Adicionar um enredo no seu idiomaThe adventures of the International Space Police Force, led by Nathan Spring, in 2027. The Star Cops are made up of officers from all over the world: the British Colin Devis, the Australian ... Ler tudoThe adventures of the International Space Police Force, led by Nathan Spring, in 2027. The Star Cops are made up of officers from all over the world: the British Colin Devis, the Australian Pal Kenzy, the Russian Alexander Krivenko, the Japanese Anna Shoun and the American David ... Ler tudoThe adventures of the International Space Police Force, led by Nathan Spring, in 2027. The Star Cops are made up of officers from all over the world: the British Colin Devis, the Australian Pal Kenzy, the Russian Alexander Krivenko, the Japanese Anna Shoun and the American David Theroux.
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So if you're expecting a space opera, forget it.
But if you like cop shows, this is pretty darn good - at least episode one, which is all I've seen so far. And as a computer programmer since 1965, I know whence the lead character's skepticism comes - Hello son!
While like Doctor Who or Blake's 7, it did have it's budgetary constraints, and that is probably why the 'story before effects' way of writing developed. Something that can be applied to modern TV, overall. Unfortunately, flashes and bangs win out every day on American TV.
Want a good explosion? Turn on Star Trek. Want a good story? Make it worth your while to track down this overlooked gem.
The premise is simple--cops in space, something that sounds like a recipe for schmaltz, but it's the execution that makes it rise head and shoulders above the capsule description. The characters, through the space of nine episodes, show more depth and range than a decade of latter-day 'Star Treks'. They have moments of irritability, seething rage, intense fear, mild annoyance and sheer terror, played out over plots that challenge the viewer to keep up. This is a show that improves exponentially with repeated viewings, with complexities opening up and incidental moments gaining significance as you become able to correlate them. The characters are often unlikeable, quarrelsome, and rude--much like real people.
Dialogue is sometimes cryptic, requiring another viewing for you to understand the joke or the significance of the remark. Often, characters speak over each other's lines, much like real people.
The plots, while often standard mystery fare, offer spins new to the science-fiction format, requiring a little knowledge of human nature rather than of physics or chemistry. It's never the science, or a simple whodunit--it's always the motive. The human element is always what is at issue.
And NO SF SHOW has ever been so firmly within the possibilities of REAL SCIENCE, requiring no long explanations or technobabble justifications. It is, without a doubt, the most scientifically probable program that has ever been on the air.
There are only nine episodes, and that's a pity. Blame the BBC for their infinite lack of wisdom. But at least there are NINE, and that's wonderful.
Acting wise, everyone does a competent job. David Calder is a high point but none of the rest are Patrick Stewart. But they don't need to be. They seem to be either actors playing hard at being `regular Joe's' or - failing that - they're just fairly average actors. Either way, it doesn't seem to matter. The actors play 'space' like it's no big deal. Like they don't want to be there but do want to do their jobs. Even when they are only just on the ball, it's still terribly convincing because it all looks so 'run of the mill'.
The plots aren't overly clever or dramatic. They don't involve saving the earth every week. No vast alien flotillas hove into view to crush all resistance before them. No labyrinthine plots of shape shifters or invisible aliens. Just regular greedy, lazy people and average nut cases doing what they do in the real world: being avaricious, slack and mad - just, it's in orbit! (well, or on the moon as well).
The effects show nice attention to detail but are pretty run of the mill BBC fare. So they're 'effects' but not 'special effects', if you see what I mean, but it's enough. The modelling's quite nice and pretty believable. The script never gets caught up in easy to film stuff like artificial gravity (except the spin on the space station Ronald Regan!), or plot accelerators like faster than light drives.
I know this may sound stupid but, the mix of accents, the run of the mill mundanity. I love it! Why doesn't someone bring it out on DVD or - at least - show the thing on the TV again!
Você sabia?
- CuriosidadesThere were going to be 10 episodes. The ninth, Death on the Moon, written by Philip Martin, was never made owing to industrial action at the BBC.
- Citações
Nathan Spring: You leave Earth and anything you forget to bring with you will kill you. Anything you do bring with you which doesn't work properly will kill you. When in doubt, just assume *everything* will kill you.
- ConexõesFeatured in The Cult of...: Star Cops (2006)
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