Quando Papai Saiu em Viagem de Negócios

I saw this movie in 1990 at a local university campus cinema, found it lovely and painful at the same time. My viewing time was the time of a new beginning to the former Eastern Bloc. Now most of its communist 'allied' are seeking seats with EU or NATO. Later in the same year, I paid a visit to Croatia, what a stunning experience. The natural beauty and the Roman remains are the most impressive. From Monarchy to Communist and to Capitalist, all happened within 100 years, the people of that region have undergone a century's bloody tragedies. Yugoslavia is now a word of past tense, it was divided into several countries, some enjoy peace and some are perpetually in war since the downfall of the bloc in early nineties.

Amongst all the countries there, Yugoslavia somehow enjoyed more liberty and material comfort (some from Italy and Greece) than the others because Tito decisively broke the connection from Stalin. From what I got from the mouths of the Yugoslavians (in 1990), they all respected Tito's determination and boldness.

Malik's womanizer father (Miki Manojlovic) was set up by a woman relative, attractive Ankica (Mira Furlan) after he successfully seduced and then refused her. He was sent to do hard and laborious work far away from home. Little Malik (Moreno D'E Bartolli) wonders why daddy cannot come home often, though his mom keeps telling him that father is on business, he can smell a rat there. Later, when father comes back, he has his retribution on that woman.

The Zolj family is of Jewish origin. The circumcision scene and the later bath of the boy are absolutely comical. Though in difficult time, the innocence of children is expressed in great lovely details, Malik's interest in other sex, his father's predicament… The filming location was Sarajevo, Bosnia-Herzegovina, a place where the Jews and Muslims were killing each other. Kosovo is another long-stay pain. The body and soul of this region will take a long long time to restore. Just wondering what had happened to Moreno D'E Bartolli after all these years, he should have turned 29 this year.

Emir Kusturica is one of the many shining gems in Central and Eastern Europe film industry, who are waiting for the world's more exploration and attention.

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Thanks go to IMDb-ian rijecka_sirena (USA) for the rectifications (dd 30 August 2006) on my commentary (dd 22 April 2004) for the following:

1. The Zolj is a Bosnian Muslim family so there is a circumcision.

2. The neighbor is Bosnian Serbian family.

3. Ankica is Bosnian Croatian (mostly Roman Catholics).

(Acknowledged on 1 January 2007)

A Shu-fan wrote: "The Zolj family is of Jewish origin. The circumcision scene and the later bath of the boy are absolutely comical. Though in difficult time, the innocence of children is expressed in great lovely details, Malik's interest in other sex, his father's predicament… The filming location was Sarajevo, Bosnia-Herzegovina, a place where the Jews and Muslims were killing each other. Kosovo is another long-stay pain. The body and soul of this region will take a long long time to restore." I just want to say that the family in the movie is not Jewish. They are Bosnian Muslim family and that is why they had a circumcision. Also, to people from ex-Yu is very clear when they hear their names. Their neighbor is Bosnian Serbian family (visible from the scene of the funeral); and Ankica is Bosnian Croatian (they are mostly Roman Catholics). Otherwise, I saw the movie 3 times in the last 15-20 years and every time I saw a different things in the movie, but overall - I just loved it! There is one thing that I have to mention - the subtitles are pretty bad and do not do the justice to the movie - they can be expressed much, much better! I am Kusturica's fan and it is too bad that we can not see more of his movies here in the US. This movie is just beautiful - political situation, family ties, relationships in ex-Yu... seen through the eyes of an innocent child. Beautiful, beautiful!

There have been several movies about the adult world as seen by children. "Daniel" and "Matinee" are good examples from the United States. A good one from the former Yugoslavia is Emir Kusturica's "Otac na sluzbenom putu" ("When Father Was Away on Business" in English).

When Sarajevo man Mesa is arrested in 1950 for criticizing a cartoon, his wife Sena has to tell son Malik that the dad is on a business trip. As the movie progresses, Malik comes to understand the political status quo in this country straddling east and west.* Moreover, it becomes clear that Mesa is not the world's most responsible person, preferring to go screw attractive women to raising his son.

One thing is that I like seeing films about cultures that we rarely see. Beyond that, this look at political tensions - and how the boy has to learn about sex on his own - fascinates me. I definitely recommend the movie.

PS: Emir Kusturica also directed "Arizona Dream" (starring Johnny Depp, Jerry Lewis and Faye Dunaway) in the United States) and "Black Cat, White Cat" back in his native country.

*Tito's disagreements with Stalin led to Yugoslavia's expulsion from the Eastern Bloc, so it aligned itself with the west but maintained an Eastern Bloc-style government.

Winner of the award for Best Film at the 1985 Cannes Film Festival and Academy Award nominee for Best Foreign Film, Emir Kusturica's When Father Was Away on Business is a blend of comedy, family drama, and political realism that is courageous, funny, and deeply moving. The title of the film refers to the lie told to a six-year-old to cover up the fact that his father was serving time in a labor camp for making a thoughtless remark that offended the Communist apparatchiks. Set in Yugoslavia in 1950 after the break between Stalin and Tito, it was a time of confusion when people worshiped Stalin one week and despised him the next. The story is told from the perspective of six-year-old Malik (Moreno D'E Bartolli) and his performance is natural and convincing.

His father Mesa (Miki Manojlovic) is a low-level bureaucrat who spends more time womanizing and drinking than attending to his job. A casual remark filled with sarcasm about a political cartoon made to his wife Sena's (Mirjana Karanovic) sister-in-law Ankica (Mira Furlan), leads to his arrest and detention by Zijo (Mustafa Nadarevic), a Communist Party official who also happens to be his wife's brother. Mesa is sent to work in the mines while Sena becomes a seamstress to make ends meet and his sensitive son starts sleepwalking, perhaps a wry metaphor for the status of the people under Marshal Tito.

The family does reunite when Mesa is sent to a remote settlement for further re-socialization but he does not change his ways and visits prostitutes with the party official in charge of his rehabilitation, using Malik as his escort. In a sub-plot, Malik (who looks and acts more like ten or eleven than six) "falls in love" with a girl about his age who is suffering from a serious blood disorder and their inevitable separation is quite touching. Though family relations are strained, especially between Sena, Zijo, and Ankica, the family is very strong and we know that somehow they will endure. When Father Was Away on Business is perhaps the least daring cinematic ally of all of Kusturica's works but it is one of the most heartfelt and gained the director his first international success, paving the way for the full maturation of his vision in the brilliant and disturbing Underground.

If you are familiar with Emir Kusturica's work, chances are you probably saw "Underground" or "Times of the Gypsies," or perhaps "Black Cat, White Cat." I guess this earlier film is a bit harder to get into because it is less eccentric than the usual Kusturica fair, and it focuses on a specific point of Yugoslav history, namely the time immediately following the break-up between Tito and Stalin. The film itself is very good, but it would certainly help your perception if you were familiar with historical aspect of it all. Some similarities can be drawn to "Tito i ja" because "Otac.." is seen through a child's point of view, but then it was made something like ten years prior to "Tito i ja," so I guess you should disregard that statement altogether. The film is a drama from start to finish, and like other Kusturica's films, it requires much of emotional involvement as well as some patience. But I definitely like it, although it's not for everyone. I still recommend it, though.