A Fórmula

Near the end of WWII, the Nazis hope to trade a truck load of secret documents for amnesty with the Americans. General Helmut Kladen (Richard Lynch) is tasked to bring the truck to the Americans at the Swiss borders. Years later, LAPD Barney Caine (George C. Scott) is investigating the murder of Tom Neeley. Neeley was the Major who intercepted the Nazi truck. With his last effort, he writes 'Gene' with his blood. Titan Oil chairman Adam Steiffel (Marlon Brando) becomes part of the investigation but he has powerful influences. Caine goes to Germany to investigate an old secret operation codenamed Genesis which he suspects is connected to the case. He uncovers a Nazis formula for making gasoline from coal which oil interests are willing to kill to bury.

This thing is slower than molasses. Director John G. Avildsen is very hit and miss. This is definitely a miss. The investigation is a grind. It reminds me of TV police procedurals of that era. George C. Scott is the only driving force in the movie. He is pushing this through only by his will power. Marlon Brando looks old and fat. He's fine as a villain and it's nice to see him. The movie isn't asking much from him.

The premise is compelling and would make a good thriller. The movie is just too slow for too long. It desperately needs more action and much better pace. It's good to see two acting icons but I wish they had a better movie to act in. I have to comment on the Nazi strip club. I don't like it not because it's controversial, but because it looks so cheesy. Like the movie, it needed better style to make something more compelling.

Exciting story about a cop involved into an international intrigue referred to high-finance, it begins from the end WWII to the present. This thriller concerns about a veteran Inspector (George C Scott), Lt. Caine LAPD, he has to investigate two murders , it leads an insidious scheme to get a formula about a secret for synthetic fuel called Genesis and he will not stop at nothing . Caine is drawn into a criminal whirlpool. He becomes unwittingly involved to Nazi plots, along with a beautiful model (Marthe Keller). Hard-noised Caine is only helped by an agent, his oriental sidekick against a mysterious organization ruled by a mean billionaire (Marlon Brando). Meanwhile suspicious start to be killed one by one. Later on, Caine gets the formula that is hidden into a safety box and is aware which the nasties know whether or no it is safe to go to pick it up.

This intriguing movie packs action, suspense ,thrills,a love story, treason, and is quite entertaining. This intense thriller holds your interest throughout, however it contains some flaws and confusion. Certainly is worth watch seeing for George C Scott's brilliant, credible performance as obstinate cop. Good secondary cast as John Gielgud , G.D. Spradlin,Marshall Thomson,Wolfgang Preiss,Richard Lynch , among others. Interesting movie but with some holes and gaps and ridiculous scenes .

The film contains adequate and atmospheric cinematography by James Crabe. Suspesnseful and long-standing score by Bill Conti, director's usual . The picture is regularly directed by John G Avildsen. He is a nice director who has mixed more karate Kid and Rocky films with such feel-good message films as ¨Power of one, or ¨ Lean on me¨. Rating : passable and acceptable, 5,5.

Released in 1980, "The Formula" is a star-studded crime/thriller about a Los Angeles detective (George C. Scott) who investigates the murder of his friend, a retired cop, which leads to Germany and a Nazi formula for synthetic fuel that big oil naturally wants to suppress at all costs. Marlon Brando plays a shady oil tycoon but only appears for roughly 17 minutes of the almost 2-hour runtime.

The film is top-of-the-line as far as cast, location, cinematography and score go. It starts off like a Dirty Harry flick substituting Scott for Eastwood with his Asian sidekick, but the plot's complicated and there's not enough action for Dirty Harry fans. The rest of the film seems like an episode of Columbo mixed with Scott's "Hardcore" (1979) where he goes undercover in Southern California investigating his daughter's disappearance.

The highlights include the WW2 & Nazi elements, acting giants Scott and Brando, the lovely Marthe Keller, the rest of the cast, the great locations (California, Germany and Switzerland) and the emphasis on dialogue above thrills, which may be a detriment to some. Regarding the Nazi elements, there's a brief strip club scene in Europe where Nazi imagery is used as a backdrop for the dancers, fittingly showing how yesterday's unspeakable horrors are forgotten by the next generation and utilized for entertainment or recreation.

Brando has proved time and again that he has a knack for playing weird, quirky characters ("The Missouri Breaks", "Apocalypse Now", "The Godfather" and "The Island of Dr. Moreau") and he does this here with his portrayal of an oil executive based on Armand Hammer of Occidental Petroleum, but with so-so results. Still, you've gotta give him credit for trying and Brando is always entertaining.

The main problem here is the convoluted plot. There are so many names it's hard to keep up. So I recommend using the subtitles as it helps you keep track. Another issue is how the fate of certain people is redundant and therefore becomes predictable (I'd say more, but I don't want to spoil anything).

So "The Formula" is a mixed bag, but its strengths outweigh it's weaknesses. It's worthwhile if you're a fan of the stars and if you're in the mood for a thought-provoking, globetrotting crime/drama/thriller that's heavy on talk and light on thrills.

GRADE: B-

I saw this movie when it came out in 1980 and enjoyed it immensely with all of the twists and turns keeping me thinking the whole time. Yes, Marlon and George were perfect for their respective roles. Brando playing the aging corporate bad guy who knows the score, and Scott an over the hill cop who gets his teeth into something he just can't seem to let go of. Both, to me, fit their respective characters well. The nature of the plot, although kept vague was necessary for the internal intrigue to build. Still, many did not like this forced need to contemplate the many aspects of this film as it was being seen. Yet, I wonder if those who did not enjoy this movie as I did might not find it more interesting if viewed today with gas heading toward $4 and then maybe $5 a gallon? Does everyone need to have everything shown to them in a movie or am I just one of the few who's head doesn't hurt when I use it for what it was designed to do? Enjoy this movie for what it is, a commentary on human greed and power.

The reviews for this movie have been rather consistently poor--both when it was released and on IMDb. For some reason, I actually liked this film--maybe I have bad taste, but I found it to be a very pleasant surprise! Maybe some of my positive regard for this is because I like George C. Scott so much and because I like paranoid and depressing movies (and this one has all these elements). In fact, I am guessing that the depressing nature of the film is much of the reason why others dislike it (there are a lot of murders in the movie). But I liked it for the odd plot--about the evil oil producers trying to suppress a secret for a cheaper fuel through murders and payoffs. But, if you do decide to watch this film, please try to remember that it's only a film. This is not a piece of non-fiction!

UPDATE--8/08. I re-watched this film (something I rarely do) and was surprised how dull I found it a second time. While I still liked the paranoid plot involving a worldwide oil conspiracy, this time I noticed that the film was a bit too talky and the plot a bit too convoluted. Plus, and I know Brando fans will hate me for saying this, but his acting seemed a tad over-done. Still, it's a decent film even if I did knock my original score from 8 to 6.