Pavor na Cidade dos Zumbis

In New York, the medium Mary Woodhouse (Katriona MacColl) sees Father William Thomas (Fabrizio Jovine) committing suicide by hanging himself in a cemetery in Dunwich. His death opens the gates of Hell permitting the rise of the dead. Mary is so frightened with what she sees that she dies in a séance.

The snoopy reporter Peter Bell (Christopher George) covers the death of Mary and goes to the cemetery. Out of the blue, Mary awakes locked in the coffin and Peter hears her screams and saves her. She tells what happened and Peter invites her to go to Dunwich with him. Meanwhile in Dunwich there are weird deaths and Peter and Mary meet the psychiatrist Gerry (Carlo De Mejo) and his friend Sandra (Janet Agren) to find out the grave of Father Thomas to close the gates of Hell before All Saints Day; otherwise the dead will raise and destroy the living. Will they succeed in their intent?

"Paura nella città dei morti viventi" is one of the best horror movies by Lucio Fulci. The story is simple and does not have explanations why the death of the priest will open the gates of Hell, but the special effects are gore and gruesome. My vote is seven.

Title (Brazil): "Pavor na Cidade dos Zumbis" ("Horror in the Zombie City")

Note: On 14 May 2013, I saw this movie again on Blu-Ray. The quality is excellent, but unfortunately the original audio in Italian is not available.

On 26 January 2017, I saw this movie again on a Brazilian DVD (Versátil), but unfortunately the original audio in Italian is not available.

Okay, someone has to say it : Fulci's movie are chock-full of mistakes, unlogical things that goes bump in the scenario and scenes you might laugh at (even worse than my beloved Dario Argento on this ground) But… for the true afficionadoes, this holds riches beyond belief. As most Italian oddities, it's hard to tell were the genius starts and the hack sets in - or is it the other way round ? There IS something in those movie, that makes me - and others - watch them over and over again though I should be too old for this, though I know their defects which suddenly turns into qualities. This movie is the most Lovecraftian of all Fulci's movies, and it's true there is in Lovecraft purple prose and stuff that might be laughed at. But isn't it what grotesque is all about, this no man's land between the pits and the nirvana ?

This is beyond convoluted. Feels like a new character is introduced every 5-10min. Eye bleeding scene is boss. Glass bleeding scene... not so much. Lots of closeups on peoples eyes (to avoid bad mouth movements with the inevitable Italian horror overdubs). The zombies are pretty damn creepy. And the Fabio Frizzi soundtrack is as good as expected. I basically had no clue what was going on with the plot at any given time but I can recommend it on tone, visuals, fun early 80s gore FX, etc. The very end of this literally makes NO sense, but it is highly comical, also: maybe it's explained later in the trilogy? Not holding my breath but I am looking forward to finishing the trilogy.

This is a genuinely frightening story with correct utilization of images-shock , skill edition and eerie images . Lucio Fulci's main great success along with ¨Zombie 2¨ , is compelling directed with startling gory visual content . It's a creepy horror film plenty of brutal frames and gory events. Fulci's horror film about the dead coming back to life on a small location of Dunwich with inspiration on famous novelist H.P. Lovecraft . A journalist named Peter Bell (Christopher George), a psychiatrist (Carlo De Mejo) and a psychic named Mary Woodhouse (Catriona MacColl , Fulci's fetish actress) race to close the Gates of Hell after the suicide by hanging of a priest caused them to open , allowing the zombies to rise from the tombs . Gory, gruesome , pretty repellent , and ghastly gory-feast in which the stumbling flesh-eating stiffs are relived by an ancient curse .

Chilling Italian terror flick full of screams, shocks, chills, thrills and lots of blood and guts . Astonishing , mesmerizing , very repellent , and scary mess in which the living dead are reanimated and committing horrible murders . This is a classic excruciatingly terror film in which the intrigue,tension, suspense, horror appears threatening and lurking in every room, corridors , cellar , morgue, streets, cemetery and many other places . Watch for the great highlights as the alive burying and the pick-axe coming dangerously close to her head ; as when a drill punctures the face an unfortunate young -a Fulci's mark who repeats ad nauseam - and clergyman's mesmerizing stares making eyeballs bleed . And as always brief appearance of Lucio Fulci, in Alfred Hitchcock cameo style , as Police Inspector and a young future director of terror movies , Michele Soavi as hapless victim . Good make-up and special effects by makeup artist named Rufini replacing the usual maestro Gianetto De Rossi. Produced on a tight budget by Giovanni Masini and the same Fulci . Moody photography Sergio Salvati on location in Fort Lee, New Jersey, New York City, Savannah, Georgia, USA . Eerie musical score composed and conducted by Fabio Frizzi in Goblin style. The motion picture is realized by one of the most controversial filmmakers of terror movies ,Lucio Fulci , in his ordinary style with flaws and gaps but is professionally made because being a skilled craftsman . Reviewers are divided over booth the morals and talents of Fulci (1927-1996) who sometimes directed under the alias ¨Louis Fuller¨. For some critics many of his movies are cruel and shockingly violent , yet their gory surface often conceals religious, social commentaries or intelligent issues. Whether he should be viewed as a cheap sensationalist or just a genius Fulci has a loyal fan base and undeniably has an important and unique influence on the terror genre , creating great works on a low budget such as proved in ¨The Beyond¨, ¨Manhattan baby¨, ¨Gates of Hell¨, ¨Island of the living dead¨, ¨New York ripper¨ , among them . This is one more imaginative , though imperfect horror/splatter picture in which the camera stalks in sinister style . It's just one long unrelenting guts-feast and passable budget horror movie that still packs a punch for those who appeal to be terrorized out their wits . This gore-feast that tried to disguised itself under many other titles as ¨City of living dead¨ will enjoy to Lucio Fulci aficionados.

We the audience are thrown right into Lucio Fulci's horror tale directly from the start as we witness Father Thomas (Fabrizio Jovine) hang himself at a cemetery and the death of Mary Woodhouse (Katerine MacColl) at a deliciously artsy (thanks to Fulci) seance. Before Mary dies she is screaming about the city of the living dead. Mary is not dead and is revived once she is laying within her tomb in the ground. A pretty good scene where journalist Peter Bell (Christopher George) must get her out of her coffin...with a pick axe. Fulci wouldn't have it done any other way. Because of the suicide of Father Thomas though a gate to hell has been opened allowing the dead to walk the earth again. So, Mary and Peter are off to find it and close it.

To me why I rated it higher is because of Fulci. Yes, it is a gory horror film. I mean that is a must when talking about a Fulci horror film. But, it is in his ability to create the atmosphere in the film. He uses shadows wonderfully in this film and while mixed with some swallowing fog and a nice score from Fabio Frizzi you have a nice dark setting for the horror to take place. He also with the assistance of course with co-screenwriter Dardano Sacchetti weaves the story at times without much dialogue. Which when you know what is going on I love in films.

Also starring Michele Soavi (who went on to direct CEMETERY MAN) and Lucio Fulci himself as the coroner Dr. Joe Thompson. Any gore hounds out there give it a try you might like what you see.