Experiências Humanas

Rachel Foster is wrongly imprisoned for the murder of an entire family, once in prison however she is subjected to mind altering experiments at the hands of the prison psychiatrist with results.

A good women in prison movie with some strong points. The story is nothing special but is handled well, and has enough movement within the story to hold interest. Performances are all pretty good, Linda Haynes in the lead as Rachel gives a very strong portrayal of the innocent prisoner, Aldo Ray & Geoffrey Lewis are also strong in their roles. There are also some very good sequences within the film including, the scene where Rachel is losing her mind and a hoard of insects are coming in to her cell and she then crawls her way through the ducting it's a strong and commanding scene. The main problem with the film though is it's pace, although the story is OK the pace of the film is sometimes so slow it feels it's taking a age to develop and the audience may start to drift off.

This is not a violent or gruesome film, there is a scene at the beginning where you see a family who have been shot and later in the film you see a woman hanging, these are the two most violent things in the film and are both aftermath shots, so how this relatively mild W.I.P. movie ever got caught up the Video Nasty scare here in the UK really is shocking and it is something it most certainly didn't deserve. If you can see this pretty rare film give it a watch it isn't bad.

A women's prison doctor with a thing for creepy crawlies torments an innocent inmate. The main actors here all had careers beyond grindhouse, so the acting is better than most. I found the script unclear at points, and pointlessly interrupted three times by musical numbers, twice to showcase the leading lady's vocal skills--not bad, but out of place here--and somebody must have owed something to the band that plays a gratuitous concert for the ladies, apropos of nothing.. For a women's prison movie they certainly didn't take much advantage of the obvious opportunities for sexploitation. Prisoners are stripped, of course, but they all abide by the prohibition of physical interaction as barked to them by the matron over the loudspeaker. And it's even coitus interruptus alone as, just as our gal's about to stick her hand in her panties, it's lights on for a surprise rollcall. Talk about torture by deprivation! Add up the plus and minuses and you come up with something middling.

Bar-room singer Rachel Foster (Linda Haynes) is wrongly convicted of murder and winds up in a correctional facility where mad Dr. Kline (Geoffrey Lewis) is conducting experiments on the prisoners.

Considering its lurid title, promisingly perverse premise and 'video nasty' label, I was expecting (or should that be 'hoping for') Human Experiments to be a sleazy slice of 'women in prison' depravity in the vein of fellow 'nasties' Women Behind Bars or Love Camp 7; instead, it turned out to be an extremely tame addition to the WIP genre, offering very little in the way of true deviancy, but plenty of the dull kind of drama that typifies your average made for TV movie of the era (unsurprisingy, writer/director Gregory Goodell would go on to make plenty of these!).

Apart from the typically indelicate induction routine suffered by all new prisoners in exploitation movie jails (stripped naked, showered and given the once over by a tough nurse), and a brief (non-explicit) masturbation scene, nothing particularly sexy or sordid happens in this prison, with a distinct lack of hot lesbian inmates, despicable male guards, or communal bathing. Dr. Kline's experiments also prove to be extremely disappointing: there's no electrodes on the nipples or surgery without anaesthetic, but rather a series of psychologically traumatising episodes designed to reduce the prisoner to a childlike state, after which they are to be rebuilt as model citizens.

If you don't like creepy crawlies, then the scene where Haynes is covered in cockroaches, spiders and other assorted bugs might prove cringe-worthy, and trash fans should find the delightfully silly (and rather unlikely) ending to be amusing, but in all honesty, this is one of the least offensive 'video nasties' on the entire list and only worth watching if you're intent on seeing all of the films vilified by the BBFC during the 80s.

3.5 out of 10, generously rounded up to 4 for a fun cameo from Aldo Ray as a lecherous bar-owner, and the brief full-frontal nudity from Ms. Haynes.

Country singer Rachel Foster (Linda Haynes) is undoubtedly the unluckiest person alive as she stumbles upon a young kid who has just slaughtered his family. She shoots the kid (he goes into a coma), resulting in a life sentence after the crooked Sheriff pins all the murders on her. But this is no ordinary prison as the Warden (Mercedes Shirley) and Dr. Kline (Geoffrey Lewis) are conducting bizarre behavioral experiments on their charges. My Aldo Ray mini-marathon continues with this sleazy exploitation flick. Ray pops up in the first 15 minutes as a lecherous bar owner who tries to get it on with our lead. There are some memorable bits in this and, on a whole, it is a pretty solid WIP entry with a few nice twists. Lewis does a great job as the creepy doctor and their is a nice supporting role from Ellen Travolta. Haynes is an attractive lead and isn't afraid to deliver the genre required nudity. The only odd thing is the filmmakers having her sing to terrible vocals supplied by someone else. The film's oddity highlight though is the Warden booking the band Satan & The Lucifers to perform for her inmates. Director Gregory Goodell excels in the film's last third where Foster's nightmares come to life to haunt her. Sadly, he went on to Lifetime movies exclusively after this.

Under-rated 70s actress Linda Haynes ("Coffy", "Rolling Thunder") gets top billing in this so-so W.I.P. (Women In Prison, for those not in the know) exploitation-thriller. She's lovely and appealing, and is a sympathetic character in this tale of an aspiring young singer-songwriter who ends up jailed for multiple murders (due to largely circumstantial evidence). The place she gets sent to is one of those typical hellholes common to cinema, and there the nefarious prison shrink (top character actor Geoffrey Lewis, "Thunderbolt and Lightfoot"), who's in cahoots with the warden (Mercedes Shirley), conducts bizarre "rehabilitation" experiments.

"Human Experiments" is stacked with cliches / expectations of the genre, such as the standard leering redneck types (like the hotel & saloon owner Aldo Ray ("Pat & Mike")), the appreciated birthday-suit shots, lesbianism, a catfight, and the overwhelmingly seedy environments. It's not exactly hard to feel bad for Rachel and disgusted with the slimy Dr. Kline. There is a little bit of gore, as well, and director Gregory Goodell capitalizes on peoples' aversion to insects and arachnids by inundating poor Ms. Haynes with a variety of creepy-crawlies. She gets put through the ringer, which might account for "Human Experiments" ending up on the notorious "Video Nasties" list.

Overall, the movie is reasonably entertaining, although this viewer would be lying if he said that very much of interest ever happens. At least the evil shrink Dr. Kline provides a fresh spin on a genre that had flourished throughout the 1970s. The ending provides some satisfaction, but is not really well-thought-out.

The better-than-average cast does help, complete with appearances by the likes of Ellen Travolta (Johns' older sister), Jackie Coogan ('The Addams Family'), Lurene Tuttle ("Psycho"), Darlene Craviotto ("I Never Promised You a Rose Garden"), and Marie O'Henry ("Three the Hard Way").

"Human Experiments" is absurd, amusing, and in general a hoot, if too tame for hardcore exploitation lovers.

Six out of 10.