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At the height of his action superstar career, Arnold Schwarzenegger's movies were all about guns and explosions. 'Eraser' delivers both in abundance.

Fortunately, 'Eraser' is not just a shallow action movie. This action thriller has flesh to the bone, and characters I cared about. We've seen this a million times before, where a victim of circumstance needs protection, being pursued by the bad guys, but few as thrilling and exciting as 'Eraser'.

Vanessa Williams stars as Lee Cullen, a senior executive at a weapons manufacturing company, Cyrez. She contains a disc with information on developing secret, powerful weapons, and some people will kill relentlessly to get their hands on the disc.

What follows, is an action-packed, fast-paced cat and mouse game, filled with intrigue and a few twists. There's loads of action and good visual effects. There are some funny moments, too. The crocodile scene was very well done! 'Eraser' delivers on every level, with an exciting finale.

Chuck Russel's Eraser is exploding and intense action film starring Arnold Scwarzenegger as secret government officer, who "erases" people i.e. destroys their past in order to save their future. He gets to erase an important witness (Vanessa Williams) who knows about her company's illegal activities as it sells guns to foreigners. The film is full of action and mayhem, which is great since hardboiled action films are not made too often in Hollywood anymore.

There are hardly any stops throughout the movie and the viewer should not be bored, at least I wasn't now that I watched the movie for the second time. It looks fantastic in its original widescreen format, and this is definitely among Arnold's more noteworthy performances and proves the talent of director Chuck (Scorpion King, Elm Street 3) Russell.

There are many effects that look pretty realistic and the crocodile shoot out is one memorable scene, and maybe that is the screenwriters' comment on zoos' that don't feed their animals sufficiently as the crocodiles are VERY hungry and fierce for food! Also, there is one over the top airplane scene, that really grabs an attention. The actors are great throughout the film and James Caan doesn't make an exception. The finale is perhaps little too familiar and relies on gun fights and explosions, but still, as a whole, I found this film very pleasant experience in its own genre. It is not the greatest action film ever made in Hollywood, but it is one of the most interesting US action films of the 90's.

7/10

After Arnold Schwarzenegger's 1997 heart surgery, his box office popularity faded. 1996's "Kindergarten Cop" is a comedy, and he did not play the lead role in "Batman and Robin," even though his name grabbed him top billing. That makes "Eraser" his last great action film until "Terminator 3" became his last hurrah, for now anyway. Schwarzenegger plays John Kruger, "The Eraser." He puts the protection in the Witness Protection Program.

I cannot imagine a better beginning. Two thugs have invaded the home of a Federal witness (Robert Pastorelli). His wife writhes on the floor as the duo prepare to burn the house. Hearing gagged screams of a visibly bound woman having gasoline poured on her is not a pleasant experience for most people, nor is the sight of an innocent man about to have his tongue removed. The sounds and images ramp up audience hate towards the two, then greatly increases the euphoria when Kruger comes in and kills them in a most unpleasant fashion. His timely rough justice spurs us to root even for him even harder later on, even if the effect is on a subconscious level.

His next assignment is Lee Cullen (Vanessa Williams) who works Cyrez, a weapons manufacturer. Company President William Donahue (the always dependable James Cromwell) is selling high tech weapons on the open market, weapons that are supposed to be for the United States only. As Kruger points out, the men who recruit Cullen fail to inform her that she will need to be placed under Witness Protection. She refuses the program and returns home. An encounter with hi-tech hit men forces her to reconsider, and Kruger places her in a secret location and gives her a new identity.

The new weapon is the rail gun. It uses magnetic fields to propel aluminum rounds close to the speed of light. Of course, that means it can shoot through walls, and its scope can see through them, though not in great detail. There is a side shot of one being fired later, and the rounds are obviously not moving as quickly as advertised. They leave a visible trail, but it takes two of three frames for them to move the length of the shot, when it should be all the way through in one, but I don't care. The graphic looks cool and such a small detail is hardly a deal breaker.

Any list of the positives must start with Vanessa Williams. Cullen is hardly a part with Oscar caliber demands, but Williams plays her about as perfectly as possible. She is firm and disdainful when speaking to Donahue, then firm and surprised during her later meeting with FBI agents. She is often required to act fearfully, and in a state of controlled panic. Selling those emotions is not easy. I have acting experience, I should know. The former Miss America is more known as a singer than an actress, but her performance here illustrates why she received a musical theater scholarship to Syracuse. The aftermath of the first attack on her provides her best moment.

Similar praise goes to James Caan, playing Kruger's mentor. Caan is also a talented actor. The same can also be said of James Coburn as the Witness Protection agency's highest officer. Both had spent over thirty years in movie acting by 1996, and there abilities are evident in how well they convey their authority. There are too many action films with weak acting, but people like Williams, Caan, Coburn and Pastorelli ensure that "Eraser" is the opposite. Melora Walters provides arguably the best acting in her small but animated part as the Pastorelli character's wife.

The action, of course, must be well done, and for the most part it lives up to the Schwarzenegger standards. The opening scene is set up so well it does not have to be good, but it is, and the precedent is set. The action is not Arnold's best, but still more than adequate. I was disappointed at how little the rail gun is used, and I probably would have voted an eight if it made more appearances. When it does come, the action is not disappointing. Watching Arnold wield them brought a big smile to my face. Their lack of screen time a detriment, but with good acting and clever plot, there are still more than enough qualities to earn a full recommendation for yet another good effort from Mr. Schwarzenegger.

To enjoy Eraser you must...

1. Already like Schwarzenegger and his films 2. Suspend your disbelief 3. Have popcorn and nibbles on hand while you watch 4. Find a comfy chair 5. Enjoy the ride If you can do that, you'll find that your two hours spent in front of the TV will not be wasted.

Simple as that. Some people called Eraser 'Arnie's last great action film' (not including Terminator 3). That it may be. He got old. He went into politics. Action heroes became younger, better-looking and the stunts they participated in more elaborate and dangerous.

So maybe Eraser is Arnie's 'swansong?' Maybe not. I hear he's gearing up to do some 'post-politics' acting. If so, following in Eraser's footsteps would not be that badder place to start.

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Eraser is a film typical of its genre. What genre, you ask? Why, the "the terrorists-are-coming-and-it's one-man-against-the-world-so-shoot-em-up, blow-em-up, and save-the-girl-and-the-day" genre, of course. Too complicated for you? Don't worry, because the movie isn't. As a matter of fact, it's readily accessible to anyone over the age of 7 - not that this movie is age-appropriate for everyone over the age of 7 (Note: This was my favorite movie when I was 10) - but rather that the concepts, and thus the plot, are simple. This isn't a movie you go see if you're seeking a two hour thinking experience.

Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.

Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.

The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.