Uma Noite no Paraíso

Heavenly, this film is not, but I must admit that it is one of my guilty pleasures.

The story centers on a community college speech teacher (Warren) with a recently laid-off husband. Her wild sister drags her to a male strip club one night where she discovers that her lazy student (Atkins) is the star attraction. Wouldn't you know it, eventually the teacher is getting private lessons from the student. It's really about temptation and devotion and the fight between the two.

While the plot and styles are incredibly dated, thee are some things to recommend about this film. Warren gives a strong performance, doing as much with the material as she can. Her transition from constricted and conflicted wife to released vixen is convincing. Her frustrated husband, Logan, also does a fine job. Atkins is Atkins and does nothing more than offer lingering stares and lots of skin.

What makes this film a guilty pleasure is the good use of Bryan Adams' music and one of the more erotic love scenes ever filmed with someone of Warren's stature (this was around the time she blew audiences away with her Oscar-nominated performance in Victor/Victoria). If you never thought of Warren as a sexual dynamo, stick around. Some cuts of the love scene contain a shot of Atkin's manhood, which shocked me even back then.

There are some dramatic elements involving the husband and his frustrations, as well as Warren's inner conflicts, but the film is far too short to go into these too deeply.

It's not a good film by any means but I do think it tried to be something more than the trash it was. Perhaps some of the plot ended up on the dance-room floor.

Christopher Atkins! Lesley Ann Warren!! Eighties top-ten hits! For goodness sakes, the guy who played Tony HOSTED Dance Fever!! I remember that I had a crush on him.

This movie is so totally steeped in Eighties pop-culture. From the first scene where Whitney shuts down the computer (get a load of that thing?) to the hot pants worn by Atkins. The Eighties (especially the early Eighties) was a time when the lines blurred between being gay and straight. Ahh those heady pre-AIDS days...

At one point in the movie, Ricky (Atkins)responds to his sister complaining about his sleeping around, "I'm 21 years old, I'm right where I'm supposed to be..." And the fashions, man, the FASHIONS. The Peter Pan collars worn by Warren. The red dress complete with puffy sleeves when she goes to the strip club for the first time. The big hair! Pick ANY item worn by Tony... All Eighties, all the time!! And finally - the hottest sex scene that is STILL hot by today's standards!! The Big Easy comes close.... close, but not quite.

It's not a great movie. I don't think it's even a mediocre movie. But I DO think it's an IMPORTANT movie. One day our children will watch this movie and think... "what where they THINKING?!??!"

I rented this movie as a total goof with a friend about a year after it came out, expecting it to be as cheesy and pathetic as the trailer. This is not great cinema by any means. But some actual thought went into the making of this and it was a lot better than I ever anticipated. In fact, back in the day, Siskel and Ebert actually gave this two thumbs up, for the chemistry between Lesley Ann Warren and Christopher Atkins. It has been said that he was so into his character that after the filming it took him a long time to get over his costar. Lesley Ann Warren's shocked expressions are priceless. The great Bryan Adams songs are relevant; not just tacked on because they are cool and will sell soundtracks. This is not a movie you would ever want to admit aloud that you like. But you may be surprised to find that you're secretly admitting it to yourself.

With a direction from John G. Avildsen ("Rocky") and a screenplay by Joan Tewkesbury ("Thieves Like Us", "Nashville"), one might expect more from this turgid drama about a married community-college teacher who discovers to her embarrassment that a male stripper she sees one night in a dance-club is actually one of her students. Lesley Ann Warren does what she can with a nearly unplayable role, but even her personal style can't dress up this flick with much class. The poorly-produced and edited film has become something of a cult item--mainly due to Christopher Atkins' nude shots--but the script and surrounding melodrama are inept and unfulfilling. * from ****

It's really too bad that people think of "A Night In Heaven" as 'the male stripper movie,' because it's really not that at all. Yes the wife has an affair with her student, who happens to be a stripper, but this accounts for maybe 10 minutes of screen time. At it's center is a believable study of a marriage on the rocks, after a husband loses his job, and begins to completely alienate his wife. Lesley Ann Warren is good in her role as Faye, the wife who begins to feel insecure, and undesirable after her husband shuts her out. When she finds herself attracting the attention of one of her young, handsome students (Chris Atkins) she resists as best she can, but soon an affair ensues, that might possibly have some serious consequences.

The interesting thing about the movie is how the husband and wife interact. They have such different views of what is really happening. "A Night In Heaven" doesn't dissolve into a smutty exploitation film, nor does it deteriorate into some 'revenge flick' at the end. The husband is actually perceptive enough to see that his wife's affair was perhaps, his fault. Directed by the man behind the original "Rocky," some qualities of that film are evident here, as well as some themes. It's physical, and passionate, and it has a kind of urban grittiness about it. An odd, obscure film from the 80's, worth seeing for some quality drama and good performances...and yes, some very sexy scenes too..