Sem Tempo para Morrer

My review was written in June 1986 after watching the film on Trans World Entertainment video cassette.

"No Time to Die" is a low-energy, instantly disposable action film, one of the endless flow of European features shot in the Far East. Made in Indonesia under the title "Hijacked to Hell" in July 1984, pic manges to be even duller than a Filipino-lensed actioner shot four months later with the same U. S. stars, "American Commandos". Latter pic achieved a theatrical release recently while "No Time" went directly to video cassette.

John Philip Law (the only cast member here who does not sleepwalk) toplines as Ted Barner, a soldier of fortune and a womanizer currently working as a flunky in Indonesia fro Multi Industrial Corp. MIC is planning to test a new laser cannon in a remote mine with Barner, engineer Forster (Horst Janson) and Barner's local pal Lesmany assigned to drive it there.

A rival industrialist from Texas, Jack Gull (Christopher Mitchum, as animated as a zombie), is out to steal the cannon. After a very talky first half, film segues to endlessly boring footage of bad guys chasing the truck. Improbably, a beautiful news agency reporter Judy (Grazyna Dylong) joins up with the truck driving heroes for the trip. A dumb plot twist has miners and scientists trapped in the mine, with the cannon needed pronto to save them.

Poor dubbing helps make this one a deadly experience .

This is probably the most boring, predictable, cliché-ridden action pic of all time. Let's tick off the familiar details:

* Smart-ass hero who has a quip for every occasion, unfortunately coming across as a total jerk to the audience.

* Blonde babe who starts off being a strong independent woman not needing a bloke, but finally is saved and falls in love with The Jerk.

* A loving brother of The Jerk who teams up with him for a mission, but is sadly killed (usually accompanied by a shrill NNNNNOOOOO!!).

* A huge weapon owned by the bad guys (say, a laser) which looks like it was assembled on Blue Peter with sellotape and used toilet rolls. This is A THREAT TO THE FREE WORLD AND MUST BE STOPPED.

* You'd think with THE FREE WORLD on offer, the bad guys would hire people who could shoot straight. Sadly, even at point blank range, they fail to even scratch The Jerk and The Blonde. Are we surprised?

* Explosions which resemble the aftermath of a particularly spicy vindaloo than huge bombs being detonated. They usually set a couple of stuntmen alight, who put themselves out by jumping into a convenient lake. DO YOU SEE?!

* So-called 'hilarious' buddy talk between The Jerk and his mates that reads like it was written by a 18 year old college dropout while sitting on the toilet (example: after the above stuntman emerges from the lake, The Jerk comments "Well, guess his ass is toast!!" Ho ho).

* A lead villain who spends more time in bed with his collection of exotic ladies and styling his hair than getting involved in the dirty work of stopping our heroes. With such casual laziness. It's amazing that he's in the position he is.

* A compulsory nude scene with one of the above exotic ladies showing off her butt and boobies when getting out of bed. What about The Blonde? Don't be silly.. she's FAR too refined to exploit herself like that. Might have helped her acting career though..

* A MASSIVE final action climax with guns a-blazing, bullets a-flying and fists a-swinging.. is not in this film. A suffocation, a kiss, and that's yer lot. Yep, the best cliché of this genre is the one this movie strenuously avoids. Shame that..

Basically, its not very good. Now pass me the award for 'understatement of the year'. While I practise my acceptance speech, I'll inform you that I give it 2/10. That's it. Now, get lost.

This action film concerning the transport of a laser gun talks itself to death. Crew and cast both show signs that they were caught in the Indonesian heat: the stunts and special effects are bad; whether a good guy or a bad guy, everybody's acting is bad ; there is no decent story; Ashley's directing is hopeless. The film is beaming something conceited like "what you can do in Hollywood, we can do at least as good", but of course the makers were wrong, they simply lacked the talent. They should have used the laser beam to obliterate this film.

Should have been called PLENTY OF TIME TO TALK. Ted Barner (John Phillip Law) is hired by a company to transport a freaking' laser cannon across Indonesia to a mine. Accompanying him are old pal Ratno (Barry Prima), company exec Martin Forster (Horst Janson of CAPTAIN KRONOS) and nosy reporter Judy (Grazyna Dylong). On the chase is Barner's angry former partner Von Clef (Winfried Glatzeder), who has been hired by Mr. Gull (Christopher Mitchum) to steal the device. Things get even more convoluted when our team receives word the mine needs the cannon, like, now because some miners are trapped and - cue ominous trumpets - Forster's brother is among them.

Law, Prima, Janson, Mitchum! This should have been killer, right? Sadly, that is not the case. A German-Indonesian co-production, you can see they are trying to do THE WAGES OF FEAR (or SORCERER, for that matter) but it is neither intense or thrilling. The first 40 minutes are spent setting up that relatively simple plot and absolutely nothing happens. It is also the kind of movie where characters talk about how important the item they are transporting is, yet they haul it around on an open flatbed. Mitchum gets in his contractually obligated Lanky White Guy Fu towards the end. Law is actually likable and shows a personality here, which is strange to me. Freakin' not giving Barry Prima a single kick to throw? Sacrilegious! Seriously, if I ever sent this to someone, I would type up a small plot paragraph so they know who everyone is and tell them to start at 40 minutes in. Nicht gut, Herr Director.

Awful dialog, a plot that makes no sense, speeded-up car chases, gratuitous explosions, paper-cutout characters (not substantial enough to be cardboard). A German-Indonesian co-production in which the actors speak whatever language suited them, and then all the voices were badly dubbed at the end.

Nothing about this film appears credible; you may find it unintentionally hilarious, or you may just wonder why they (and you) bothered.