O Estrangulador Invisível

The Astral Factor is about a psychopath, imprisoned for murdering his mother, who somehow learns how to make himself invisible by studying books while incarcerated in a hospital for the criminally insane. Needless to say, he escapes and goes on a killing spree.

This one begins quite well in all fairness but it soon gets somewhat tedious. The storyline is such a bad basic idea you have to wonder how the likes of it ever got as far as to be given the green light for an actual movie. Well, while it was made as film, it seemingly sat on a shelf for near enough ten years before actually being released. It's really not all that surprising to be perfectly honest. While the story is pretty terrible, it's not really that that is the chief problem. Sometimes bad stories make for good films after all. No the issue is probably that, with very few exceptions, movies about invisible men are almost always terrible. What can be more cinematically tedious than an invisible character? What it does mean though, is there are some very silly murder scenes which I guess could provide some laughs I suppose. But for me the best aspects about this one were the appearances of Elke Sommer and Stephanie Powers. Sommer starred in a few interesting cult films in the 70's and her presence is always welcome, while it was strange to see future 'Hart To Hart' TV star Powers cavorting about with her butt exposed. She played the detective's trophy wife! She does zero housework and spends all his hard earned cash. She and Sommer were at the very least interesting diversions in a film in need of them.

This budget "Boogie Man" film was just that.

I thought this movie was worth watching. Elke Sommer shows some nice cleavage and we get to see Stephanie Powers naked butt. That almost is worth it by itself.

This is definitely midnight movie fare, but I thought it told a story of an invisible stalker that was almost convincing. This movie embodies the flavor of 1970's budget movies. Stephanie Powers is fun as the cops playful girlfriend. Elke Sommer gets to be the drunk mean witch. The ending left something to be desired, as we really don't know what happened to the boogie man.

I think this was worth watching. 6/10

A mentally ill prisoner, through some sort of yogic meditation, manages to make himself invisible and escapes. As a child, he'd been unwanted by his celebrity mother, who nevertheless kept him close to her and didn't let him create a life of his own. He had strangled her, and apparently other women, giving him the nickname of "the celebrity strangler."

Having escaped, he goes after celebrity women who had testified against him. The police, having learned he was into reading mystical books in prison, for some reason contracted a para-psychological institute. The institute thinks perhaps the strangler is killing women by astrally projecting himself. In reality, he's merely strangling them while he is invisible (and naked). He nearly gets caught when to reach one woman, he has to don a scuba suit to get out to her boat. It's more interesting when he manages to strangle a woman in front of many witnesses simply because they don't realize what is going on. Eventually, a trap is set for him.

I kind of wonder if this was originally done as a TV movie, perhaps as a pilot. There doesn't seem to have been any reason for introducing the lead cop's girlfriend/wife Candy and the psychics unless they were to return in subsequent episodes.

It's not very good, but it's not terrible.

The Astral Factor contains dialogue that limps its way through the plot. The cast is full of actors I've enjoyed watching on screen for years but none of them managed to get past the wooden interaction of the characters. The dialogue is just that bad. This movie is so stilted in places that it competes with my all time really bad but fun favorite, "The Attack of the Killer Tomatoes."

This one in my opinion is a little bit to bad for casual weeknight watching. Elke Sommers character, however, has the correct idea by only appearing on screen with a drink in her hand. This is good advice for anyone interested in watching this gem on a Saturday night. Heck, with enough scotch and soda and the near nude scenes of Stephanie Powers to help it out; you might like it.

Incarcerated killer learns to transcend existential boundaries and temporarily abscond from his gaol cell, preying on a vast array of glamorous former Hollywood starlets. Detective Foxworth is baffled by the apparent lack of physical evidence, and begins to speculate on a supernatural cause. Aside from an original premise and a great cast of former 60's sexpots (Powers, Lyon, Hill, Sommer and Parrish), with names like 'Bambi' and 'Candy', there's not much right with this tepid mystery.

Mother fixated killer Ashmore does little other than look constipated, perspire and affect intense mind grips, while Foxworth's perplexed expression suggests he's struggling with the concept of the killer's meta-physical abilities. As an audience, it was also a struggle to remain engaged, as the movie laboured from one murder to the next seemingly without selection or purpose. Powers is entirely irrelevant to the plot, a vexatious waste of talent simply for the status her name brings to the dull production. Whatever value the original idea had, it quickly evaporates, the all too brief cameos being the only partially redeeming qualities.

Wasting an attractive cast, "Invisible Strangler" has invisible special effects, paltry production values and incoherent dialogue to match its laborious narrative approach. Female viewers will be less concerned with the bevy of babes on show, and more appalled by the blatant misogyny of the storyline. A disappointing revision of "The Invisible Man" borrows heavily from "Psychic Killer" released a year earlier in 1975, and should have been so much more entertaining.