Conan lidera um grupo desorganizado de aventureiros em busca de uma princesa.Conan lidera um grupo desorganizado de aventureiros em busca de uma princesa.Conan lidera um grupo desorganizado de aventureiros em busca de uma princesa.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
Olivia d'Abo
- Princess Jehnna
- (as Olivia D'Abo)
Sven-Ole Thorsen
- Togra
- (as Sven Ole Thorsen)
Ferdy Mayne
- The Leader
- (as Ferdinand Mayne)
Matt Conner
- Zeus
- (não creditado)
Erik Holmey
- Henchman of Queen Taramis
- (não creditado)
Juan Jaramillo
- Rich Man Outside Taramis' Palace
- (não creditado)
Terry O'Neill
- Village Heavy
- (não creditado)
André René Roussimoff
- Dagoth
- (não creditado)
Avaliações em destaque
This is an epic adventure based on Robert E Howard's pulp tales with screenplay by the comic-book authors, Roy Thomas and Gerry Conway , it stars Arnold Schwarzenegger in the title role, the Hyborian Age hero . This time Conan with the help his partner (Tracey Walter), a magician (Mako, who repeats his role as wizard of ¨Conan the Barbarian ¨ by John Milius and written by Oliver Stone), an androgynous sidekick( Grace Jones who steals the show ), as a club-wielding tomboy, a giant hoodlum (Wilt Chamberlain) and a virgin princess(Olivia DÁbo) undergo on a risked trip to find a treasure whose sacred jewel contains a magic horn that relives a monster (manufactured by Carlo Rambaldi : ET) and leading a vibrant ending.
This violent following packs noisy action, full-blooded adventure, thrills, crude scenes and rip-roaring fights. Dumb images and unintentionally hilarious but amusing . Made on a grand scale with spectacular production design and colorful cinematography by Jack Cardiff, occasionally filmmaker. Big budget and lavishly produced by Raffaela De Laurentis, Dino's daughter. Impressive musical score composed and conducted by Basil Poledouris as vibrant as the original Conan. In other words, it seem likely Conan enthusiasts and juvenile viewers will be delighted. Followed by several low-grade imitations and rip offs, and spawned TV series starred by Ralph Moller. Furthermore a similar film realized in old-fashioned style also directed by Richard Fleischer titled ¨Red Sonja¨ with Brigette Nielsen as female lead , Sandahl Bergman and of course Arnold Schwarzenegger has a brief guest spot. And in production a new ¨Conan¨ by Marcus Nispel with Jason Momoa,Rose McGowan and Ron Perlman.
This violent following packs noisy action, full-blooded adventure, thrills, crude scenes and rip-roaring fights. Dumb images and unintentionally hilarious but amusing . Made on a grand scale with spectacular production design and colorful cinematography by Jack Cardiff, occasionally filmmaker. Big budget and lavishly produced by Raffaela De Laurentis, Dino's daughter. Impressive musical score composed and conducted by Basil Poledouris as vibrant as the original Conan. In other words, it seem likely Conan enthusiasts and juvenile viewers will be delighted. Followed by several low-grade imitations and rip offs, and spawned TV series starred by Ralph Moller. Furthermore a similar film realized in old-fashioned style also directed by Richard Fleischer titled ¨Red Sonja¨ with Brigette Nielsen as female lead , Sandahl Bergman and of course Arnold Schwarzenegger has a brief guest spot. And in production a new ¨Conan¨ by Marcus Nispel with Jason Momoa,Rose McGowan and Ron Perlman.
Boy, did this one take a wrong turn at Albuquerque! Although it's still pretty entertaining, it's played far too much for laughs.
Ahnuld is back, and this time he gets more dialogue, a big mistake. He sounds more than a little ridiculous with a large part of his dialogue. Instead of Gerry Lopez, we have Tracy Walter, a fine actor, but too comedic for this (yeah, he's the comic relief, but Conan shouldn't have comic relief). Mako is good and Sarah Douglas sizzles as always. Grace Jones, well, is Grace Jones. If you are looking for subtlety, look elsewhere. And, speaking of subtlety, there's "Wilt, the Stilt." As an actor, Wilt makes a great basketball player. Olivia D'Abo is cute, but little else.
The movie has its moments and the finale is pretty good, but there's a lot of junk in the middle. The fight between Conan and Toth-Amon (Pat "Bomber" Roach) is fantastic, but the campfire scenes after are just plain stupid. Tracy Walter's character gets annoying with the constant Shaggy and Scooby jokes (you know, "I'll wait here. Wait for me!"). The basic story is good and in keeping with Conan traditions, but it descends into camp at the worst times.
Roy Thomas and Gerry Conway were quite familiar with Conan, having written the character for Marvel Comics. How much of their story is in the final film is a puzzler. The elements that work are straight out of Howard and Roy Thomas' comics. The goofier stuff, who knows?
The first film was epic adventure. This is more of a glorified B-movie. It's fun when you have a group of friends together and can "MST3K" it; but as cinema, it's not 20,000 Leagues Under the Sea. Director Richard Fleischer has done better. Still, it's a great "guilty pleasure" film.
Ahnuld is back, and this time he gets more dialogue, a big mistake. He sounds more than a little ridiculous with a large part of his dialogue. Instead of Gerry Lopez, we have Tracy Walter, a fine actor, but too comedic for this (yeah, he's the comic relief, but Conan shouldn't have comic relief). Mako is good and Sarah Douglas sizzles as always. Grace Jones, well, is Grace Jones. If you are looking for subtlety, look elsewhere. And, speaking of subtlety, there's "Wilt, the Stilt." As an actor, Wilt makes a great basketball player. Olivia D'Abo is cute, but little else.
The movie has its moments and the finale is pretty good, but there's a lot of junk in the middle. The fight between Conan and Toth-Amon (Pat "Bomber" Roach) is fantastic, but the campfire scenes after are just plain stupid. Tracy Walter's character gets annoying with the constant Shaggy and Scooby jokes (you know, "I'll wait here. Wait for me!"). The basic story is good and in keeping with Conan traditions, but it descends into camp at the worst times.
Roy Thomas and Gerry Conway were quite familiar with Conan, having written the character for Marvel Comics. How much of their story is in the final film is a puzzler. The elements that work are straight out of Howard and Roy Thomas' comics. The goofier stuff, who knows?
The first film was epic adventure. This is more of a glorified B-movie. It's fun when you have a group of friends together and can "MST3K" it; but as cinema, it's not 20,000 Leagues Under the Sea. Director Richard Fleischer has done better. Still, it's a great "guilty pleasure" film.
This film even though is the second part of Conan the barbarian but it is a damn good film. My kids love it and even I have seen it so many times with them. Arnold is fantastic and so is Grace Jones and Sara Douglass. I wish director Richard Fleischer makes more of this type of films like Conan 3,4,etc., before Arnold gets too old.
I have been captivated by Conan's heroic fantasy world for many years. For this reason alone I am rating this film as 6/10. Do not expect a continuation of the first Conan film. 'Conan The Destroyer' is too light in its scope and Conan is not the same man anymore. The villains are also not as menacing.
Having said that it was good to see Grace Jones and Sarah Douglas and also Conan's companions had good lines and were very funny at times.
As a side note I found the adjective 'Destroyer' in the title quite misleading and unfortunate. For those of us that read the Conan novels we see Conan driven by his own motivations, and fighting his battles only if he had to and not for the sake of destroying. The film distributors could have picked something else to promote the movie.
Having said that it was good to see Grace Jones and Sarah Douglas and also Conan's companions had good lines and were very funny at times.
As a side note I found the adjective 'Destroyer' in the title quite misleading and unfortunate. For those of us that read the Conan novels we see Conan driven by his own motivations, and fighting his battles only if he had to and not for the sake of destroying. The film distributors could have picked something else to promote the movie.
Oh, I can understand why "Conan the Destroyer" is the way it is. The original, classic "Conan the Barbarian" was a hit, but the Hollywood bigwigs decided they could get x-amount more money if they made a more family-friendly sequel, thereby opening the franchise to the lucrative kid's market (never mind that, for as long as there have been "restrictive" movie ratings, kids have known how to get to see the movies they want). Take out the sex, tone down the violence, crank up the humor, and... out comes this movie.
It's like "Destroyer" is stuck in a state of half-development. The basic storyline would be okay, but the script gives Conan a coterie of unneccessary sidekicks (as if Conan were not a strong enough character to carry a movie by himself). Grace Jones is interesting to look at but gets tiresome VERY fast; the cowardly sidekick gets more irritating by the second; Mako wears this expression like he's only in this one for the money. Olivia d'Abo is just plain miscast: it's like she's a marker that should read "Insert More Interesting Character in Second Draft." Arnold Schwarzenegger does a competent job as Conan, but we don't see the raw power and brute force of the first movie. There is a thin line between competence and complacency, between an actor and a star; it took Roger Moore six years to get to that point in the James Bond series, while Schwarzenegger reaches the same point with Conan in two.
I think part of the problem is whether or not the Conan concept is flexible enough to become family fare, and my answer is "no." Fans of Robert E. Howard's Conan work know his Cimmerian is a very rough-edged hero, a cunning, hard-drinking, hard-fighting man, and the first Conan movie captured that essence. To change him into the simple-minded do-gooder of "Conan the Destroyer" is to destroy what Conan is all about, and the movie suffers for it.
Is "Conan the Destroyer" worth watching? Yes. For someone who knows absolutely nothing about Conan, I suppose it can be a harmless sword-and-sorcery popcorn flick. For Conan fans, it's kind of like "Legend of the Lone Ranger" for Lone Ranger fans: an irresistible example of just how badly Hollywood can treat your favorite character.
I just hope that if there is ever another Conan movie (not likely, thanks to "Destroyer"), the producers will concentrate on following the style of "Conan the Barbarian" and just ignore this one.
It's like "Destroyer" is stuck in a state of half-development. The basic storyline would be okay, but the script gives Conan a coterie of unneccessary sidekicks (as if Conan were not a strong enough character to carry a movie by himself). Grace Jones is interesting to look at but gets tiresome VERY fast; the cowardly sidekick gets more irritating by the second; Mako wears this expression like he's only in this one for the money. Olivia d'Abo is just plain miscast: it's like she's a marker that should read "Insert More Interesting Character in Second Draft." Arnold Schwarzenegger does a competent job as Conan, but we don't see the raw power and brute force of the first movie. There is a thin line between competence and complacency, between an actor and a star; it took Roger Moore six years to get to that point in the James Bond series, while Schwarzenegger reaches the same point with Conan in two.
I think part of the problem is whether or not the Conan concept is flexible enough to become family fare, and my answer is "no." Fans of Robert E. Howard's Conan work know his Cimmerian is a very rough-edged hero, a cunning, hard-drinking, hard-fighting man, and the first Conan movie captured that essence. To change him into the simple-minded do-gooder of "Conan the Destroyer" is to destroy what Conan is all about, and the movie suffers for it.
Is "Conan the Destroyer" worth watching? Yes. For someone who knows absolutely nothing about Conan, I suppose it can be a harmless sword-and-sorcery popcorn flick. For Conan fans, it's kind of like "Legend of the Lone Ranger" for Lone Ranger fans: an irresistible example of just how badly Hollywood can treat your favorite character.
I just hope that if there is ever another Conan movie (not likely, thanks to "Destroyer"), the producers will concentrate on following the style of "Conan the Barbarian" and just ignore this one.
Você sabia?
- CuriosidadesThe production had a hard time finding a horse for Wilt Chamberlain to ride because he was so tall that his feet touched the ground. They ultimately found one in Spain that was big enough and imported it to Mexico.
- Erros de gravação(at around 1h 8 mins) Just after Akiro reads the legend on the wall of the crypt regarding the woman-child with a certain mark, we are treated to a view of the mark that makes Jehnna so special on the swell of her left breast (a pink star shaped mark). However, earlier in the movie (at around 45 mins), when Jehnna first awakens in the castle of Toth-Amon as well as the scene a few minutes after this when she lifts the jewel/key from its place, this same area of her chest is perfectly visible but the mark is not there.
- Citações
Princess Jehnna: I suppose nothing hurts you.
Conan: Only pain.
- Versões alternativasThe film was cut for an 'All' (all audiences) rating by the Korean censors for cinema and video exhibition in South Korea in 1986 to reduce all of the violence sequences. It remained cut for 15 years. In 2001, the film made its debut on DVD with all the censored footage put back in with an uncut '15' (under 15s require an adult) rating.
- ConexõesFeatured in At the Movies: Conan the Destroyer/Top Secret!/Under the Volcano (1984)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Conan, el destructor
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.042.035
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.958.872
- 1 de jul. de 1984
- Faturamento bruto mundial
- US$ 31.042.035
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