2010: O Ano em que Faremos Contato

Título original: 2010

1984
Livre
1 h 56 min

AVALIAÇÃO DA IMDb

6,7/10

60 mil

SUA AVALIAÇÃO

POPULARIDADE

4.794

1.512

2010: O Ano em que Faremos Contato (1984)

A joint U.S.-Soviet expedition is sent to Jupiter to learn what happened to the Discovery, and H.A.L.

Reproduzir trailer2:14

2 vídeos

99+ fotos

Artificial Intelligence Sci-Fi Epic Space Sci-Fi Adventure Mystery Sci-Fi Thriller

Uma expedição conjunta entre os Estados Unidos e a União Soviética é enviada a Júpiter para descobrir o que aconteceu com o Discovery.Uma expedição conjunta entre os Estados Unidos e a União Soviética é enviada a Júpiter para descobrir o que aconteceu com o Discovery.Uma expedição conjunta entre os Estados Unidos e a União Soviética é enviada a Júpiter para descobrir o que aconteceu com o Discovery.

Direção
- Peter Hyams
Roteiristas
- Arthur C. Clarke
- Peter Hyams
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,7/10

60 mil

SUA AVALIAÇÃO

POPULARIDADE

4.794

1.512

Direção
- Peter Hyams
Roteiristas
- Arthur C. Clarke
- Peter Hyams
Artistas

Veja as informações de produção no IMDbPro

Indicado a 5 Oscars
- 1 vitória e 9 indicações no total

Vídeos2

Trailer 2:14

Official Trailer

Clip 2:11

2010: The Year We Make Contact

Clip 2:11

2010: The Year We Make Contact

Fotos107

+ 100

Avaliações de usuários320

6,759.6K

Avaliações em destaque

Kane III

Fine film.

The reactions to this film sum up a problem of perception that many film buffs seem to have. To such people, Kubrick was a genius. Kubrick made 2001. 2001 is a *Kubrick* story. Therefore 2010 is by definition a presumptuous attempt to explain what Kubrick deliberately left unsaid. etc. etc.

Sorry, 2001 is an *Arthur C Clarke* story. He wrote a sequel to his own story, called it "2010" and *he* explained what Kubrick left unsaid. I'd say he had a right. Then someone buys the film rights and produces a fine movie from it.

And it *is* a fine movie. Intelligence far in excess of the usual Hollywood SciFi garbage (Independence Day or Starship Troopers anyone?).

The scenes with Keir Dullea were far more chilling than anything in the original.

Arteur theory is still alive and well, I see.

8utgard14

"Will I dream?"

A fine, intelligent sci-fi movie that has the unenviable task of being a sequel to arguably the greatest sci-fi movie of all time. If it's at all possible for you to put aside comparisons to Kubrick's film, you should do so. 2001 certainly didn't need a sequel but, if it had to have one, it couldn't be much better than this. The story has Dr. Heywood Floyd (now played by Roy Scheider) joining a Russian mission to investigate the events of the first film. Basically the movie tries to spell out what happened in 2001 for everybody who didn't get it and provide some degree of closure to the story. It's a different movie than 2001 and, in some ways, a more accessible one. I say that knowing how many people hate 2001 for the very reasons many others (including myself) love it. The script here is not as enigmatic and the direction is less artful. The cast is very good and the special effects are excellent. It's not the experience Kubrick's masterpiece is but it is an enjoyable companion piece. Not necessary in any way but good nonetheless.

8kaboris1

This film deserves more attention.

I looked this film up before renting it since I had never seen it. The comments I saw for a review saying it was boring as the original (first one) and ..."uninvolving"? This movie blew me away, I really thought it was great. This is NOT an action movie and for that matter neither was "2001". If you're looking for a fast paced and, well.. shallow movie this isn't that either. You thinkers, this movie is for you. The acting is wonderful and special effects are very convincing and not diverting. The story is very interesting although it certainly dates it more than special effects. I can probably name about 120 sci-fi movies that aren't as enjoyable to me as 2010 and most of those are still more than worth seeing. Not only worth seeing but for genre fans it is worth owning on DVD.

7Xstal

The Mystery of the Monolith...

It's some years later (nine in fact) a return is being planned, but the Russians seem to hold the upper hand, they're ahead, and will be first, so the USA is forced, to tag along, to sit right back, not take command. Upon arrival, the monolith is there, a balloon ride makes an interesting fanfare, jumping to Discovery, rebooting Hal to look and see, then instructions that they need to be elsewhere.

It's not the worst sequel you'll find, and there are some remarkably good performances from a heavy weight cast. Not sure it will resolve too much of the conundrum, the interpretation of the first is uniquely your own if you've found the time to ruminate on it over the years, but compared to what it could have been, I wouldn't put you off.

8noblecarbon

Something Wonderful

To those who play the game Kerbal Space Program, love The Martian, or astrophysics, this is a must see. Contrasting to the mystery of its predecessor (2001: a space odyssey), 2010 offers answers to the questions it posed. Based on the equally excellent novel "2010: Odyssey Two", it sticks to fairly accurate science (with some assumptions grounded in science). Notably, it deviates in some subplots from the book, simplifying the plot, which works just fine. Unlike the classical pieces used in 2001, the music is mostly original work (except for the franchise-defining use of "Also sprach Zarathustra"), composer David Shire does a great job capturing the sense of distance and grandness of space exploration. Arthur C. Clarke also wrote two further squeals, though they do not completely follow the exact same continuity between each other.

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Curiosidades
Stanley Kubrick notoriously had all models and sets from 2001: Uma Odisséia no Espaço (1968) destroyed to prevent their reuse (which was common at the time). The model and interior of the spaceship Discovery had to be constructed by painstakingly scrutinizing blown-up frames from the original movie. The reconstructed ship was not a complete copy: the corridors are just a bit wider and lit with a more natural blue/white tone compared to its '2001' counterpart.

Erros de gravação
No pods should be in the pod bay in 2010. 2001: Uma Odisséia no Espaço (1968) showed 3 pods. All were lost. The first was lost with Poole's body. The second was lost when Bowman blew the exploding bolts to enter the airlock. The third transported Bowman into the worm hole/monolith. When the crew enters the pod bay in 2010, one pod is is still sitting in it's storage area. (Although ignored in the movie, this is explained in the book (section 4, chapter 24). Dave Bowman is supposed to have retrieved pod #3 on remote while preparing his departure.) It is entirely possible that Bowen could have remotely piloted the pod back to the Discovery.

Citações
Dr. Vasili Orlov: What was that all about?
Chandra: I've erased all of HAL's memory from the moment the trouble started.
Dr. Vasili Orlov: The 9000 series uses holographic memories, so chronological erasures would not work.
Chandra: I made a tapeworm.
Walter Curnow: You made a what?
Chandra: It's a program that's fed into a system that will hunt down and destroy any desired memories.
Dr. Heywood Floyd: Wait... do you know why HAL did what he did?
Chandra: Yes. It wasn't his fault.
Dr. Heywood Floyd: Whose fault was it?
Chandra: Yours.
Dr. Heywood Floyd: Mine?
Chandra: Yours. In going through HAL's memory banks, I discovered his original orders. You wrote those orders. Discovery's mission to Jupiter was already in the advanced planning stages when the first small Monolith was found on the Moon, and sent its signal towards Jupiter. By direct presidential order, the existence of that Monolith was kept secret.
Dr. Heywood Floyd: So?
Chandra: So, as the function of the command crew - Bowman and Poole - was to get Discovery to its destination, it was decided that they should not be informed. The investigative team was trained separately, and placed in hibernation before the voyage began. Since HAL was capable of operating Discovery without human assistance, it was decided that he should be programmed to complete the mission autonomously in the event the crew was incapacitated or killed. He was given full knowledge of the true objective... and instructed not to reveal anything to Bowman or Poole. He was instructed to lie.
Dr. Heywood Floyd: What are you talking about? I didn't authorize anyone to tell HAL about the Monolith!
Chandra: Directive is NSC 342/23, top secret, January 30, 2001.
Dr. Heywood Floyd: NSC... National Security Council, the White House.
Chandra: I don't care who it is. The situation was in conflict with the basic purpose of HAL's design: The accurate processing of information without distortion or concealment. He became trapped. The technical term is an H. Moebius loop, which can happen in advanced computers with autonomous goal-seeking programs.
Walter Curnow: The goddamn White House.
Dr. Heywood Floyd: I don't believe it.
Chandra: HAL was told to lie... by people who find it easy to lie. HAL doesn't know how, so he couldn't function. He became paranoid.
Dr. Heywood Floyd: Those sons of bitches. I didn't know. I didn't know!