Miss Marple: A Murder Is Announced

I can understand why many people see this as the best of Joan Hickson's adaptations. The production values are so high, the casting director did a fantastic job and got every characterisation spot on. ITV's remake I did enjoy and compares well with this one, partly because it moves at a pace. This version is far more intricate, more detailed and of course more true to the novel. Joan Hickson was of course born to play Miss Marple, to this day I don't think anyone catch match her, she was incredible. It's funny, I was 5 when this was transmitted, and I have a vivid memory of the scene where Miss Murgatryod is strangled with her washing, think that's why I was so keen to watch them again (and again.) As with all Agatha Christie's it's the endings I enjoy, and this is one of the best, if you've not seen it, you are missing out. Ursula Howells, Renee Asherson and Paola Dionisotti are particularly brilliant. a definite no questions asked 10/10

I loved this adaptation! The acting is very good all the way thro' with fantastic performances from Ursula Howells (Miss Blacklock), Renee Asherton (Miss Bunner) and, of course, Joan Hickson - who *is* (in my opinion) Miss Jane Marple - just the way that Dame Agatha described her in the books.

Having read the book several times, I'm pleased and relieved that it wasn't "butchered" as some TV adapations can be, it remained faithful to Dame Agatha's book.

All in all, a very good adapation with, in places, humourous touches.

The book A Murder Is Announced is a brilliant book, one of my favourite Agatha Christies, intricately woven and quite complex. This adaptation is a million times better than the Geraldine McEwan version, and not only was it faithful to the book, but it almost surpassed it. The adaptation is lovingly photographed, with stunning locations and costumes. The music is beautiful, reminds me a bit of a day in the country, peaceful and relaxing. The script is well crafted, the plot is brilliantly constructed and like I've said already, the adaptation is very faithful to the book. The lights-going-off scene was very haunting, and gave me nightmares when I first saw this when I was 11, six years ago, just like in the book, that scene was underplayed in the Geraldine McEwan version. The acting was very, very good, Joan Hickson doesn't just play Miss Marple, she IS Miss Marple. There was one scene with a sideways close up into Hickson's face, and that moment in particular was extraordinary. Samantha Bond was lovely as Julia, and Ursula Howells was superb as Letitia Blacklock. Joan Sims also delights as Amy Murgatroyd, and before he did Inspector Morse Kevin Whately did this, and he is a breath of fresh air as Sergeant Fletcher. Everyone else was just as superb. In fact, I have no criticisms of this at all, the ending will have you completely by surprise if you haven't read the book, the length was just right and everything about this was delightful. 10/10 Bethany Cox

I've avoided Miss Marple my whole life, focusing on Dorothy Sayers. But then I realized that I'm now as old as Jane Marple. Hickson plays Marple with wonderful restraint, and John Castle is great as the brooding thoughtful inspector. It was delightful to see Inspector Lewis (Kevin Whatley) transported into the post WW2 village.

This is an engrossing mystery and I appreciate that there is zero campiness in this adaptation, thank goodness. The Geraldine McEwan versions are ghastly. Here the production values are excellent, and the Scotland exterior was terrific. Young Samantha Bond is luminous. Very well done though oddly, it's easy to peg the show as from the 1980s because of the musical frissons.

I'm a fan of the genre. I have the aforementioned rewind button. I loved the show.

I didn't find it too implausible, considering that this did take place in the 1950s (no faxes, e-mail or digital cameras), and I thought it possible and plausible that the people in question could assume someone else's identity, especially as their performances were being given for the benefit of people who hadn't seen the "original identity holders" in many years, if at all.

Hints at Hinchcliffe's and Murgatroyd's lesbian "partnership," without ever coming directly across and labeling it (although it does more broadly hint at the relationship than Agatha Christie's original novel). Issues of youthful Communism and unrequited love are almost too felicitously handled, although one wishes that real life could be this uncomplicated!

Watch for a spunky performance from Samantha Bond (now universally recognized as Miss Moneypenny in the 007 series). Paola Dionisotti (The House of Elliott) is also greatly likable as Miss Hinchcliffe.