AVALIAÇÃO DA IMDb
6,5/10
4,6 mil
SUA AVALIAÇÃO
A violência dos anos 1980 dá lugar ao mundo de dançarinos, cantores de rap, grafiteiros e DJs. É o mundo novo do break, uma verdadeira revolução na música, na arte pop e na dança.A violência dos anos 1980 dá lugar ao mundo de dançarinos, cantores de rap, grafiteiros e DJs. É o mundo novo do break, uma verdadeira revolução na música, na arte pop e na dança.A violência dos anos 1980 dá lugar ao mundo de dançarinos, cantores de rap, grafiteiros e DJs. É o mundo novo do break, uma verdadeira revolução na música, na arte pop e na dança.
- Direção
- Roteiristas
- Artistas
Mary Alice
- Cora
- (as Mary Alice Smith)
Shawn Elliott
- Domingo
- (as Shawn Elliot)
Franc. Reyes
- Luis
- (as Franc Reyes)
Avaliações em destaque
Of all the breakdancing / hip-hop films released between 1983 and 1986, the 1984 film Beat Street is unquestionably the best one. The story follows a DJ, his younger breakdancing brother, a graffiti artist and a wanna-be showbiz promoter through one winter in which they try to break out of the ghetto using their "street" talent. The acting isn't always up to par and the characters aren't fully drawn out, but they are more than compensated for by down-to-earth dialogue, a plausible story, fantastic dancing sequences and a timeless hip-hop sound track. It should be noted this film was shot in the birthplace of breakdancing ("This ain't New York, this is the Bronx!"), and features appearances by the fathers of breakdancing, dance troupe Rock Steady Crew and rapper Afrika Bambaata. Rock Steady Crew provide the best scene in the film when they dominate a dance battle at the premiere breakdancing club of the early 80's, the Roxy. A must see for hip-hop lovers.
When released in 1984, Beat Street was one of the best hip hop themed films released at the time. The movie gets a 10 just for combining all of the elements of hip hop which are the mc,dj, graff and b-boy. The soundtrack is one of the best I've ever heard.
In the Bronx, a group of friends perform and enjoy the street culture. Kenny Kirkland is the MC, his brother Lee is a break-dancer in a group called Beat Street Breakers, and their friend Ramon is a graffiti artist. The boys go to popular nightclub Roxy where Beat Street battles a rival dance crew. Kenny is taken with music student Tracy Carlson (Rae Dawn Chong). Ramon's dream is a white subway car.
These are not professional actors. The amateur acting does give the movie its own authenticity which adds to the film's street value. It's of its time and presents its cultural world. It would be great to have more on Ramon's rivalry. The friends have good friendship chemistry but there is little chemistry with Tracy. It would be great to have more charismatic actors. It's the early world of hip-hop. It's a cultural time capsule. It's a cult classic.
These are not professional actors. The amateur acting does give the movie its own authenticity which adds to the film's street value. It's of its time and presents its cultural world. It would be great to have more on Ramon's rivalry. The friends have good friendship chemistry but there is little chemistry with Tracy. It would be great to have more charismatic actors. It's the early world of hip-hop. It's a cultural time capsule. It's a cult classic.
Being that I am a true product of the hip-hop and electronic dance music generation, this is without a doubt one of my favorite movies of all time. Beat Street, although not as "authentic" in some respects as Wild Style, is a film that is guaranteed to tug the heart strings of anyone who takes pride in the culture of urban sample/DJ-based music and electro-club culture.
Although I will admit that at times the dialogue is somewhat cheesy, you can't help but feel for the characters, and ultimately "wish you were there" for the beginnings of hip-hop culture in New York City in the early eighties. The b-boy battle scene at the Roxy nightclub (a real-life, real-time competition between the legendary Rock Steady Crew and the NYC Breakers) is just as essential to a hip-hop fan's archives as any classic album. Watch some of the breakers' moves in slow-motion if possible to truly appreciate the athletic and stylistic expertise of a seasoned B-boy/B-girl. All praises due to the Zulu Nation!!!
Although I will admit that at times the dialogue is somewhat cheesy, you can't help but feel for the characters, and ultimately "wish you were there" for the beginnings of hip-hop culture in New York City in the early eighties. The b-boy battle scene at the Roxy nightclub (a real-life, real-time competition between the legendary Rock Steady Crew and the NYC Breakers) is just as essential to a hip-hop fan's archives as any classic album. Watch some of the breakers' moves in slow-motion if possible to truly appreciate the athletic and stylistic expertise of a seasoned B-boy/B-girl. All praises due to the Zulu Nation!!!
A wonderful movie showing the roots of hip-hop in graffiti art and break dancing. The break battle scene is the highlight of the movie. It shows that there was a time when gangs would fight each other with dancing, not guns.
Você sabia?
- CuriosidadesMost of the graffiti art that was displayed all throughout the film was not done by real graffiti artists - it was airbrushed by set decorators, however, two grafitti artists were hired as creative consultants for the film, including Bill Cordero - aka "Blast", and Lonny Wood - aka "Phase II", (who is also referenced in the movie, during the subway graffiti scene)
- Erros de gravaçãoWhen Spit tags over Ramo's burner with the Dyer Ave train, you can see the "Sp" in "Spit" from a previous take.
- Citações
Kenny 'Double K' Kirkland: This ain't New York, this the Bronx!
- Versões alternativasUK theatrical prints were edited by four seconds to obtain a "PG" rating. The 1986 and 2002 video releases were uncut and received a "15" classification, though in 2008 the rating was downgraded to "12," again without cuts.
- ConexõesEdited into Destination Planet Rock (2007)
Principais escolhas
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- How long is Beat Street?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Loucura do Ritmo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 16.595.791
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.218.040
- 10 de jun. de 1984
- Faturamento bruto mundial
- US$ 16.597.016
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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