Mr. Vampire

This is a perfect example of how DVD removes barriers prohibiting wonderful movies, such as Mr. Vampire, from entering my living room. My viewing was enhanced because a friend from Singapore provided added commentary. Believe me, if you enjoy a good laugh, a little slap stick, a completely different view of the undead (vampires) and ghosts, well choreographed kung fu fight scenes and an overall fun movie, you won't need a friend from Singapore.

I hope the mention of slap stick doesn't misled, as the balance is perfect between comedy and seriousness throughout the 94 minutes of this movie. There are movies I've enjoyed watching once....this will be a repeater, many times over.

I do not lie.

This movie is perfect on every count. Its funny, clever, action packed, great musical score, thrilling, scary. You name it, its got it.

Everyone should see this movie. Lam Ching Ying is perfect (as usual) so go watch it now!

Lam Ching Ying stars as a Taoist priest who, along with his two bumbling students (Ricky Hui, Chin Siu-Ho), is called upon to help re-bury a rich man's father. On exhuming the corpse, he discovers that the dead man has become a vampire. Before long, the priest must do battle with the fanged terror (Yuen Wah), whilst simultaneously dealing with a beautiful female ghost (Pauline Wong) who has entranced one of his assistants (and is capable of detaching her head when necessary!).

Director Ricky Lau skillfully blends slapstick humour, acrobatic martial arts and the supernatural to deliver a seminal piece of Hong Kong comedy-horror cinema that would prove be a major influence on many films to come (including the brilliant A Chinese Ghost Story). A rather slow first half hour introduces us to the characters and sets up the basic plot elements; the rest of the film sees our hapless good guys first falling foul of the otherworldly creatures and then battling to set things right.

Less of a martial arts movie than a comedy, fans of fast and furious fight action will probably be disappointed, however those who love crazy Chinese humour (an acquired taste and one which I sometimes struggle with) will find plenty to enjoy as the gags come thick and fast (Ricky Hui is particularly funny as Man Choi, the assistant who gets bitten by the vampire and almost becomes one himself).

But by far my favourite part of the film is the stunningly captured scene which introduces viewers to the female ghost: in a mist enshrouded night-time forest, the supernatural seductress is carried by four spooky assistants, before gliding gently through the air to come to rest in a tree. Lovely cinematography accompanied by a haunting song make this a totally magical moment.

My second favourite moment is the introduction of the gorgeous Moon Lee as Ting-Ting, the rich man's daughter. With her impossibly cute features, Moon Lee is truly a delight to behold.

Although I enjoyed Mr. Vampire, I don't seem to be quite as fanatical about it as some. However, I do agree that, even if you're not a huge fan of Hong Kong cinema, with so much craziness and energy packed into its 96 minutes, this highly influential classic is well worth a watch.

The extremely polished production here may obscure one of the film's major virtues. This is pure ensemble movie-making, there are no "auteurs" or "artistes" here. The most recognizable actors in the film - Lam Chi Ying, Chin Siu-hou, Moon Lee, Wu Ma - turn in what were for them(at the time) very uncharacteristic performances, and do so splendidly.

In fact, there is no "star" here, these actors are all taking turns with extraordinary grace as characters who at best "bumble through", and at worst fumble like, well, pretty much like any average person faced with exceptional challenges (how often does one get saved from a rotting zombie by an amorous ghost?).

Despite the stunts, and regardless of its genre origins, this is not a"kung-fu" film, but a top-notch horror-comedy on a par with Polanski'sunderrated "Fearless Vampire killers" and superior to "Abbot & Costello meet Frankenstein" (which admittedly set the standard, after all). Two plus-values in favor of this film: It provides a lot of information about Chinese vampires, ghosts, and zombies (and their traditional remedies), but does so visually or casually, without the heavy-handed verbal explanation frequent in western horror films. And there is an incredibly haunting children's song (!) about a love-lorn female ghost that is wisely used over the closing credits and which is unforgettable. Indeed, the only weakness in the construction of the film is that we really want to know more about the broken-hearted ghost of the sub-plot than the vampire-centered plot allows. Fortunately, Ching Siu Tung apparently also noticed this, and devoted an entire three-film series to investigating the problem, the remarkable "Chinese Ghost Story" trilogy; but Ching Siu Tung is exactly the kind of "auteur" that would weigh a film like "Mr. Vampire" with intellectual burdens its "pure entertainment"-directed plotting simply couldn't bear. "Mr. Vampire" is not a "work-of-art-for-the-ages", but it is a lot of fun, and spooky to boot, and on that level works as really great movie making, regardless of genre or "ethnic origin".

This movie has found its way into my collection, purely by accident, and stayed there for quite a long while till I finally found the chance to watch it .. The plot should be evident by now: the movie is basically about a 'master' specialized in dealing everything super natural and his two 'apprentices', tying to get rid of a powerful vampire .. There is also a nice sub-plot as a bonus, featuring a female ghost seducing its victims .. The movie is satisfying from the first moment till the last, never dragging too much in a certain scene, letting you watch the whole experience in awe .. The master is powerful and knowledgeable, the apprentices seem dumb nevertheless efficient in their work (with minor 'clumsiness/laziness' factor causing most of the accidents filling the whole movie) .. The support characters do their job well adding to the richness - they are mostly stereotypes but good ones at that .. The jokes were amusing and imaginative although most of them are slap-stick .. I can't comment on the fight scenes in particular (never been a fan but never been a hater) but I found them mostly intense with clever choreography .. The visual effects were not great but never failed to satisfy the viewer .. As a summary, I found this movie in the same league with A Chinese Ghost Story series, and to be honest enjoyed it more than that trilogy .. Also enjoyed it more than any of the Jackie Chan movies :) ..