Vacanze per un massacro

There must have been a sharp drop in budgets here as Fernando De Leo goes from huge sweeping Eurocrime epics to...an old house out in the country with four actors in it, complete with recycled music from earlier, and better films.

That's your first warning sign right there. The theme tune for Milano Calibro 9 plays over footage of Joe Dallesandro escaping from prison and killing two farmers. He then heads off to a house in the country he has a special interest in, only to find that it has been bought over by a man and wife combo, complete with evil nymphomania sister who is having an affair with her brother in law.

There's something under the fireplace Joe wants, but maybe Joe wants a little bit of action too. While the man is out hunting, the wife out shopping, and the horny sister out sunbathing while wearing what looks like just a headscarf, Joe knocks her out and brings her into the house while he digs out the fireplace. When the sister wakes up, instead of pouncing on her, Joe makes her do some digging instead.

They do get in on eventually however, but the sister likes it of course. When the wife and the husband return, Joe starts playing them off each other, but to be honest with you this film never really gets going at all, including the predictable ending.

You could never say that Joe Dallesandro was ever going to win an oscar for acting, but here it seems like he just cannot be bothered at all! He just kind of threatens people and bulges his eyes out a bit. The whole thing comes across as being a bit half-arsed, like Fernando De Leo was just going through the motions. There's a bit of nudity to keep you awake a bit, but this is bare bones, plotless crap.

Escaped convict, Joe Brezzi (Joe Dallesandro) is on the run. Before the opening credits, he's already committed two murders. Brezzi arrives at a villa where a man and two women are staying. He watches, as copious nudity and love scenes take place. Joe takes a nap, awakens, and moves in on the trio.

We soon learn that Brezzi is a bit too familiar with this villa. He knows the place, and seems to be looking for something.

MADNESS is a preposterous crime / thriller, that's mostly an excuse for softcore, simulated sex scenes, interrupted by sudden, rather tame outbursts of violence. In between assaults, Brezzi spends most of his time grimacing and squinting a lot.

Be forewarned, much of the story is taken up by the family troubles of the three victims. In other words, this movie is pretty dull, in a soap opera sort of way. So, don't expect non-stop action or thrills.

The semi-bloody "shock" finale is okay, but hardly makes up for the rest of this nonsense...

Paula and Sergio are married and own the small house in the mountains where they only travel to at weekends and Lillian is Paula's sister,who just happens to be having an affair with Sergio.Sergio is going hunting,Paula is going shopping and Lillian is staying home to sunbathe naked.Lillian puts on the radio and we hear a news report a thief and murderer who has escaped from jail and is on the loose after murdering farmer with a pitchfork.The criminal named Joe Brezy has stolen the car and is hiding near the house.He has buried 300million lira in the house(from the previous robbery).Joe takes the three of them hostage whilst he digs for his loot.When he finally gets his loot he plays Paula,Lillian and Sergio against each other telling Paula about the affair her husband and sister are having."Vacanze per Uno Massacre" is a cheaply made thriller highly influenced by rape and revenge sub-genre.Lorrainde de Selle provides lots of full-frontal nudity and the climax is violent and memorable.It's a crying shame that this nasty little tale of sexual tension is so obscure.8 out of 10.

An escaped convict called Joe Brezzi (Joe Dallesandro) returns to the farmhouse where he stashed money from one of his robberies, but finds the farmhouse now occupied by a married couple (Gianni Macchia and Patrizia Behn) and the wife's sister (Lorraine DeSalle). This film from director Fernando Di Leo (which he co-wrote with Mario Gariazzo) was released in 1980 and is one of those hostages being held (and terrorised) by a madman films. It's essentially a four hander set largely in the farmhouse (you can imagine it as a kind of lurid play) and involving a bit of voyeurism (peeking through windows) and soft core porn scenes. Joe bounces around in a pair of jeans and a vest showing off his muscles and 'Little Joe's tattoo, whilst doing a manic eyed number. It all seems rather slow.

A husband and wife (Gianni Macchia and Patrizia Behn) go to their country cottage along with the wife's younger, university-student sister (Lorraine DeSalle) with whom the husband is having a secret affair. They run into an escaped convict (Joe Dallesandro) who has hidden a cache of money in the cottage. The convict gets the upper-hand over the husband and holds the trio hostage, having his way with both of the women. It doesn't really end well for anybody.

Although it was directed by the respected Italian genre director Fernando DiLeo, this is actually an Italian "terror film",a sleazy and disreputable cycle films that involve lower-class cretins brutalizing, raping, and generally terrorizing wealthy bourgeois-type characters. These films were all indirectly influenced by the notorious American film "Last House on the Left", but the more proximate influence was no doubt other Italian films like "Late Night Trains" and "Hitchhike". These films differ somewhat from "Last House" and the American "rape-revenge" films in that they generally have a little less gory violence and trade more in humiliation and softcore sex. The victims in the Italian films are often unsympathetic hypocrites who might be as bad or even worse than their lower-class assailants. Most controversially, the (invariably sexy) female victims in these films almost always manage to develop a case of sexual Stockholm's syndrome either willingly having sex with one or more of their attackers, willingly having sex with one and getting raped by the others (a la "Straw Dogs"), or worst of all getting raped but ending up enjoying the experience.

Lorraine DeSalle plays the sexual Stockholm syndrome victim here. But she's such an amoral, grasping, nymphomaniacal character to begin with, who is willing to betray her sister and manipulate both of the men in any way necessary in order to get her own hands on the money, that her character doesn't come off as particularly offensive (just not very believable). The wife is a good character and the husband is OK (albeit totally unsympathetic). The real weak link is Joe Dallesandro, who plays the lone criminal (usually in "terror" films there's more than one criminal). This would have been FAR more effective if this role had been played by another American, David Hess, who was the villain in "Last House", "Hitchhike", and most notorious and harrowing Italian "terror" film, "House by the Edge of the Park". Former Warhol "superstar" Dallesandro though is much more of a male model than an actor and not very menacing (it's kind of like being held hostage by "Zoolander").

This is better than any of the Italian "terror" films except "Hitchhike" and "Late Night Trains" (but that's not much of a compliment). It's better made, but far less harrowing than "House by the Edge of the Park" (although the gorgeous DeSalle, who was in both films, somehow manages to have even more nude scenes in this one). It's not nearly as good though as any of DiLeo's police thrillers or his better sexy melodramas like "Being Twenty" and "The Seduction". I'd still recommend it I guess, but keep your expectations kind of low.