L'assassino è ancora tra noi

If you thought that GIALLO A VENEZIA took the giallo genre to its logical conclusion of violence, this one wins hands down. It was made pretty late for a giallo (late 80s) and I guess that is reflected by the outrageous bloodshed that presumably was tacked on to get some kind of financial return on this one...

Stylistically, this is reasonably effective. It has a bit of a "TV movie" look that I really don't like. The atmosphere that my favourite gialli (such as DON'T TORTURE A DUCKLING or EYE OF THE LABYRINTH) manage to conjure up is simply not present here. Still, the plot seems pretty neat if a little too straightforward for a film of this nature (then again I'm a sucker for the contrived and complex!).

Once again, the sexual violence is the focus of this film. The scene in the tent is really very nasty and explores the farthest reaches of sexual exploitation, only dabbled with previously by the likes of THE BEAST IN HEAT and DELIRIUM...

Still, it's worth a look I guess. I'd still rather watch a well-crafted but less excessive giallo any day of the week.

A criminology major (Mariangela D'Abbraccio), doing thesis research on a series of lover's lane sex murders, plunges into a dangerous world of perverts and voyeurs but the killer may be much closer to home...

Seasoned Eurotrash screenwriter Ernesto Gastaldi turned the still unsolved "Monster Of Florence" murders into a pretty good giallo full of suspense, paranoia, and graphic set-piece slaying. The grisly mutilations and jump scares that make late gialli like GIALLO A VENEZIA and THE NEW YORK RIPPER such sleazy fun are here as well and there's even a bit of the supernatural going on with a séance medium seeing a double murder as it happens. Something kept nagging at me, tho- when "Son of Sam" terrorized the NYC area in the summer of '77, we wouldn't be caught dead in a lover's lane but in this movie it's a popular extra- curricular activity at the college regardless of the fact there's a killer loose. But what are you gonna do, the young like it hot, I suppose, and the real Il Mostro (who sliced off female body parts and mailed them to the police like Jack The Ripper) killed 8 couples which means 7 of 'em courted disaster by paying no mind to what was happening in the world around them. The end credits said the film was made "to warn young people" and maybe it was but the movie obviously pandered to gore-hounds, as well. And did a good job of it, too.

Very effective, brutal, gory and sexy thriller in the giallo mould. Mariangela D'Abbraccio is lovely as the leading lady as a criminal student getting involved in an ongoing and terrible series of sex killings of young couples making out in the backs of cars (and one tent).

Not quite as creepy as it might be but not short on sleaze and as for the bar where voyeurs hang out before setting off to spy on such young lovers - unbelievable! Some great moments and some of the most extreme sequences of sexual violence I have seen.

I prefer the alternative title, 'The Killer Is still Among Us' which is much more fitting when it comes to the astonishing cinema ending.

#260 The Killer is Still Among Us (AKA: L'assassino è ancora tra noi) - 1986 (This Film Rates a C ) This Italian horror film tells the story of a serial killer targeting young couples in the midst of intimate moments. The murders follow a ritualistic pattern, with the killer mutilating the female victims' bodies. Criminology student Christina becomes increasingly obsessed with the case, despite her boyfriend Alex's disapproval. As Christina digs deeper, she receives strange phone calls and uncovers a connection to a previous murder from 1974. As the killer's brutality escalates, Christina's suspicions turn to Alex, leaving the audience questioning his true identity. The film's climax is somewhat effective in its twist, living up to its title. While the gore and special effects are limited, they are well-built up to, and the film features some graphic content. This includes nipple cutting, genital and throat slicing plus lots of gun shots. However, the film's dialogue falls flat, making some scenes feel overly long. The setting and cinematography are authentic, but the soundtrack is subpar. The inclusion of nudity adds an element of exploitation. Ultimately, the film's shortcomings outweigh its few redeeming qualities, making it a mediocre giallo slasher.

"L'assassino è ancora tra noi" (The killer is still among us) is a suspenseful but not conventional giallo. It is based on the true story of a killer that terrorized Florence for some decades – the victims were couples in cars, tents etc… that used the nearby Florentine hills for their rendezvous. He was known as "the Monster of Florence".

The main character is Cristiana (Mariangela D'Abbraccio), a student of criminology that is writing a thesis for her degree – she chose the "Monster of Florence" as the subject of her thesis. It seems to her that it will be an easy task – she knows an important criminologist and also the detective inspector in charge of the case, so it isn't difficult for her to investigate on her own. But some people near her try to convince her to change the subject of her thesis and Cristiana herself is not prepared for the nastiness of the crimes. She starts receiving threatening telephone calls. She decides to investigate more – her investigation leads her to the voyeurs (well-organized and informed), they like to meet in the Devil's Tavern… but as she gets to know more, Cristiana becomes afraid and mistrusts even those that are nearer her. Suddenly fear. Will the killer attack her? Who is he or she?

The film is atmospheric and there are good moments of suspense. No one has a clue who the killer might be, uncertainty prevails. "The killer is still among us" is not like the usual blockbusters where the bad is easy to recognize and the good will prevail. It could be defined as a thriller with psychological undertones, and in spite of being inspired by true events, the film is of course fantasy (there's even a bizarre element thrown into the story that left me wondering), and the story follows the honored giallo tradition - lots of red herrings or puzzling evidences (and if you let yourself be led astray by them your mind will boggle), and bits of nastiness and sex.

If you like films in which the story is told in a non-conventional way (far away from the Hollywood blockbusters), then this film is for you. I would also like to recommend a similar-themed film called the "The Monster of Florence" (Il mostro di Firenze) – it was made about the same time – the 80s -, but it's a different film – a giallo about a writer and a puzzle (the monster of Florence), and as he goes on shadows and sun mix themselves and run and run. Where?