O acampamento Crystal Lake está fechado há mais de 20 anos. O novo proprietário do acampamento e sete jovens conselheiros estão preparando a propriedade para reabertura, apesar dos avisos de... Ler tudoO acampamento Crystal Lake está fechado há mais de 20 anos. O novo proprietário do acampamento e sete jovens conselheiros estão preparando a propriedade para reabertura, apesar dos avisos de uma "maldição" por parte dos residentes locais.O acampamento Crystal Lake está fechado há mais de 20 anos. O novo proprietário do acampamento e sete jovens conselheiros estão preparando a propriedade para reabertura, apesar dos avisos de uma "maldição" por parte dos residentes locais.
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Resumo
Reviewers say 'Friday the 13th' faced mixed to negative reviews initially but is now a revered 80s horror classic. Despite criticism for its derivative plot and clichéd characters, the film's atmospheric tension, Savini's gory effects, and Manfredini's score are highly praised. Notable performances by Palmer and King stand out. Its commercial success, grossing nearly $60 million, led to a prolific franchise. The film's impact on the slasher genre is significant, establishing a template for future horror movies.
Avaliações em destaque
In 1980, two years after "Halloween" scared the hell out of everybody, "Friday the 13th" was released to theaters. This was a clever knockoff of the John Carpenter horror classic, only this one was more violent and gruesome. That aspect turned critics off big time. But moviegoers couldn't resist. They flocked to see this movie and made it a big hit. I never saw this film on the big screen because I was only 9 years old when it came out. After I saw it on cable a few years later, it scared the hell out of me! It doesn't scare me that much today, but it's a far more effective horror/thriller than the last five movies in the series (parts 5 through 9). They should have stopped making these "Friday the 13th" movies after the fourth film, which was subtitled "The Final Chapter". And you know what's even scarier, they're making part 10. "Friday the 13th" was the beginning of the sick slasher genre that played out during the early 1980s. The first films in both the "Halloween" and "Friday the 13th" series' were easily the best. "Halloween" was a great horror film. "Friday the 13th" isn't up there with "Halloween", but it's a well-crafted gorefest.
*** (out of four)
*** (out of four)
I'll always have a soft-spot in my heart for the "Friday the 13th" franchise. Especially as an 80's baby/90's kid who grew up in a pop- culture environment where the psychotic hockey-masked killer Jason was known and loved by pretty much everyone... even kids like me who didn't see the films until we were older and only vaguely knew what they were about thanks to the whisperings and hints of our older siblings who were actually allowed to see the movies. (Usually renting them 2 or 3 at a time on trusty old VHS from the local Video King to watch after we younger brothers and sisters went to bed.)
At the time this review is being posted, the franchise has been running strong for well over 35 years. Boasting 10 films in its original continuity, the fabulously entertaining (and dopey as heck) cross- over spin-off "Freddy VS Jason", a somewhat underrated reboot in 2009 and a planned new film due out sometime within the next year or two.
But even a franchise so huge has to start with a small, humble beginning. Before the fame. Before the recognition. Before the birth of the pop-culture idol that the series spawned.
Yes, it all started with a teeny-tiny production back in 1980- the original "Friday the 13th."
It's almost impossible to really discuss this film critically without delving into spoiler territory (which I try to avoid in my reviews), though I will try my hardest to do so.
The film revolves around a group of young Camp Counselors who are prepping the infamous Camp Crystal Lake for a reopening about 20 years after a mysterious double-murder and a tragic drowning involving a young child. However, it appears someone isn't exactly a happy camper and doesn't want Crystal Lake back in business, and this mysterious figure begins to pick off our protagonists one-by- one until a tense climax reveals the dreaded truth...
It's no surprise at all that the film is essentially a glorified rip-off of the iconic slasher-horror that is John Carpenter's "Halloween." Director/Producer Sean S. Cunningham has been pretty candid about essentially wanting to create his own "roller-coaster" version of the Carpenter Classic with this film. Heck, they had ads and posters in the paper before the script was even written.
But the problem I really have with the film is that it all feels so routine. Even often boring and sometimes toothless. While it may not be fair to judge it by modern standards, even for its time, it just doesn't have that much going for it. (Especially as the very same year of release, such classics as "The Shining" and the underrated "The Changeling" were chilling audiences to the bone.) It's a very aimless, meandering film, with sloppy plotting and far too much focus placed on seemingly-pointless sequences for it to attain the "roller-coast" feeling the director was going for. The first half of the film is just too much a chore to slog through. And once the horror finally kicks in, it's just the same rinse-and-repeat formula scene-after-scene, with really only a few gruesome deaths here and there to pique audience interest. All those old clichés and tropes that even at the time had become slightly predictable.
Now, I know what you're saying- those are the things people love about these flicks. The clichés and the gore-galore. But it's so slowly paced and messy in this movie, it's hard to really get into it. It really isn't until the plethora of sequels that the formula is established and the pacing is tightened enough for those clichés and tropes to finally become fun and entertaining.
As it stands, "Friday the 13th" does have its place in horror royalty. But I firmly believe it's more for spawning the long- running franchise that followed and less for the quality of the film itself.
Oh, and I guess it's also kinda famous for introducing some guy named Kevin Bacon as a supporting character... but I'm not sure if he actually went anywhere after this.
(Please appreciate the obvious sarcasm there. I loves the Bacon!)
"Friday the 13th" gets a middle-of-the-road 5 out of 10 from me. It's worth seeing because of its important part in the history of the overall franchise. But it's one of the weaker entries and lacks the style and entertainment seen in later films.
At the time this review is being posted, the franchise has been running strong for well over 35 years. Boasting 10 films in its original continuity, the fabulously entertaining (and dopey as heck) cross- over spin-off "Freddy VS Jason", a somewhat underrated reboot in 2009 and a planned new film due out sometime within the next year or two.
But even a franchise so huge has to start with a small, humble beginning. Before the fame. Before the recognition. Before the birth of the pop-culture idol that the series spawned.
Yes, it all started with a teeny-tiny production back in 1980- the original "Friday the 13th."
It's almost impossible to really discuss this film critically without delving into spoiler territory (which I try to avoid in my reviews), though I will try my hardest to do so.
The film revolves around a group of young Camp Counselors who are prepping the infamous Camp Crystal Lake for a reopening about 20 years after a mysterious double-murder and a tragic drowning involving a young child. However, it appears someone isn't exactly a happy camper and doesn't want Crystal Lake back in business, and this mysterious figure begins to pick off our protagonists one-by- one until a tense climax reveals the dreaded truth...
It's no surprise at all that the film is essentially a glorified rip-off of the iconic slasher-horror that is John Carpenter's "Halloween." Director/Producer Sean S. Cunningham has been pretty candid about essentially wanting to create his own "roller-coaster" version of the Carpenter Classic with this film. Heck, they had ads and posters in the paper before the script was even written.
But the problem I really have with the film is that it all feels so routine. Even often boring and sometimes toothless. While it may not be fair to judge it by modern standards, even for its time, it just doesn't have that much going for it. (Especially as the very same year of release, such classics as "The Shining" and the underrated "The Changeling" were chilling audiences to the bone.) It's a very aimless, meandering film, with sloppy plotting and far too much focus placed on seemingly-pointless sequences for it to attain the "roller-coast" feeling the director was going for. The first half of the film is just too much a chore to slog through. And once the horror finally kicks in, it's just the same rinse-and-repeat formula scene-after-scene, with really only a few gruesome deaths here and there to pique audience interest. All those old clichés and tropes that even at the time had become slightly predictable.
Now, I know what you're saying- those are the things people love about these flicks. The clichés and the gore-galore. But it's so slowly paced and messy in this movie, it's hard to really get into it. It really isn't until the plethora of sequels that the formula is established and the pacing is tightened enough for those clichés and tropes to finally become fun and entertaining.
As it stands, "Friday the 13th" does have its place in horror royalty. But I firmly believe it's more for spawning the long- running franchise that followed and less for the quality of the film itself.
Oh, and I guess it's also kinda famous for introducing some guy named Kevin Bacon as a supporting character... but I'm not sure if he actually went anywhere after this.
(Please appreciate the obvious sarcasm there. I loves the Bacon!)
"Friday the 13th" gets a middle-of-the-road 5 out of 10 from me. It's worth seeing because of its important part in the history of the overall franchise. But it's one of the weaker entries and lacks the style and entertainment seen in later films.
I'll concede right off that it's very hard to be objective in reviewing this movie. The truth is I've never seen it until today, but it's spawned so many sequels and become such a part of popular culture (for better or worse) that it's stamped into your mind whether you've seen it or not. Trying to be objective I'd say - it's not bad. It's not as good as what I would consider to be the classic of the slasher movies (1978's Halloween) but it has some moments of pretty good suspense and somewhat surprisingly to me I found that it wasn't a "gore-fest." There's violence and blood but the murders, while they're portrayed, tend to be shown quickly and the movie moves on fairly quickly. The setting is used pretty well to create atmosphere - the movie is set in a remote camp about to be re-opened after being closed for over 20 years following the murders of two counsellors in 1958. Those murders kick off the movie. There's some decent camera-work, as the camera serves as the eyes of the killer, and at times that effect is used when the camera isn't being used as the eyes of the killer, so there's a bit of uncertainty for the viewer. It is a bit of a chuckle that this movie uses as its setting the classically bad opening of terrible novels ("it was a dark and stormy night.")
The performances were OK, if a little bit forced and artificial at times. Adrienne King did a good job near the end of the movie as the terrified Alice. Kevin Bacon had a role in this as Jack, but it wasn't the lead role, and aside from him no one from the movie rose to any significant stature in Hollywood and there was certainly no Jamie Lee Curtis (see Halloween) among the female leads, although there were many shots of young and cute women in various stages of undress!
Strange to say, but in some ways knowing the basic outline of how the series progresses adds to the suspense at the end of the movie as to the identity of the killer, and does get you wondering how the heck this is going to lead to sequels - or at least to the sequels it led to, although Alice's last line ("then he's still out there") clearly establishes that those responsible for the movie were already looking ahead to the sequels. Not having been really interested in the series before this, I will confess that, having seen the first instalment, I now have a certain curiosity to see how the second instalment is constructed. 7/10
The performances were OK, if a little bit forced and artificial at times. Adrienne King did a good job near the end of the movie as the terrified Alice. Kevin Bacon had a role in this as Jack, but it wasn't the lead role, and aside from him no one from the movie rose to any significant stature in Hollywood and there was certainly no Jamie Lee Curtis (see Halloween) among the female leads, although there were many shots of young and cute women in various stages of undress!
Strange to say, but in some ways knowing the basic outline of how the series progresses adds to the suspense at the end of the movie as to the identity of the killer, and does get you wondering how the heck this is going to lead to sequels - or at least to the sequels it led to, although Alice's last line ("then he's still out there") clearly establishes that those responsible for the movie were already looking ahead to the sequels. Not having been really interested in the series before this, I will confess that, having seen the first instalment, I now have a certain curiosity to see how the second instalment is constructed. 7/10
'Friday the 13th' may have been panned by critics when first released but since then it is one of the most famous and influential horror films, the franchise containing one of horror's most iconic villains. The film is popular enough to become a franchise and spawn several sequels of varying quality and generally inferior to the one that started it all of.
Is 'Friday the 13th' an original film in terms of overall story? No, having been, and still is, compared to 'Halloween' (released two years earlier). One can see why somewhat, it is derivative in a way but to me it didn't come over as a direct rip off. 'Friday the 13th' is far from the best when it comes to acting, excepting Betsy Palmer (very good) and Adrienne King (charming). The others are average at best, though it was interesting to see Kevin Bacon in an early role pre-stardom.
Nor is it the best when it comes to dialogue. Much of it is very crude and cheesy. Or character development, while the characters are actually still easy to sympathise with to some extent they are stereotypes that we don't know an awful lot about generally.
However, while it may not be a "great" film, 'Friday the 13th' is great guilty pleasure fun and it is very easy to understand its popularity and influence. It's very gory and gruesome, though not pointlessly so, but it is also very frightening and suspenseful.
This is apparent in the deaths, which couldn't have been more creative or shocking, and the hauntingly eerie music score. 'Friday the 13th' is assuredly directed and moves along at a lively pace. The late reveal is for the better and works very well. The climax is a long way from a petering out one, instead the film goes out on a very strong bang, right up to the unexpected and freaky final jolt clearly inspired by 'Carrie'.
Overall, good fun and very scary even if not exactly classified as great. 7/10 Bethany Cox
Is 'Friday the 13th' an original film in terms of overall story? No, having been, and still is, compared to 'Halloween' (released two years earlier). One can see why somewhat, it is derivative in a way but to me it didn't come over as a direct rip off. 'Friday the 13th' is far from the best when it comes to acting, excepting Betsy Palmer (very good) and Adrienne King (charming). The others are average at best, though it was interesting to see Kevin Bacon in an early role pre-stardom.
Nor is it the best when it comes to dialogue. Much of it is very crude and cheesy. Or character development, while the characters are actually still easy to sympathise with to some extent they are stereotypes that we don't know an awful lot about generally.
However, while it may not be a "great" film, 'Friday the 13th' is great guilty pleasure fun and it is very easy to understand its popularity and influence. It's very gory and gruesome, though not pointlessly so, but it is also very frightening and suspenseful.
This is apparent in the deaths, which couldn't have been more creative or shocking, and the hauntingly eerie music score. 'Friday the 13th' is assuredly directed and moves along at a lively pace. The late reveal is for the better and works very well. The climax is a long way from a petering out one, instead the film goes out on a very strong bang, right up to the unexpected and freaky final jolt clearly inspired by 'Carrie'.
Overall, good fun and very scary even if not exactly classified as great. 7/10 Bethany Cox
Friday the 13th (1980) kicked started the early 80's slasher film phenomenon that was ignited by Halloween (1978) but fueled intensely by this reworking of the Mario Bava classic "Twitch of the Death Nerve". Once Friday the 13th was released, there was no turning back. The slasher film was part of the American horror film genre and it would remain that way for years to come. A film that launched countless knock-offs, wannabes, sequels and a t.v. series?! Camp Crystal Lake and the Friday the 13th film franchise are a part of Americana. The film is merely a stage for the splatter effects of F/X maestro Tom Savini. They were later toned down for it's American release and were softened even further during it's video release.
The movie itself isn't that great. Technically it's boring. To get the most out of the film you have to watch it uncut. Friday the 13th was designed around Savini's gory set pieces. Watching them with out it is like drinking a mayonnaise soda. I encourage you to seek out the uncut version of this film. Recommended.
A (uncut)
D (American version)
The movie itself isn't that great. Technically it's boring. To get the most out of the film you have to watch it uncut. Friday the 13th was designed around Savini's gory set pieces. Watching them with out it is like drinking a mayonnaise soda. I encourage you to seek out the uncut version of this film. Recommended.
A (uncut)
D (American version)
Você sabia?
- CuriosidadesThe movie was filmed at Camp No-Be-BoSco in Blairstown, New Jersey. It is a Boy Scout Camp that is still in operation, and it has a wall of Friday the 13th (1980) memorabilia to honor that the movie was set there.
- Erros de gravação(at around 40 mins) When Brenda rolls the dice to start the strip Monopoly game, she says she rolls double sixes and gets to roll again, but you can clearly see the 1 and 2 she actually rolled. The same for the guy, who clearly rolled a 10, though it's said that he rolled an 8.
- Citações
Crazy Ralph: You're doomed! You're all doomed!
- Cenas durante ou pós-créditosWe see giant letters proclaiming 'Friday the 13th' moving toward the screen, and crashing into and smashing a pane of glass.
- Versões alternativasAs of the 11/09/2003, the BBFC passed "Friday the 13th" completely uncut, and Warner Bros. has restored the original gory version for release on Region-2 DVD with a total of 34 seconds of footage restored. Much of the extra running time comprises different opening logos and about 11 seconds of gore has been restored to the death scenes of Annie, Marcie, Jack, and Pamela Voorhees.
- ConexõesEdited into Sexta-Feira 13 - Parte 2 (1981)
- Trilhas sonorasSail Away, Tiny Sparrow
(uncredited)
Written by Harry Manfredini and John R. Briggs
Performed by Angela Rotella
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Viernes 13
- Locações de filme
- Camp Nobebosco - 11 Sand Pond Road, Blairstown, Nova Jersey, EUA(Camp Crystal Lake)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 550.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 39.754.601
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.816.321
- 11 de mai. de 1980
- Faturamento bruto mundial
- US$ 39.920.998
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