A fórmula de produção de combustível sintético, inventada pelos nazistas no final da Segunda Guerra Mundial, é procurada por alguns que querem vendê-la e por outros que desejam destruí-la.A fórmula de produção de combustível sintético, inventada pelos nazistas no final da Segunda Guerra Mundial, é procurada por alguns que querem vendê-la e por outros que desejam destruí-la.A fórmula de produção de combustível sintético, inventada pelos nazistas no final da Segunda Guerra Mundial, é procurada por alguns que querem vendê-la e por outros que desejam destruí-la.
- Indicado a 1 Oscar
- 7 indicações no total
Avaliações em destaque
I can remember that just prior to the opening of the film at Christmas of 1980 it became public knowledge that the studio (with the backing of writer Steve Shagan) took the film away from director John Avildsen. Shagan wanted many changes made so Avildsen sent a long memo to the studio outlining Shagan's apparent wrong decisions with the editing. The studio seemed to agree - somewhat. Some of Avildsen's suggestions were restored while others weren't. Thankfully the Brando speech that I mentioned above was not cut per Shagan's request. Avildsen believed that because Brando basically improvised the scene Shagan was not happy with it.
Come to think of it I think I would have rather seen a movie based on the internal battles of the studio/writer and the director then this mess. Whomever is to blame, and it's probably 50-50, "The Formula" is a major disappointment considering all the talent involved.
Unlke some other reviewers, I thought the film moved along at a nicely orchestrated pace, making it, perhaps, a more analytical movie than a Hollywood flash-and-dash melodrama. The film follows a logical progression of events that lets the viewer absorb the contents in easy to swallow doses, that is, as long as he/she pays attention to the plot development.
I was impressed by mostly all the actors, especially Marthe Keller, who acquitted herself very well in her portrayal by staying well within her character and by her impeccable timing and fluid delivery. Mr. Brando's rather short stint in the film was punctuated by terse, cynical and penetrating dialog, playing the enterprising villain who continually cuts to the chase with large doses of street-wise metaphors. George C., as usual, is a no-nonsense good cop who only wants to see justice prevail, regardless of who gets burnt. Yet inside him, demons from the past lurk and can't help but surface from time to time: you can see it in the non-verbal communication that Mr. Scott so characteristically exudes.
Thanks to TCM for showing these kinds of films that are usually omitted on other movie channels.
However. The performances are fresh and fun and strangely lively, all the actors are magnificent, and true or not- it's a nice little commentary on modern greed in America (and the world).
A fun watch if you've nothing better to do than watch great actors go head to head.
UPDATE--8/08. I re-watched this film (something I rarely do) and was surprised how dull I found it a second time. While I still liked the paranoid plot involving a worldwide oil conspiracy, this time I noticed that the film was a bit too talky and the plot a bit too convoluted. Plus, and I know Brando fans will hate me for saying this, but his acting seemed a tad over-done. Still, it's a decent film even if I did knock my original score from 8 to 6.
Você sabia?
- CuriosidadesMarlon Brando told Lawrence Grobel ("Conversations with Brando") that this movie, which he only made for the money, as he was broke, was ruined in the editing room, with the humor of his scenes cut out.
- Erros de gravaçãoThe basic premise of the movie (that oil companies are hiding a "secret" formula for converting coal into gasoline) is false, as the formula is well known and has been known for a very long time. It's readily accessible.
- Citações
Barney Caine: Let me tell you something. If I didn't have a son that still loved me, I'd blow your fuckin' brains out all over that wall back there... right here, right now. But I'm not in the murder business... and you're not worth one more minute of my time.
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- How long is The Formula?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- Também conhecido como
- The Formula
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Bilheteria
- Orçamento
- US$ 13.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 8.894.289
- Fim de semana de estreia nos EUA e Canadá
- US$ 842.985
- 21 de dez. de 1980
- Faturamento bruto mundial
- US$ 8.894.289