A Lenda de Billie Jean

This is an excellent movie for young people, in general. It shows how one has to fight for one's principles, as it's the case with Billie Jean, a girl living in the Texas coastal town of Corpus Christi. As directed by Matthew Robbins, this film will never cease to amaze.

After he brother's motorcycle is trashed by a group of rough teenagers. Billie Jean wants the father of the boy who gave a beating to her brother, to pay for the repair of the bike. This is a man who, knowing where Billie Jean comes from, tries to abuse the girl sexually. He doesn't know who he is messing with.

The movie deals with the way Billie Jean goes about in getting her revenge against all odds. In doing so, she becomes an instant celebrity to the young population in the area, who easily identify with the wronged girl and make her a folk hero.

Helen Slater makes a sunny appearance as Billie Jean. She is a girl who believes in justice, and demands it from the man who wanted to take advantage of her. A young, blond Christian Slater is Binx, the young brother. Peter Coyote is also seen as the chief of police who Billie Jean goes to present her complaint, but doesn't have enough sense to pay attention to her.

Never underestimate a determined woman who is wronged. Whoever thinks otherwise will probably get his own Billie Jean to her point.

Why does everyone knock the Legend of Billie Jean so much? For me, it's one of my favorite 80s teen movies. And it's a good exploration into the concept of vigilante justice as a natural response to not only a cumbersome justice system, but also a discriminatory one.

Helen Slater is teenager Billie Jean, a nice girl from "the trailers" of Corpus Christi, Texas. When Hubie Pyat (Barry Tubbs) and some other local pranksters trash her brother Binx's (Christian Slater) motor scooter, she demands compensation. But Hubie refuses to pay and his father uses the opportunity to offer that Billie Jean trade some sexual favors to him for the cash. In the midst of her flight from the pervert, there's scuffle, and Mr. Pyat is accidentally shot. So, Billie Jean, her brother, and two friends involved in the accident, suddenly finds themselves on the run from the police.

Rather than surrendering, they use their new teenage fugitive status to stage something of a protest ("fair is fair"), and Billie Jean becomes their hero and icon for teenage rebellion as well as feminism. They become the martyrs of teenagers while the adults dismiss the entire thing as a bunch of rambunctious teenagers gone out of control. So, there is political significance in the story of Billie Jean in looking at the criminal justice system (although some of the discrimination against Billie Jean such as denying her any sort of expedited compensation occurs as a result of the system not intervening at all). If Billie Jean was an adult, would she have been taken seriously? What if Billie Jean were a male? Would that change the situation. Indeed, this movie suggests that it would.

In a decade filled with themes of teen angst, this one offers one story of the possibility of teen (and female) empowerment in a way that Pump Up the Volume or other movies like that did. I always thought it was a pretty good 80s movie and one that, judging by the message boards, still caters to a loyal audience as many of those long-lasting 80s movies do. Plus, as far as important 80s movie characteristic go, it's got good actors (Helen Slater, Christian Slater, Peter Cyote, and Kieth Gordon), and a good soundtrack (featuring Pat Benetar's "Invincible" and the Divinyls).

The British historian E. J. Hobsbawm developed the idea of the "social bandit," the peasant youth who becomes an outlaw after his honorable resistance to some outrage by the landlord ends with a landlord henchman dead. He calls to others who share his anger at injustice to follow him to the hills where they will lead the outlaw life, stealing only from those whose wealth comes from oppressing the poor, respecting the peasants and righting wrongs on their behalf, and seeking to restore a former condition when the great and powerful behaved decently and treated the poor equitably. (This equitable treatment is also close to what E.P. Thompson called "the moral economy of the poor:" the Honest Loaf, the Fair Day's Wage for a Fair Day's Work--a slogan of early labor unions--etc.)

The social bandit *isn't* a revolutionary--he has no vision of a transformed society, because his horizons are too narrow. He wants the Good Old Days back. He doesn't have a social or political theory; he wants simple decency and justice. He isn't Joan of Arc, fighting to restore a legitimate King, he's much closer to Robin Hood, resisting the oppression of a King who's forfeited the loyalty of the people by not acting as a good King should.

Billie Jean is a social bandit. The events that launch her "career," the actions she performs, and above all her simple watchword "Fair is Fair" clearly put her in the category that includes the Brazilian Lampiao, the Sicilian Salvatore Giuliano, and others. Hardly surprising, since this teenage cult script was written by a formerly blacklisted old Lefty in his seventies, Walter Bernstein, who surely had read Hobsbawm and Thompson and found, I think, a very ingenious way to illustrate their ideas in a 1980's US setting.

I saw this movie when I was a kid, and it instantly became one of my personal favorites. Helen Slater's performance is unforgettable about a young girl and her instant rebel/outlaw status. This is definitely a cult favorite, and appropriately so. For some undescribable reason, this film grabs at you in a way that most movies never do. You seem to care a lot for Billie Jean, and want her to get the justice she deserves. Every rebellious youth should see this film so they can see what happens on both sides of the law, and for a highly entertaining movie. Full of 80's music (especially the kick-ass Pat Benatar theme song), The Legend of Billie Jean is truly a remarkable film that was overlooked by too many people for its brilliance.

I can't believe I've never watched this show before when I was younger. I just saw it on cable. I won't say it has the best plot, story, characters or anything, but there's just this mysterious element that draws us to Billie Jean. All those kids in the film were incredible. My father was watching with me he smiled when he saw that little boy who sent the tape to the police. How cute!

This film does reflect some truths. Some adults simply think that fairness is not for kids. Children are not entitled to justice. But few do stand up against this false belief. That is why Billie Jean is a heroine.

To add, Helen Slater is just so beautiful.