Mark dirige uma estação de rádio pirata e provoca um tumulto quando ele fala o que pensa e cativa seus colegas adolescentes.Mark dirige uma estação de rádio pirata e provoca um tumulto quando ele fala o que pensa e cativa seus colegas adolescentes.Mark dirige uma estação de rádio pirata e provoca um tumulto quando ele fala o que pensa e cativa seus colegas adolescentes.
- Prêmios
- 3 vitórias e 5 indicações no total
Anthony Luke Lucero
- Malcolm Kaiser
- (as Anthony Lucero)
Alexander Enberg
- Alex
- (as Alex Enberg)
Avaliações em destaque
Christian Slater plays Mark Hunter, a disaffected teen that secretly runs a pirate radio station, which in the early nineties was a big deal. He does this for mostly therapeutic reasons, but soon gains a rabid fan base among his fellow high school students. Soon he begins to realize that his words are having an impact and when one student calls in for help and finding none takes their own life, things become very real for Mark. Nora Diniro, played by the underrated Samantha Mathis, figures out Mark is the voice behind the radio persona, and helps Mark as he tries to elude the FCC and get a final message out.
This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.
This movie came out my senior year in high school, and I connected with it. A lot of the themes this film touched upon were very close to me, so it has long been a favorite of mine. For any teen going through the growing pains associated with that age, I urge them to watch this movie.
This is a good movie let down by uneven direction and 1-dimensional characters (besides the 2 leads). I would probably love this movie a lot, had I seen it when it came out in 1990. Now, the teenage angst (Slater's rants) thing is getting tiresome and whiny to me. Nevertheless, I want to point out how wonderful the scenes between Slater and Mathis are, in particular the scene where they kind of tangoed around each other and the scene where they had their first kiss. These scenes are full of playfulness, seduction, anticipation and uneasy charms. I hope there are more good movie roles to come for both of them.
Lastly, I think the DVD release could really use some special features, like audio commentary by the director, Slater and Mathis. Since this is Slater's personal favorite, it'd be great to hear his perspective.
Lastly, I think the DVD release could really use some special features, like audio commentary by the director, Slater and Mathis. Since this is Slater's personal favorite, it'd be great to hear his perspective.
For me, it's one of the movies I saw once nearly 30 years ago and yet I well remember heaps of scenes and details and even facial expressions of minor characters.
It's a good movie and the soundtrack is extremely good.
Not much happens here, so there's little to spoil. Which completely fits the theme of the movie. Full throttle Gen X angst, apathy, boredom. Few non Gen X'ers will get much out of this movie. And if asked by Boomers or Millenials, Gen X will try for 30 seconds to explain it, realize it's impossible and give up. Oh well, whatever, never mind.
There is one significant flaw (IMHO) and that's Slater's father and one of the school personnel look extremely similar, making some of the scenes confusing.
It's a good movie and the soundtrack is extremely good.
Not much happens here, so there's little to spoil. Which completely fits the theme of the movie. Full throttle Gen X angst, apathy, boredom. Few non Gen X'ers will get much out of this movie. And if asked by Boomers or Millenials, Gen X will try for 30 seconds to explain it, realize it's impossible and give up. Oh well, whatever, never mind.
There is one significant flaw (IMHO) and that's Slater's father and one of the school personnel look extremely similar, making some of the scenes confusing.
10MEHHS
I'm 28 now, but this film is still very important to me. PUTV is the best teen drama out there (though there aren't many to compete with it), it really grasps how so alone some teenagers can feel and how rejectedby the system they so often are. The film has dated some what, but if there ever was an early warning sign of the problems that face American schools today (columbine esque) this is it. You can only push teenagers so far before they lose the plot, end up killing themselves or other people, PUTV is about those feelings. Slater is the bomb in this film, he is truly awesome and Mathis plays a great sidekick. The fact she shows a bit of flesh makes the movie highly genuine, yes girls do get naked with boys whilst at high school. PUTV does now suffer with its meaning to the modern era, but modern kids still do get dejected and rejected and this film is a great message in saying.... You Are Not Alone! 10/10 Then.... 8/10 Now.
I first saw this film around 1996, when I was 13 and just going into that 'I hate the world and everything about it' phase that most teenagers go through. I fell in love with it there and then and over the years I've owned 5 separate copies.
Not just because of the unbelievably brilliant soundtrack, not just because of the real and relate-able characters, not just because of the engaging and original plot, but because I still feel now, what I first felt when I saw the film. Sometimes everyone feels that they're alone and it takes another voice, one coming from a someone you might not even ever have met reminding you that everyone feels that crushing loneliness and only you can change that.
Even now that I'm nearing my mid-twenties and every time I watch this film I want to 'Rise up in the cafeteria' and 'stab my teachers with a plastic fork.' Being a teenager sucks, its probably the most free time of your life, but everything from parents, to homework, to hormones prevents most from truly enjoying the experience.
I want every teenager to watch this film, I want every person who looks back on their teen years with regret to watch this film, I want every person who's forgotten what its like to be a teenager to watch this film. I think there's room in just about everyone's heart for it.
Not just because of the unbelievably brilliant soundtrack, not just because of the real and relate-able characters, not just because of the engaging and original plot, but because I still feel now, what I first felt when I saw the film. Sometimes everyone feels that they're alone and it takes another voice, one coming from a someone you might not even ever have met reminding you that everyone feels that crushing loneliness and only you can change that.
Even now that I'm nearing my mid-twenties and every time I watch this film I want to 'Rise up in the cafeteria' and 'stab my teachers with a plastic fork.' Being a teenager sucks, its probably the most free time of your life, but everything from parents, to homework, to hormones prevents most from truly enjoying the experience.
I want every teenager to watch this film, I want every person who looks back on their teen years with regret to watch this film, I want every person who's forgotten what its like to be a teenager to watch this film. I think there's room in just about everyone's heart for it.
Você sabia?
- CuriosidadesThe onscreen chemistry between Christian Slater and Samantha Mathis was genuine. They were in the midst of a year-long relationship while filming this movie.
- Erros de gravaçãoAt the beginning of the movie, Hard Harry plays Leonard Cohen's "Everybody Knows" from a record with a Motown label, but all of Cohen's studio albums to date have been released by Columbia. Also, though he is shown playing the first track on the record, "Everybody Knows" is actually the third track on the album 'I'm Your Man' on which the song originally appears.
- Citações
Mark Hunter: Eat your cereal with a fork and do your homework in the dark.
- Trilhas sonorasEverybody Knows
Written & Arranged by Leonard Cohen
Performed by Leonard Cohen
Published by Stranger Music (BMI)/Geffen & Robinhill Music c/o WB Music (ASCAP)
Courtesy of CBS Records, Music Licensing Department
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- How long is Pump Up the Volume?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Suban el volumen
- Locações de filme
- Saugus High School, Saugus, Califórnia, EUA(Hubert H Humphrey High School)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 11.541.758
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.601.489
- 26 de ago. de 1990
- Faturamento bruto mundial
- US$ 11.541.758
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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