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IMDbPro

Meu Tio da América

Título original: Mon oncle d'Amérique
  • 1980
  • PG
  • 2 h 5 min
AVALIAÇÃO DA IMDb
7,6/10
7,2 mil
SUA AVALIAÇÃO
Meu Tio da América (1980)
Assistir a Bande-annonce [OV]
Reproduzir trailer1:37
1 vídeo
74 fotos
ComedyDramaRomance

As histórias cruzadas de três pessoas que enfrentam escolhas difíceis em situações de mudança de vida são usadas para ilustrar as teorias defendidas por Henri Laborit sobre o comportamento h... Ler tudoAs histórias cruzadas de três pessoas que enfrentam escolhas difíceis em situações de mudança de vida são usadas para ilustrar as teorias defendidas por Henri Laborit sobre o comportamento humano e a relação entre o eu e a sociedade.As histórias cruzadas de três pessoas que enfrentam escolhas difíceis em situações de mudança de vida são usadas para ilustrar as teorias defendidas por Henri Laborit sobre o comportamento humano e a relação entre o eu e a sociedade.

  • Direção
    • Alain Resnais
  • Roteiristas
    • Jean Gruault
    • Henri Laborit
  • Artistas
    • Gérard Depardieu
    • Nicole Garcia
    • Roger Pierre
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    7,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Alain Resnais
    • Roteiristas
      • Jean Gruault
      • Henri Laborit
    • Artistas
      • Gérard Depardieu
      • Nicole Garcia
      • Roger Pierre
    • 33Avaliações de usuários
    • 21Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 11 vitórias e 12 indicações no total

    Vídeos1

    Bande-annonce [OV]
    Trailer 1:37
    Bande-annonce [OV]

    Fotos74

    Ver pôster
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    + 68
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    Elenco principal58

    Editar
    Gérard Depardieu
    Gérard Depardieu
    • René Ragueneau
    Nicole Garcia
    Nicole Garcia
    • Janine Garnier
    Roger Pierre
    Roger Pierre
    • Jean Le Gall
    Nelly Borgeaud
    Nelly Borgeaud
    • Arlette Le Gall
    Pierre Arditi
    Pierre Arditi
    • Zambeaux, le représentant de la direction générale à Paris
    Gérard Darrieu
    Gérard Darrieu
    • Léon Veestrate
    Philippe Laudenbach
    Philippe Laudenbach
    • Michel Aubert
    Marie Dubois
    Marie Dubois
    • Thérèse Ragueneau
    Henri Laborit
    Henri Laborit
    • Self
    Bernard Malaterre
    • Le père de Jean
    Laurence Roy
    • La mère de Jean
    Alexandre Rignault
    Alexandre Rignault
    • Le grand-père de Jean…
    Véronique Silver
    • La mère de Janine
    Jean Lescot
    Jean Lescot
    • Le père de Janine
    Geneviève Mnich
    Geneviève Mnich
    • La mère de René
    Maurice Gautier
    • Le père de René
    • (as Maurice Gauthier)
    Guillaume Boisseau
    • Jean enfant…
    Ina Bedart
    • Janine enfant
    • Direção
      • Alain Resnais
    • Roteiristas
      • Jean Gruault
      • Henri Laborit
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários33

    7,67.1K
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    Avaliações em destaque

    10solace-3

    A brilliant example of using narrative to bring abstract ideas alive

    This film was made with the cooperation of psychologist Henri Laborit. It's broken down, like a greek drama, into narrative episodes and odes where the chorus, in this case psychologist Laborit, explains the meaning of the episodes. I love this movie because it makes clear the pretenance to everyday life of a discourse which is very rich as an interpretation of life, in exactly Matthew Arnold's sense, but at the same time so abstract that most people just, for example, reading Laborit's "Decoding the human message" would not see the immediate relevance of what was being said to their own daily concerns. I use this film to teach psychology. I open my intro class with it every term. Learning to read this film is learning to think like a psychologist. In the film, we cut from scenes of the human characters involved in various relationships to Laborit showing how lab rats react to stress under various conditions. The result is not dry or pedantic but funny as hell. It comes off as the rats doing a low burlesque of the human comedy. We also see the characters as children and as adults and scenes from various formative episodes along the way. When Laborit says "a person is a memory which acts" it seems a powerful commentary on what we are seeing on screen. We see one character as a tiny girl interacting with her factory worker father. He is a communist and he is teaching his newly articualte baby girl to repeat after him "USA go home". Watching this, I remember being taught to sing "Jeusus loves me" shortly after I started talking. This film is funny and wonderful dealing with the thing which matters most of all, the question of what it means to be a person.
    10karlericsson

    Outstanding masterpiece - there's no other film like it!

    Henri Laborit finishes with these words (if I remember correctly) - no spoiler really - :As long as we do not understand, that (today) we use our cortex predominantly in order to dominate other people, then nothing can change (for the better).

    I myself coined the phrase: If I had power like Hitler, then I would be Hitler.

    The point made here is not that I'm Hitler or want to be as little as it is Henri Laborit's point that it is allright for us to continue to use our brain as dominator over others. The point is, that if we get accustomed to power, then all we do turns out bad, in spite of 'good' intentions.

    There is no 'good' power. That's the simple truth. To claim so is as ridiculous as to say that there is 'good' evil or totally erase the borders between good and evil and wind up in total confusion like Bob Dylan sings about in his songs 'Ring Them Bells' (They're breaking down the distance between right and wrong) and 'The Disease of Conceit'.

    In attempts to dominate his surroundings, man is driven to madness and suicide. The film demonstrate this and Laborit compares rat behavior with human behavior when human lives are ridiculed by this animal quest for power instead of being allowed a quest that would be truly human (in the good sence of the word): the quest of the total destruction of all power and dominance in order to create a truly human society of decency and brotherhood.

    We possess a refined and beautiful cortex - why not use it for its proper purpose?, is the conclusion we find ourselves in after having seen the movie (well, not all of us).
    writers_reign

    Relatively Cool

    On paper this isn't really my kind of movie by a country mile but I'm always ready to see anything that Depardieu decides to appear in and Nicole Garcia is not too hard to take either if anybody asks you but then you have to factor in Resnais, a loose canon whichever way you slice it, a guy who's as likely to film a Viennese Operetta with a static camera as lay a metaphysical treatise on an unsuspecting audience. He's also something of a risk-taker and here he does himself no favors in the opening minutes by giving the impression we've wandered into a lecture complete with lantern-slides. But soon you find yourself drawn into the three loosely connected stories and a little later you find you've surrendered completely to the left-handed charm. Not for the faint-hearted or the popcorn brigade. 8/10
    Sinnerman

    This film did for me what ADAPTATION could not. It pierced my heart.

    Yes, as my summary went, Mon Oncle d'Amerique did for me, what the clever but emotionally vacant "Adaption" did not(could not). It impaled me.

    I have always had a bad taste in my mouth with that Jonze/ Kaufman offering, because it was too smug for its own good and worse, it was emotionally condescending.

    But here comes a classic that thumped its nose at conventional human drama and yet came out becoming more humane than most films I have ever seen. Who knew Biological Psychology/ Behavioural Science could breathe such life and heart into a seemingly inconsequential story?

    Anyone know where to find a transcript of the film? The last lines uttered by the Doctor summed up everything I loved about this film(and I have seen it just this once!!).

    Excellent.

    Again, many thanks to my enlightened film buff friends I have met on the net for their strong recommendation of this exceptional master work. For my experiential education in film has received that giant leap with this film.

    Will definitely revisit this thought provoking film to fully soak in its wisdom and movie magic. One of the best films I have seen this year!! If you can get hold of it, by all means take that leap, much like I did and be immeasurably rewarded.
    8LCShackley

    A fascinating, captivating film

    What an odd way to start a film. We seem to be hearing a lecture about the brain, and human development, interspersed with introductions of several characters who don't seem to have much in common. But then Resnais starts working his magic, intertwining the stories of three people with the behavioral theories of Henri Laborit. Human behavior is compared to the behavior of lab rats, and even turtles and wild boars, and each new idea is illustrated in the lives of the main characters. And as an interesting third layer, each character has an "avatar" from classic French cinema; clips from their films are interspersed to comment on the action.

    Too bizarre, you think? I thought so at first, but after awhile I was hooked. Fine performances, beautiful cinematography, and a captivating, multi-layered script makes this film an unforgettable experience.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      There are several scenes from films featuring Danielle Darrieux, Jean Marais and Jean Gabin used in this film.
    • Citações

      Henri Laborit: [First lines] A being's only reason for being is being. In other words, to maintain its organic structure. It must stay alive. Otherwise, there is no being.

    • Conexões
      Edited from Camaradas (1936)

    Principais escolhas

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    Perguntas frequentes16

    • How long is My American Uncle?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 21 de maio de 1980 (França)
    • País de origem
      • França
    • Idioma
      • Francês
    • Também conhecido como
      • My American Uncle
    • Locações de filme
      • Café de la Gare - 41 Rue du Temple, Paris 4, Paris, França
    • Empresas de produção
      • Philippe Dussart
      • Andrea Films
      • TF1
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 38.465
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 5 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.66 : 1

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