AVALIAÇÃO DA IMDb
6,5/10
4,6 mil
SUA AVALIAÇÃO
A violência dos anos 1980 dá lugar ao mundo de dançarinos, cantores de rap, grafiteiros e DJs. É o mundo novo do break, uma verdadeira revolução na música, na arte pop e na dança.A violência dos anos 1980 dá lugar ao mundo de dançarinos, cantores de rap, grafiteiros e DJs. É o mundo novo do break, uma verdadeira revolução na música, na arte pop e na dança.A violência dos anos 1980 dá lugar ao mundo de dançarinos, cantores de rap, grafiteiros e DJs. É o mundo novo do break, uma verdadeira revolução na música, na arte pop e na dança.
- Direção
- Roteiristas
- Artistas
Mary Alice
- Cora
- (as Mary Alice Smith)
Shawn Elliott
- Domingo
- (as Shawn Elliot)
Franc. Reyes
- Luis
- (as Franc Reyes)
Avaliações em destaque
The Harry Belafonte-produced "Beat Street" captured a slice of hip-hop back when it was dancing, graffiti, DJing and rapping not just rapping. The story line is hokey but the music performances and dancing are great. Afrika Bambaataa, Kool Herc, Kool Moe Dee and Melle Mel are among the artists that make an appearance. A decent way to check out hip-hop before NWA spoiled it all.
In the Bronx, a group of friends perform and enjoy the street culture. Kenny Kirkland is the MC, his brother Lee is a break-dancer in a group called Beat Street Breakers, and their friend Ramon is a graffiti artist. The boys go to popular nightclub Roxy where Beat Street battles a rival dance crew. Kenny is taken with music student Tracy Carlson (Rae Dawn Chong). Ramon's dream is a white subway car.
These are not professional actors. The amateur acting does give the movie its own authenticity which adds to the film's street value. It's of its time and presents its cultural world. It would be great to have more on Ramon's rivalry. The friends have good friendship chemistry but there is little chemistry with Tracy. It would be great to have more charismatic actors. It's the early world of hip-hop. It's a cultural time capsule. It's a cult classic.
These are not professional actors. The amateur acting does give the movie its own authenticity which adds to the film's street value. It's of its time and presents its cultural world. It would be great to have more on Ramon's rivalry. The friends have good friendship chemistry but there is little chemistry with Tracy. It would be great to have more charismatic actors. It's the early world of hip-hop. It's a cultural time capsule. It's a cult classic.
When released in 1984, Beat Street was one of the best hip hop themed films released at the time. The movie gets a 10 just for combining all of the elements of hip hop which are the mc,dj, graff and b-boy. The soundtrack is one of the best I've ever heard.
It's fine to appreciate this film through the sieve of nostalgia. Even I have a hard time viewing this film without reciting all the words- I've seen it many many times. But the important thing to note here is that while Harry Belafonte made a noble effort to shape a story out of the Bronx's greatest cultural export, it's only successful half of the time. The result is a film that garners lots of groaning through scenes while waiting for the 'good parts'. Rae Dawn Chong is flimsy and ineffective as usual, in the role of the dance school instructor who 'discovers' Lee and KK. The ensuing romance that KK and Tracy have is terribly trite and makes for sleepy viewing. Likewise the sopping wet story of Ramon and his girlfriend, who have a child and disapproving parents. Heavy handed and poorly acted to boot- even for the time period. All the graffiti was designed by stage painters, and looks like it- distant and plastic. This is a depiction of a corny world indeed.
What Beat Street is notable for, is managing to compile many notable music artists and b-boys/b-girls in performance. The Rock Steady and NY Breakers footage, the Us Girls group assembled for this film, Busy Bee, Melle Mel and the Furious Five, Bambaataa & Soul Sonic Force, Tina B., Brenda Starr, Treacherous Three and Doug E. Fresh- there's loads of it which greatly outweighs the mindless fluff of the so-called plot. The soundtrack (co-produced by Arthur Baker of "Planet Rock" fame) is extremely notable as well. It was originally sold in 2 volumes, and while each record has several watery ballads, the classic songs like "Frantic Situation", "Son of Beat Street", "Santa's Rap" and "Battle Cry" are very much worth the purchase.
If you're like me and miss 'old New York' (it was only 20 or so years ago but NY is totally different) it's really great to see painted trains, old street scenes and the Roxy. Beat Street has been contrasted to Wild Style many times, especially with the scorn of Beat Street being the Hollywood retread of Wild Style's gritty budgeted reality. This might be the case, but it would seem that Beat Street has a better focus on b-boying (breakdance) whereas Wild Style's actual graffiti by famed writers remains the strong point of that film. There's a hokey wholesomeness present in Beat Street that just isn't realistic. Regardless, Beat Street is certainly worth viewing- particularly when it pops up on TV- but be prepared for some stale, hackneyed drama strewn into the great music and killer scenes.
"Beat Street Breakdown--- RUAHHH!!!"
What Beat Street is notable for, is managing to compile many notable music artists and b-boys/b-girls in performance. The Rock Steady and NY Breakers footage, the Us Girls group assembled for this film, Busy Bee, Melle Mel and the Furious Five, Bambaataa & Soul Sonic Force, Tina B., Brenda Starr, Treacherous Three and Doug E. Fresh- there's loads of it which greatly outweighs the mindless fluff of the so-called plot. The soundtrack (co-produced by Arthur Baker of "Planet Rock" fame) is extremely notable as well. It was originally sold in 2 volumes, and while each record has several watery ballads, the classic songs like "Frantic Situation", "Son of Beat Street", "Santa's Rap" and "Battle Cry" are very much worth the purchase.
If you're like me and miss 'old New York' (it was only 20 or so years ago but NY is totally different) it's really great to see painted trains, old street scenes and the Roxy. Beat Street has been contrasted to Wild Style many times, especially with the scorn of Beat Street being the Hollywood retread of Wild Style's gritty budgeted reality. This might be the case, but it would seem that Beat Street has a better focus on b-boying (breakdance) whereas Wild Style's actual graffiti by famed writers remains the strong point of that film. There's a hokey wholesomeness present in Beat Street that just isn't realistic. Regardless, Beat Street is certainly worth viewing- particularly when it pops up on TV- but be prepared for some stale, hackneyed drama strewn into the great music and killer scenes.
"Beat Street Breakdown--- RUAHHH!!!"
I'll be perfectly honest: I watched "Beat Street" tons of times and it wasn't for the acting. I remember when this movie was still fresh and it was a must watch for all the young rap-loving, b-boying, break dancing kids. I can't give it high marks for the story, I can't give it high marks for the script, and I can't give it high marks for the acting even with the addition of Rae Dong Chong... but I sure did love the breakdance battle scenes and the music. Even to this day I watch it for the dancing and marvel at the moves the two gangs did. "Beat Street" will always be a favorite of mine even if I can't bring myself to give it a high grade.
Você sabia?
- CuriosidadesMost of the graffiti art that was displayed all throughout the film was not done by real graffiti artists - it was airbrushed by set decorators, however, two grafitti artists were hired as creative consultants for the film, including Bill Cordero - aka "Blast", and Lonny Wood - aka "Phase II", (who is also referenced in the movie, during the subway graffiti scene)
- Erros de gravaçãoWhen Spit tags over Ramo's burner with the Dyer Ave train, you can see the "Sp" in "Spit" from a previous take.
- Citações
Kenny 'Double K' Kirkland: This ain't New York, this the Bronx!
- Versões alternativasUK theatrical prints were edited by four seconds to obtain a "PG" rating. The 1986 and 2002 video releases were uncut and received a "15" classification, though in 2008 the rating was downgraded to "12," again without cuts.
- ConexõesEdited into Destination Planet Rock (2007)
Principais escolhas
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- How long is Beat Street?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Loucura do Ritmo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 16.595.791
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.218.040
- 10 de jun. de 1984
- Faturamento bruto mundial
- US$ 16.597.016
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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