Ânsia

The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" kept at the "dairy farm", and they try to get her to join them.

This Ozploitation film has nice gore effects, plenty of blood, and a plot that can only be seen as a reversal of other Bathory tales, where now the usual monster is the persecuted one. We even get a sweet, pseudo-Catholic ceremony in Latin.

The film did not do well at the local box office. Nevertheless, it was highly regarded by influential American film critic Leonard Maltin, who gave it three stars out of four. Although Maltin is often wrong, he might have been right this time -- this one went under the radar, but probably never should have.

This murky oddity is great fun and well made on eerie locations in Victoria Australia at a real scary place that actually exists called MontSalvat 'castle' by 70s drive in auteur Antony Ginnane. He also made a very strong Carrie like thriller called Patrick. Other Aussie thrillers of the time include Summerfield and The Chain Reaction.

THIRST should be a cult film but lacks the 35mm availability for cinemas to make it exactly that. Like Rocky Horror, Legend Of Hell House or Phantom Of The Paradise, all part of a mad parochial horror cycle of the 70s. Find it and have a great time. You will love the, er, milking scenes.........Antony..your films are languishing! get em out there again!

This unconventional Australian vampire movie stars Chantal Contouri as successful businesswoman Kate Davis, who is abducted by a secret society of vampires and taken to a 'farm', where human livestock is drained of blood, which is then processed to remove contaminants before being packaged for consumption worldwide. Kate is informed that she is a descendent of OG vampire Elisabeth Bathory and must accept her birthright as an aristocratic blood-drinker, the plan being for her to marry a vampire from another noble family, thereby uniting two superior bloodlines. Naturally, Kate struggles to accept this (not surprising, since she already has a boyfriend, Derek, played by Rod Mullinar), so the vampires attempt to condition her to come around to their way of thinking. Kind vampire Dr. Fraser (David Hemmings) disagrees with the brainwashing process and attempts to help Kate escape.

Like Mary, Mary, Bloody Mary (1975) and Martin (1977), Thirst, Australia's first vampire film, does away with the gothic conventions associated with the genre: these vampires are not affected by sunlight (which is a good job, given where they live), do not possess real fangs, and have no aversion to garlic, holy water and crosses. While it's not an entirely successful effort to contemporise vampire cinema - the pace is rather slow, and the structure of the film, with its numerous dreamlike sequences, can lead to confusion - the good outweighs the bad: the blood-draining scenes are suitably bizarre and grotesque, the cast is solid, Brian May's score is great, and there are a few memorable moments, including Kate's 'blood shower', a vampire drowning in a vat of blood, and Henry Silva's character falling from a helicopter onto high-voltage power lines.

If you're looking for a vampire movie that's a little different, this is it. This movie is a total classic. It's about a cult of humans who keep a farm of other humans and milk them for their blood. This cult abducts a woman who is the direct descendant of their founder, Elizabeth Bathory. The poor woman is horrified at the vampirism and the cult continually tries to force her into drinking blood. It's a wonderful, creepy, scary, weird vampire film. This one is a must see for you vampire enthusiasts.

Greetings and salutations; welcome to my review of Thirst 1979

The story gets a 1.25 out of 2: The Direction and Pace receive a 2.5 out of 4: The Performances get a 1 out of 2: And my Enjoyment level hits a 1.25 out of 2:

Giving Thirst a 6 out of 10:

To be honest, I wasn't expecting much from this picture, and I recently came across the title. Admittedly, I dislike it when writers begin messing around with a monsters mythos: in this case, the Vampyre. I was surprised to find myself being drawn deeper into the progressing tale. John Pinkney carries out a splendid job of constructing a modern Vampyre fable. These are not your night-stalking blood drinkers. No! These creatures can walk by day and have developed an ominous way of farming their beverage of necessity. These thieves of life discover Kate Davis to be the only surviving descendant of the notorious Elizabeth Bathory, and they undertake anything to usher her into their fold. So will the industrial and corporate side of vampirism defeat the older Monarchy's rule? Though this modern take is a breath of fresh air to the sub-genre, there is more to keep your attention. Pinkney adds nightmare scenes and elaborate operatic rituals, which adds to the strength of the story.

The strength of the film comes from Rod Hardy as he directs with a deft hand. On the whole, he keeps the direction pretty standard, which helps to build a feeling of normalcy into the telling. When something shocking happens, it's not overemphasised, and you're left temporarily believing it could happen. But when we get to the nightmare sections, the lights are lowered, and the shadows grow deep and ominous. It's subtle but represents such a contrast to the norm it works to heighten the tension.

I will furthermore say Thirst possesses one of the best opening sequences of any horror film. I loved it. It's the ideal way to hook the viewer. That said, there were times when the film could have upped the tempo a tad. A few overly long scenes begin tapping at dullness's door. But they are few.

One irk I did have with the film is that, even though it's not a special effects showcase, the effects they did show were poor: The double exposure red-eyes made me sigh with disgrace. Granted, at the time, they couldn't have done it any other way. But still, it would have looked dated then as it does today.

Next, there's the acting. I am sure Hardy asked them to be as utterly every day as they could be. Because of this, there's little spark in their personalities. Dr Fraser (David Hemmings) furthers his agenda for helping Kate (Chantel Contouri), but you don't feel he's that driven. And, the characters in the movie suffer from the same malady: Everyone needed a bit more oomph to them. It helps to create the normalcy of the happenings on the farm; everyone is going about their ordinary lives. However, in one scene, a walking blood bottle asks Kate to be kind to his friend because she would be frightened. After all, Kate had chosen her to be the one. This mundanity at knowing you're nothing more than a walking supply of blood is annoying. Nobody in the herd is rising against their suckers. It's merely life Jim, but not as we know it. Hence, when there should be conflict, no matter how small, there's just this plodding normality.

This downside could be due to the writing or the direction. But my point is the actors and actresses are so good at being ordinary that it hurts the film. I can't believe I'm saying this, but a smidgen of wooden or ham acting would have been nice. Not everybody is this mundane.

It's a minor issue though, and I would recommend all horror and macabre lovers to give Thirst a viewing, at least once. Who knows, you may enjoy it so much you may even take a second or third look.

Come on over to my Killer Thriller Chiller and Absolute Horror lists to see where Thirst resides in my charts.

Take Care & Stay Well.