Bar Max

I don't remember a lot from this movie, but I do remember that a main character played for the Golden State Warriors, part of it was filmed at the Oakland-Alameda County Coliseum arena, and that some of the Warriors on the team at that time appeared in the movie. It also looked like it was filmed in the Oakland/Berkeley area (I wonder if the bar in the movie is in that area today It was cool to see a movie that had a real team back then, rather than the Pittsburgh Pipers, NY Knights, North Dallas Bulls, etc. It is also cool that it was not not a popular team like the Bulls, Lakers, Cowboys, Yankees and whatnot. I hope I can catch it on cable some time for I doubt that is available on DVD.

"Inside Moves" was marketed in Japan as "San Francisco Monogatari"

which means "San Francisco Story." ("To Kill a Mockingbird" is known

in Japan as "Alabama Monogatari".) "Inside Moves" is another little

movie that when I saw it in a cheap theater in Japan, I thought,

"Great. I am going to enjoy seeing this many times"; only to find

myself waiting for decades for it to resurface. It's a film which

examines the essence of humanity: heart, mind, and body. It's about

finding yourself through helping others; something that in the Thai

language is called, "Nam Jai" which means "water from the heart."

Sometimes we find it and sometimes we lose it. My favorite line is

John Savage's, "You don't have to come around anymore. We don't need

your kind of cripple" to indicate the sorry lot of those who have lost

the joy of giving and the value of camaraderie. But "Inside Moves"

gives it back again.

Detailing the plot of this film would lead the unsuspecting to assume they were in for an hour and a half of depression - but quite the opposite. The acting was spot on, the script razor sharp, and the storyline genuinely different and inspiring. I've not seen a copy on video or dvd for years, and for some reason it's never been on terrestrial tv in the UK, and I have to admit I'm baffled as to why. In the genre, it's quite simply one of the best films ever made.

John Savage provides us with another look at his exceptional talent with perhaps his finest performance since The Deerhunter, with a supporting cast including Oscar-nominated Diana Scarwid and another of my favorites, David Morse. A truly feel-good movie, directed by Richard Donner, that explores the depths of human emotion while depicting the sometimes comedic, sometimes heartwrenching stories of characters who are all crippled, either physically, mentally, or morally. It is a great mystery to me why this movie has not been made available on DVD, and if I knew how to achieve its release, I would be relentless in my pursuit of that goal!

Let me start out first with a bit of a disclaimer: I am disabled, so I was either going to love this movie or hate it, depending on how real things seemed to me. So my comments have to be seen in that light. Here goes:

This is a very good film, with a good cast, some excellent performances and I love the script. But the thing that impresses me the most about this film is its portrayal of the disabled. They come across as average, normal people-sometimes they're jerks, like most people and sometimes they're nice folks, like most people. There is nothing inherently heroic about being disabled. Conversely, the disabled should not be hermetically sealed off from society for their protection (or yours). All too often, peole make assumptions about people and far too many are made about the disabled. End of sermon.

The other thing I like about this film, although it is admittedly a bit too pat, is the ending of a couple of plot threads. Suffice it to say that Several of the characters get what they deserve, good and bad. I love the poetic justice (or karma, if you prefer) at the end, in the basketball arena. Most recommended.