A Hora do Pesadelo

The "Nightmare" has been recently on in our TV and I must admit that even after those fourteen years it made a deep impression on me. I saw the film for the first time in 1989 and at that time I was scared because I was just a teenager then. But now, I can see that the film has got something unique, which makes the film different from other horror movies. I think it`s down to the basic idea of this film - dreams and everything that can happen in our dreams sometimes become true. The authors of this film did not have to be bound with the need to stay realistic and that opens a free way to their wildest imaginations. Charles Bernstein`s music in this movie has become clasic and we can hear the basic melodic motive in some of the sequels. Original music composed by different authors in the sequels to this first Nightmare stays far far behind Bernstein`s masterpiece.

The teenagers of Springfield, Illinois are having nightmares. Tina and her best friend Nancy learn that they're dreaming about the same creature, a hideously burned man in a dirty red and green sweater who bears an odd weapon; a glove with razor fingers. When Tina is brutally murdered in her bed one night, suspicion falls upon her volatile boyfriend Rod, who was the only other person in the room with Tina when she died. But Rod swears he didn't do it, and tells Nancy that he too has been suffering from terrible nightmares in which a knife- fingered man is trying to kill him. Nancy begins to suspect that something evil is happening within their dreams, and that perhaps the boogeyman is real. When Rod turns up dead in his jail cell, Nancy is convinced that a ghostly killer is stalking them in their sleep. Her mother, worried for Nancy's sanity, takes her to a dream clinic where her sleep patterns can be monitored. When Nancy awakens screaming from a nightmare with a bloody slash mark on her arm, she shows her mother and the doctor what she has pulled out of her dream: the battered fedora that the killer always wears. The hat bears a name tag: Fred Krueger. Nancy's mother recognizes the name and soon tells Nancy the story of a brutal child killer who had terrorized the town many years ago. When he was released on a technicality, Nancy's parents and the parents of the other nightmare-plagued children hunted Fred Krueger down and burned him alive. Fred Krueger is dead, but he's found a way to return and wreak vengeance upon the children of his killers. Nancy knows that she must find a way to stop him before he kills her and everyone else on Elm Street.

I just sat down and watched this movie again the other day and it's still damn impressive. The acting isn't always the greatest and it looks just the slightest bit dated, but it's still a really damn good movie. It's power lies in the fact that sleep cannot be avoided. In so many other horror movies, the victims are nothing more than vapid cattle wandering dumbly up the slaughterhouse chute and calling out: "Is anyone there?" as they go up. They purposefully get themselves into stupid and dangerous situations and therefore we feel no real pity for them when they are eviscerated. However, in A Nightmare On Elm Street, all the characters have to do to endanger themselves is to go to sleep. Even the most hardcore insomniac (like myself) knows that eventually, sleep will come for you; it is unavoidable. We cannot blame our cast for wandering around doing stupid things in their dreams, because how many of us have had dreams in which we show up for work naked? Very rarely are we in control of our dreams, and in A Nightmare On Elm Street, the only person in control is Freddy Krueger.

Robert Englund as Freddy is flawless. Before this movie was released, the boogeymen of horror films had always been hulking, silent, expressionless shapes usually hidden way behind masks. Not that there's anything wrong with that! But Englund gave us a new kind of Boogeyman - a smartass. Freddy is hideously burned, covered in scar tissue and has all the fashion sense of a wino, but he's cool. Not content to simply disembowel his screaming victims, Freddy has to tease them a little first, flirting, humiliating or showing off. He makes Tina watch him cut off his own fingers and smiles at her like a drunken uncle who's just pulled a coin out from behind her ear. He sticks his tongue in Nancy's mouth via her telephone. He doesn't waste his sense of humor on the guys in this film, but there's plenty of sequels in which he makes up for that.

This is such a great, innovative film, filled with pretty cool special effects, disturbing sound effects (including scraping metal fingernails and baby goats bleating in terror) and creepy music. The boiler room is an especially unnerving set, complete with hissing pipes and dripping chains. A young Johnny Depp and his feathery 80s hair make their debut in this film as well, and though his character is about half a million miles away from Captain Jack Sparrow, the raw talent is still very much in evidence here.

This remains the best movie of the Elm Street series, with a few good sequels and some really crappy ones. But Freddy is always worth watching.

While I love horror films, I am not a big fan of the slasher genre, which has come to dominate and indeed practically to define horror since the late 1970s. While I do love the original "Psycho," most slasher films follow a different, and far more predictable, formula. The idea of a faceless killer going around stabbing teenagers just doesn't frighten me a whole lot, though some of these films do fill me with disgust--a rather different sort of emotion.

I am far more frightened by films that deal with distortions of reality, where it's hard for the characters to tell what's real and what's not. Admittedly, that genre isn't always so lofty either. Dreams are one of the most overused devices in the movies, having a whole set of clichés associated with them. We are all familiar with the common scene in which a character awakens from a nightmare by jerking awake in cold sweat. This convention is not only overused, it's blatantly unrealistic, for people waking up from dreams do not jerk awake in such a violent fashion. Moreover, these scenes are usually nothing more than little throwaway sequences designed to amuse or frighten the audience without advancing the plot.

What makes "Nightmare on Elm Street" so clever is how it creates an entirely new convention for representing dreams on screen. The dreaming scenes are filmed with an airy, murky quality, but so are many of the waking scenes, making it very difficult to tell whether a character is awake or asleep. Indeed, the movie never shows any character actually fall asleep, and as a result we are constantly on guard whenever characters so much as close their eyes for a moment. In crucial scenes, it is impossible to tell whether what we are seeing is real or happening only in a character's mind. But the movie ultimately suggests that the difference doesn't matter. The premise of the movie, in which a child-killer haunts teenager's dreams and has the capability of killing them while they're asleep, turns the whole "It was all just a dream" convention on its head: in this movie, the real world is safe, and the dream world is monstrously dangerous.

The movie finds a number of ways to explore this ambiguity, including a bathtub scene that invites comparisons with the shower scene in "Psycho" without being a cheap ripoff. My personal favorite scene, and one of the scariest I've ever seen in a movie, is the one where Nancy dozes off in the classroom while a student is standing up in front of the class reading a passage from Shakespeare. The way the scene transitions from the real classroom to a nightmarish version of it is brilliantly subtle.

The director, Wes Craven, understood that the anticipation of danger is usually more frightening than the final attack. There are some great visual shots to that effect, including one where Freddy's arms becomes unnaturally long in an alleyway, and another where the stairs literally turn into a gooey substance, in imitation of the common nightmare where it is hard to get away from a pursuer. The movie continually finds creative ways to tease the audience, never resorting to red herring, that tired old convention used in almost all other slasher films.

Despite the creativity in these scenes, "A Nightmare on Elm Street" is still a formula movie, with relatively one-dimensional characters and no great performances. This was Johnny Depp's first role, as Heather Langenkamp's boyfriend, and although he does get a few neat lines of exposition (his speech about "dream skills"), his personality is not fleshed out, and there is no sense of the great actor Depp would go on to become.

Within the genre, however, "A Nightmare on Elm Street" is a fine work. My main criticism isn't its failure to transcend the formula, but its confusing and obtuse ending, apparently put there in anticipation of sequels, but managing to create a mystery that the sequels were unable to clear up. The climactic confrontation between Freddy and Nancy is weakly handled. The crucial words she says to him are surprisingly clunky, and her father's muted behavior during that scene is almost inexplicable. It has led me to consider an alternative interpretation of the scene, but one that feels like a cop-out. The scene that follows, and where the movie ends, is anticlimactic and unnecessary. These clumsily-made final two scenes come close to ruining the movie, and it is a testament to the film's many good qualities that it still stands as an unusually effective horror film that invites repeat viewings.

Nancy is having grisly nightmares. Meanwhile, her high-school friends, who are having the very same dreams, are being slaughtered in their sleep by the hideous fiend of their shared nightmares. When the police ignore her explanation, she herself must confront the killer in her shadowy realm.

This Film Starred: John Saxon, Heather Langenkamp & Johnny Depp.

A Nightmare on Elm Street was released in 1984 was written and directed by Wes Craven.

In my personal opinion this was a great film, it had it's scary moments which every horror should have unfortunately they did go a bit far on a couple of the sequels which got rather low ratings on here. Not all of the sequels are bad, for example I am a fan of 3 & 4 but sequels like 2 & 5 ARE GIVING THE Freddy movies a bad name and are shadowing the excellence of this movie in particular. People seem to recognise Freddy Krueger as the burnt serial killer with knives for fingers who appeared in all them bad films. A Nightmare on Elm Street 1984 is not one of them films and should be recognised as a the great movie it is. I highly recommend this film to all fans of the horror genre.

****/***** Very Good.

"A Nightmare on Elm Street" is so original, realistic, and overall terrifying that it is easy to overlook the film's numerous shortcomings. The film deals with a deceased child molester who now lives only through the dreams of the children of those who cooked him to death. Robert Englund is truly frightening as Freddy Krueger, a dark figure whose only purpose is to kill all the siblings of his killers. The knife-styled finger glove has become a trademark of this amazing character who was created by writer-director Wes Craven. The film goes for suspense, drama, and gore and delivers for the most part. None of the characters are developed very well, but most do not live to see the end of the film so it really does not matter. A great horror film that still delivers today. Ignore the endless sequels, they each detract from this truly original and interesting film. Look for a young Johnny Depp as one of the unlucky teens. 4 out of 5 stars