Babylon
- 1980
- 1 h 35 min
AVALIAÇÃO DA IMDb
7,3/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe movie centres around Brindsley Forde's character Blue. He fronts a reggae sound system based in South West London (Brixton). The film captures the trials and tribulations of young black ... Ler tudoThe movie centres around Brindsley Forde's character Blue. He fronts a reggae sound system based in South West London (Brixton). The film captures the trials and tribulations of young black youths in troubled London in the early eighties.The movie centres around Brindsley Forde's character Blue. He fronts a reggae sound system based in South West London (Brixton). The film captures the trials and tribulations of young black youths in troubled London in the early eighties.
- Direção
- Roteiristas
- Artistas
Beverley Michaels
- Elaine
- (as Beverly Michaels)
T-Bone Wilson
- Wesley
- (as T.Bone Wilson)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Saw USA release in the theatre in Austin and it beat my hopes. Great soundtrack and a story that is still pertinent to today. Sad it took so long. Need this in more mediums.
Babylon is a slice of Black British life in London in the late 70s and early 80s and given the Brixton riots of 1981 this film was strangely prescient.
The film revolves around racism from police, violence against blacks, poverty, disillusionment and reggae music.
Brinsley Forde from the reggae group Aswad and who had also been a child actor is a garage mechanic by day and an underground DJ by night.
The film follows him as he loses his job as a mechanic, gets beaten up by police, is falsely charged and forced to go on the run where he ends up in even more trouble.
Along with Forde, you have Mel Smith, Karl Howman, Maggie Steed and Trevor Laird as the better known performers.
While Forde's downward spiral is predictable it is a well paced film, the footage of London of that time now belongs to another era.
The use of music especially reggae music is an important ingredient in the film with famous Black DJs of the era making an appearance in the film.
It is low budget and harks back to another era although the message is still valid today. It deals with the issue of black racism. The racism here is open whereas today it might be more covert.
Interesting to note that these are not black youths involved in a life of crime. They are getting by in the inner city during a recession. Low paid work by day and their love of music at night.
The film by Martin Stellman and Franco Rosso is rarely shown on British TV, is an important document of 1980s British filmmaking.
The film revolves around racism from police, violence against blacks, poverty, disillusionment and reggae music.
Brinsley Forde from the reggae group Aswad and who had also been a child actor is a garage mechanic by day and an underground DJ by night.
The film follows him as he loses his job as a mechanic, gets beaten up by police, is falsely charged and forced to go on the run where he ends up in even more trouble.
Along with Forde, you have Mel Smith, Karl Howman, Maggie Steed and Trevor Laird as the better known performers.
While Forde's downward spiral is predictable it is a well paced film, the footage of London of that time now belongs to another era.
The use of music especially reggae music is an important ingredient in the film with famous Black DJs of the era making an appearance in the film.
It is low budget and harks back to another era although the message is still valid today. It deals with the issue of black racism. The racism here is open whereas today it might be more covert.
Interesting to note that these are not black youths involved in a life of crime. They are getting by in the inner city during a recession. Low paid work by day and their love of music at night.
The film by Martin Stellman and Franco Rosso is rarely shown on British TV, is an important document of 1980s British filmmaking.
A nostalgic picture of imagery backed by the raw realism the style captures - 70s and 80's in LDN. It's hilarious, sad at times with a pendulum of the good and bad moments city life had to offer in the build up to the Brixton riots in 1981. Highlighting the divide between culture and colour. A moving picture that's a brilliant insight into the history. The language spoken IsIyaric (pseudo-dialect of English consciously created by members of the Rastafari movement) warms to your ears as the film progresses so no need for subtitles.
A lesson for anyone wanting to get a glimpse of racism in the UK. It's shows how two wrongs dont make a right, and the wheel of revenge goes round in circles with no true winners.
The music masterclass which always seams to be ticking over in the background, ever changing and adapted for dark moments in the film keeps you intrigued. That's is my favourite thing about it. It reminds us that we should all love eachother equally regardless, because we are all trying to make are way in this world and a little reggae heals the soul. A World class film that disserves more recognition in the modern day. 10/10 will stay fondly in the memory as a cult classic.
A lesson for anyone wanting to get a glimpse of racism in the UK. It's shows how two wrongs dont make a right, and the wheel of revenge goes round in circles with no true winners.
The music masterclass which always seams to be ticking over in the background, ever changing and adapted for dark moments in the film keeps you intrigued. That's is my favourite thing about it. It reminds us that we should all love eachother equally regardless, because we are all trying to make are way in this world and a little reggae heals the soul. A World class film that disserves more recognition in the modern day. 10/10 will stay fondly in the memory as a cult classic.
10me-2075
This was a film of it's time, I am one of the lucky ones who saw it when it premiered the one and only time on Channel 4 back when it was a new station. It features great performances by most of the cast and outstanding ones from Brinsley Forde, Karl Howman & Trevor Laird. The soundtrack to the movie is excellent and also brings back some fond memories of what life was like back in that time. People not from the UK or who are not familiar with Brixton get a real eye opener about what life for black youths, but black young men in particular was like. The deprivation, the listlessness and the treatment by the police, treatment that led ultimately to the riots in ensuing years
I cannot understand why this film wasn't released on DVD, the 25th anniversary 2 years ago would seem to have been a great opportunity. Perhaps we need a petition on the .gov.uk site to implore the powers that be to set and keep the date for release!!!
Perhaps we should arrange a big screening somewhere in the west end. I highly recommend this film. Definitely one for the collection.
I cannot understand why this film wasn't released on DVD, the 25th anniversary 2 years ago would seem to have been a great opportunity. Perhaps we need a petition on the .gov.uk site to implore the powers that be to set and keep the date for release!!!
Perhaps we should arrange a big screening somewhere in the west end. I highly recommend this film. Definitely one for the collection.
10d-leehim
you dun even CAAAAARRRREE!!!" Hard hitting film about black youths growing up in south london during the 80s, dealing with racism. The scenes where the two white police officers beat up the hero are chilling and brutally realistic. In the 70's black youth embraced rastafari and the movement allowed them to form their own identity and stay united. Brindsley Forbes is excellant, as is the soundtrack by aswad. Check out warrior charge "tune is had like concrete!" DUBPLATE!!! Why is this excellant film not on DVD or video? It has been shown on channel 4 once before and I did have it on tape but lost it.
Nowadays the only way to see it is by renting it from some black music/video shops if you can find it. Yes ronnie is the guy from brush strokes. "Fat larry your one crook" "Brixton y'acall dis?" The only OTHER film that has lyrics like this is The Harder They Come. If anyone has this on video can you please contact me so I can get a copy!
Cheers!
Nowadays the only way to see it is by renting it from some black music/video shops if you can find it. Yes ronnie is the guy from brush strokes. "Fat larry your one crook" "Brixton y'acall dis?" The only OTHER film that has lyrics like this is The Harder They Come. If anyone has this on video can you please contact me so I can get a copy!
Cheers!
Você sabia?
- CuriosidadesShaka directed the scene in which he appeared.
- Erros de gravaçãoThis is likely to be a 'deliberate error by the film-makers', but in one scene you see two characters putting up a poster advertising a gig. The date shown is Saturday 23rd December (year unspecified). The nearest year that this date fell on was 1978, which is 2 years before the film was released. It is possible that various anachronisms in the film may occur due to this, for example release dates of records, or registration number plates of new cars.
- ConexõesReferences Alien - O 8º Passageiro (1979)
- Trilhas sonorasWarrior Charge
Performed by Aswad
Principais escolhas
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- How long is Babylon?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 109.749
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.214
- 10 de mar. de 2019
- Faturamento bruto mundial
- US$ 111.456
- Tempo de duração1 hora 35 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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