O Professor do Crime

The "camorra" is the Neapolitan equivalent to the Sicilian Mafia and this is a pretty good biopic, loosely based on the life of prominent "camorrista" Raffaele Cutolo.

The film deals extensively with the strong links between organized crime and politics and makes some very badly veiled allusions to modern Italian politicians and events.

From a film point of view, there's not much in the way of character development. The main character studies medicine (?) in an attempt to escape the criminal milieu he is meant for, but after being sent to jail over a crime of passion he turns into a cold, pitiless man who ruins and corrupts everyone around him. He is nothing like Brando's delicately nuanced Vito Corleone. This guy is ugly, evil and completely unredeemable.

On the plus side, the film was shot by Tornatore who was responsible for the magic Cinema Paradiso. This works as a sort of "flip side" to that films rather elegiac vision of Southern Italy.

Well worth watching, if only to see an "alternative" mafia film, where a nation's problems are most definitely NOT solved by a quickie car chase.

This was a good plot for the entire movie. It was all about Mafia, what you have to do climb the crime world ladder and reach the top where you are alone, because you cannot trust no one. The cast was amazing, a lot of italian actors that did a great job, a good Ben Gazzara (who did not talk in italian, he was dubbed). I found him a little bit melodramatic here in there, but none the less, the performance was good. The music was great, mesmerizing here in there, adding mistery and a lot of tension to a movie that goes wild in the second half of it. A great movie, great plot, great actors, music and cinematography.

The first feature from Cinema Paradiso man Guiseppe Tornatore,this is quite unlike his other films. It's a fairly generic but solid gangster saga along Scarface lines,and is loosely based on fact. There's little of the beauty and lyricism you would expect from Tornatore,but he proves himself perfectly adequate to the demands of the mob genre.

With a very strong performance from the erratic Ben Gazzara as the anti hero of the title {especially good in the latter sections when he starts to lose his mind},it's your basic rags-to-riches-to-comeuppance story,and indeed there is much that is very familiar. Nevetheless,there are a few original touches,such as having Gazzara's character rise to the top using his brains rather than violence and do it mostly while he is stuck in prison. Having his sister co-run the business with him is also a novel touch,and politicians are shown to be as crooked as the gangsters. The surprisingly low key ending is also very well judged.

Moving at quite a fast pace despite it's two and a half hour length,there are plenty of the expected brutal stabbings and shootings,well staged if a little repetitive. One very bloody murder in a shower is especially memorable,yet here as in some other scenes,we actually don't see all of the gory detail,just enough to make it effective.

Il Camorrista is a little choppy and has the odd awkward edit,as if it had been cut down from a much longer film. Still,gangster movie fans will find plenty to enjoy,and the film deserves more than the current UK DVD,which has shoddy picture quality,is badly dubbed and fullscreen!

Camorra is the Italian word for Mafia. Only Americans call the mafia, the mafia. The origins are in Sicily, and affects every major city in Italy. They are apolitical; they align with whomever gives them the best deal. And it does not usually pay for you to oppose them openly.

This is a poor man's Scarface, with some eye-opening content as to why Italy struggled so much in post WW2 Europe. Italy had a large socialist segment at that time (in retaliation for the fascists of Mussolini). The unions, politicians, revolutionary groups, and the Camorra all vied for power in Italy after WW2. This chaos led to Italy falling behind other major powers like Germany, France, and several other countries, economically. The film highlights these problems under Tornatore, a very able director, who, a year later, made the classic, Cinema Paradiso.

Tornatore (who probably came to the same conclusion) did not excel in violence and sex; he was much better at romanticism, for which he eventually became the best in the world at portraying on the screen. He personally revived the Italian film tradition of great films. Unfortunately, this is not one of them, despite the best efforts of Ben Gazzara, is only slightly above average. The film is uneven, due mostly to production values, which are very low.

Some of the settings are quite impressive, but several others are very amateurish. The story about the rise of an intelligent gangster is interesting. At the halfway point, the Professor makes a grave error, as you will see in the film. From there he goes downhill. There really is no one in the film to root for as a protagonist; one of the weaknesses in the film; but then again, some films have no protagonists. Worth viewing as a retrospective of Tornatore's career.

Outstanding movie about the Mafia in southern Italy at the end of the 1970s. In the beginning of the movie, the authors say they hope that viewers will strengthen their belief in the necessity of the state and laws as the only true protector of civil life. However, watching the movie raises the thought that differences between illegal Mafia and legal authorities are not so great. The Mafia does not question the government, but rather competes with it, trying to imitate certain features of the government such as collecting taxes, providing safety and regulating business. The government relies heavily on the ruling ideology and consent, but is more than willing to resort to violence when threatened, and in the southern Italy government has often used the Mafia to do their dirty work, especially against labor unions, and other attempts to organize the working class.

The Camorra, a criminal organization/secret society founded in Campania in the 17th century, has developed into independent clans who cooperated or were feuding with each other. During the 1970s, Raffaele Cutolo, a charismatic crime boss in the Neapolitan region, formed a new criminal organization modeled on the traditional Camorra from the 19th century, and soon came into conflict with the existing camorrist groups. The New Organized Camorra (Nuova Camorra Organizzata) recruited its members in prisons and among unemployed youth, was very aggressive and had a strong hierarchical structure, with ideological stronghold in the code of silence, local patriotism, remarkable mutual solidarity, Catholicism and political conservatism. This film is about the rise and fall of the reformed Camorra, which spread rapidly due to its structure and ruthlessness but ultimately failed due to a lack of understanding of the broader political picture, very bad political assessments, unfounded megalomania and general loss of contact with reality. Based on actual events.