Dr. Rose's patients were being bumped off.

I liked this movie, the pacing and the dialogue. It was a murder mystery with plausible deaths, meaning that how they died was plausible. Throughout all of the events Dr. Peter stayed cool and detached even. It seemed like the best and most effective way to handle the deaths so that he could be of use to his other patients, but maybe there was something deeper to it.

1980's "Phobia" earned the dubious distinction of being the single worst film in the lauded career of screenwriter/director John Huston, a simple work for hire that he apparently had little affinity or enthusiasm for (shot in October 1979 at the same time as another "Phobia" that finally emerged as "The Nesting," starring John Carradine). Location filming in Toronto even included something of a car chase, though it barely lasted three minutes and concluded with the driver falling to his death from a high girder. With five credited authors (a total of eight!), the promising storyline showed obvious signs of too many cooks spoiling the brew, its most fatal mistake playing out as a whodunit where the culprit was painfully obvious from the start. Hammer great Jimmy Sangster ("The Curse of Frankenstein") was essentially played out in feature films, now working entirely in Hollywood television, while the team of Dan O'Bannon and Ronald Shusett, coming off the massive hit "Alien," had their version of an original draft rejected by Huston (their next film was "Dead and Buried," faring better though still no box office success). Topping the cast list is Paul Michael Glaser, one half of the TV cop duo STARSKY & HUTCH, whose smug and detached Peter Ross is a ladies man and a renowned psychiatrist, whose latest endeavor is trying to help five convicted criminals conquer their greatest phobias; Alexandra Stewart has a fear of crowds, David Bolt a fear of high places, Robert O'Ree ("Rabid") a fear of snakes, David Eisner a fear of tight spaces, and pretty Lisa Langlois a not uncommon apprehension about the opposite sex. For all the backstory about how much people admire him, Ross comes off as a real cold fish, and once his patients start to get killed off he utterly fails to show any compassion, let alone remorse. John Colicos as the thuggish police inspector proves rather ineffectual, barking up the wrong tree as he forces one suspect to turn tail and commit suicide. Light on horror and suspense, this extremely minor effort was quickly forgotten and unlamented by all, particularly its director, who went from Canadian horror to full blown Hollywood musical with his successful adaptation of "Annie!"

Paul Michael "Starsky" Glaser is Dr. Peter Ross in this routine psycho-thriller, which is treated as *just* a pay check movie for the majority of the talent assembled. Certainly nobody brings any real passion or creativity to this script. The script is really not so hot, which is too bad considering that some of the writing talent involved included Ronald Shusett ("Alien") and Hammer scribe Jimmy Sangster ("Horror of Dracula"). Overall, the film is lacking in suspense and a truly good story, although the idea of mental patients led to their doom through their own phobias *could* have been better realized.

Ross is overseeing a program in which his patients are forced to confront images capturing their anxieties (heights, snakes, etc.). Then, one of them is blown to kingdom come by an explosive device left inside Ross' own apartment, and this leads to a rash of murders as the cops on the case (John Colicos, "The Changeling", and Kenneth Welsh, "The Day After Tomorrow") cast a suspicious eye on everyone in the therapy group.

Glaser is miscast in the lead and not very good, although the presence of Colicos & Welsh, and the appealing Susan Hogan ("The Brood") as Ross' girlfriend does help matters. Colicos and Welsh play "bad cops" who go out of their way to intimidate the nebbishy Henry (David Bolt, "Videodrome"). Co-starring are Patricia Collins ("Lost and Found"), David Eisner and Lisa Langlois from "Happy Birthday to Me", Robert O'Ree (David Cronenbergs' "Rabid"), Alexandra Stewart ("Frantic"), Neil Vipond ("Kings and Desperate Men"), and Marian Waldman (Mrs. Mac in the original "Black Christmas").

All of this is adequately entertaining at best, leading to a supposed "twist" ending that isn't exactly hard to figure out. Even this finale is executed with a certain lack of zeal.

There *are* worse thrillers out there, to be sure, but people may wonder why Huston would spend (some would say waste) his time filming such a script. At least his name in the credits ensures a definite curiosity value.

Five out of 10.