Feitiço do Rio

I saw this movie when it first came out. The theater was in a small town and there was nothing else to do that night so we went to the movie thinking it would be crap. Instead, I laughed so hard I almost fell out of my seat. I've loved the movie ever since.

Everyone knows the premise---Michael Caine and Joseph Bologna take their teenage daughters, Michelle Johnson and Demi Moore to Rio for a vacation. Caine's marriage is in trouble and his wife is vacationing somewhere else. They're barely settled into the home they're renting when Johnson aggressively pursues Caine and he quickly succumbs (like any man would!). Caine is guilt-ridden but cannot resist Michelle's considerable charms. Her father finds out about the affair and goes nuts trying to find out who her lover is. He enlists Caine in his search and many hilarious scenes ensue.

The setting for this movie is just gorgeous and the women are even more beautiful. This was Michelle Johnson's first movie and it shows but she does project a sweet sincerity and her va-va-voom body more than makes up for any performance shortcomings. Zowie! Catch the scene where the fathers find their daughters topless at the beach---this was well before Demi Moore had some "enhancements" later in her life and it is painfully obvious that she's extremely embarrassed by doing the topless scene. Michelle is a trouper though, lucky for us!

The ultimate reason to see this movie though is Michael Caine. He is extremely funny in this movie and I can only imagine how much fun he had making it----a guy in his 40s getting to spend a few weeks in one of the most beautiful and exciting cities in the world and having all these love scenes with a girl half his age and getting paid to do it!!! Caine has made a lot of schlocky movies, for sure, but in an interview once he said that no matter how dumb the movie was or how cheaply it was done, he would try to give the best performance he could so even if the rest of the movie was crap, the viewer could at least appreciate that Caine did a good job. That dedication to his craft is what lifts what should've been a "C-" movie like "Rio" into a "B" "B-" movie instead and when he's in really good material, makes it unforgettable.

A comedy where a middle-aged man has sex with his best friend's teenage daughter would seem morally wrong on so many levels as to violate municipal zoning ordinances. So why my lack of shame in copping to really enjoying this movie?

Watching "Blame It On Rio" back in 1984 when I was 18, the following items appealed to me. 1. Michelle Johnson naked. 2. Michelle Johnson in white pants. 3. Michael Caine's monologues. 4. Caine's chemistry with Joseph Bologna. 5. Michelle in her two-toned bikini.

Watching it now doesn't change what I like so much as in what order. Michelle Johnson is an extraordinarily beautiful woman and an engaging presence when she doesn't have a crying scene, and I think I have grown to appreciate her in other stages of dress, but the person that makes this film work for me now is Caine, whose level of commitment to this film is a thing of wonder.

"Blame It On Rio" is a sex farce which skates around real human feelings with moments of slapstick and sitcom repartee. There are about 150 ways the film can go wrong, but Caine sells it by keeping it light and silly.

Caine's character, Matthew Hollis, is a sympathetic, awkward type whose life gets upended when his wife Karen (Valerie Harper) decides she isn't going with him on vacation to Rio de Janiero. So it's just him, his friend Victor (Bologna), Victor's daughter Jennifer (Johnson), and Matthew's daughter Nicole (Demi Moore.)

Victor rides Matthew about making the most of his new opportunity: "Is tasting life, creating a little magic, is that cheating? You're a long time dead."

Jennifer has her own ideas on what Matthew should be doing, which she unleashes on him at an evening wedding festival at a beach: "Poor Uncle Matthew, he never had a chance."

Her nude scenes still pack a punch, but its the stuff in-between the nude scenes that excite me more now. Caine with anything in his hands, whether it be grating a carrot or brushing his teeth, is joyfully amusing, and his one-liners as revealed "Alfie"-style to the camera are just a lot of fun: "He needed my help...it's like asking an arsonist become the fire chief."

Bologna also makes me laugh, but something else, too. In his own askew, over-emoting way, he's the heart that makes the film work. When he discovers his daughter has been seeing another man, he immediately settles on Matthew - for help finding the culprit. This accounts for the funniest scenes in the film, but it also gives us something to care about. You laugh at Victor's blindness, but you also feel a little between the giggles when he tells Matthew: "You're a rock."

The main problem I have with "Blame It On Rio" is it is not all that sharp in the one-liner department. Co-screenwriter Larry Gelbart was the guy behind "Tootsie" and the best years of the sitcom "M*A*S*H," but he and Charlie Peters don't produce an especially witty script. There are funny lines, but more duds than you'd expect. "I've always had a problem with nudity. Sometimes, when I'm getting undressed, I almost wish I could leave the room, know what I mean?" Matthew asks us at one point. Fortunately, the writing gets much better in the second half, especially in the last twenty minutes when Matthew discovers he's not the only guy keeping a secret.

Celebrated director Stanley Donen makes the most of the natural beauty and native music of his location while keeping everything as light and fizzy as a tropical drink. "Blame It On Rio" may be morally dubious, but it's solid Hollywood fun of the kind Donen delivered for decades and as good a film as any for him to go out on. And thanks to Caine, "Blame It On Rio" still holds up.

At the risk of ruining my credibility, I proudly declare this as one of my favorite movies. Nobody in their right mind would ever even contemplate a movie like this now, I know. In truth, I'm always shocked it was made at all. It's subject matter beyond the pale of even the low-life studio execs who make the big decisions. The most important and amazing consideration is it was intended as mainstream release. Its not a Troma shclock job. Its a very well made, extremely well written film about a very naughty topic. Consider it a blooper, an accident, if you will, but its great. Quick synopsis, a middle aged dude messes around and falls in love with his best friends 18 year old daughter. And its not exactly tastefully told. There's a ton of gratuitous nudity which is what really dooms it, and makes it just the sort of oddity and pariah people so love to hate. I'm old now, but when i fell in love with it I was like 19 so wipe the perverted sanctimonious smirk off of your face! I like good comedy and well made on location vacation pics, that inspire me to travel. So it's the Peters-Gelbart script and the wonderful scenery that have won it a place in my cold heart. Ok, ok, topless 18 year old girls are a decided bonus.

Stanley Donen directed many wonderful films from 1949 through the 1960s. But his career became very scattershot after the production code fell, and his big screen career came to a lamentable end with Blame It on Rio (1984). Although he later directed a nice little TV movie for ABC in 1999

The film is billed as a comedy, but its grim. Michael Caine stars as a man in the midst of a midlife crisis who, perhaps under the spell of a trip to sultry Rio, embarks on a brief affair with the nymphet daughter (Michelle Johnson) of his best friend (Joseph Bologna). The actors look embarrassed and stricken (this extends to Valerie Harper and Demi Moore as well), the script isn't funny (no laughs in this film, only one gag that produced a tiny smirk), the photography is flat, and the end result is very dour and unappealing.

But the worst mistake of all in the film is including a luscious black-and-white clip of the wing walking "Rio by the Sea-o" production number from 1933's Flying Down to Rio. The brief scene shows the studio system at its height, with true wonder and fascination. It leaves one lamenting the film around the clip all the more.

This is a fun light-hearted comedy, with magnificent views of Brazil and subtle comic performances. It captures that early eighties feel well. And broaches the subject of a teenage temptress more honestly than the recent version of Lolita.

I can only think that this movie was out of time. probably from a gentler age, but it still hits the mark with me, even watching it now.