Kyôryû kaichô no densetsu

I guess it's kind of hard for me to really hate this movie, mostly because it's easy to see how awful the dubbing is. They're not even trying to match up the words with the lips. That could be more of the dubber's fault and not the movie's creators. I still knew that this movie would be really cheesy. The dinosaurs don't really appear until the end of the movie and it's at this point that you can easily see how bad the effects are. I can at least appreciate the attempt at character development. It's hard to believe this was made in 1977. It looks a lot more like the 1960's.

There's too much going on at the end. About the only good thing is that some of the explosions were cool. I just knew what would happen next. I knew that she would carry up an arm attached to a partly eaten body. It's easy to see how they use stock footage. This should have been shorter as you can tell they were trying to drag it out. I seriously wouldn't have been surprised if that fake dinosaur part was supposed to be the real one in the story. *1/2

I watched this movie as a kid and I recently got a copy of it. Aside from obvious plot holes, this is an enjoyable film. I love the music in this movie and the dinosaurs are cool. It's a great film, just as long as you don't take it too seriously. I recommend it if you like Japanese films or monster films.

I originally saw this movie when I was five years old. It was aired on a USA network creature feature. The movie fascinated me. My father taped the movie using our crappy 80's VHS player. I watched the movie throughout the next ten years until the actual tape broke from strain.

I'm not quite sure what it is exactly that makes me so incredibly addicted to this film. The soundtrack is a awesome 70's jap-pop funk. The dinosaurs, a pleasiasaur and some pterodactyl variant, are so rubber campy they're great. The acting is absolutely some of the worst acting ever committed to film, and that's including high school musicals and Congo.

I thought that i would never see this film again after my tape broke, but two years ago I found dude on the internet selling DVDs of the original Japanese print with English subtitles.

Taking the formula established by the success of Jaws and combining it with the domestic kaiju film, Legend of Dinosaurs and Monster Birds had a decent amount of potential but ultimately shot itself right in the explosive tank before it could fully realise that. The DNA of the film feels ripped right from Nessie, the tragically cancelled collaboration between Toho and Hammer, with climate anomalies and seismic activity reviving prehistoric reptiles to terrorise the residents around a legendarily monster-haunted lake. One of those creatures is a Plesiosaurus with the film even referring to poor Nessie at a few points during its runtime, Toei was evidently listening at the walls of Toho studios one summer day. Director Junji Kurata seems to have failed to fundamentally grasp the premise of a huge monster operating by stealth and picking off its victims individually in secret, regardless, his direction is nonetheless passable. The film doesn't allow you to bond with the characters, there's little reason to care for them beyond their base archetypes, however, the actors all turn in decent performances at least. The ill-fitting and often hilariously juxtaposed music by Masao Yagi is usually the film's talking point, combining a catchy mixture of disco, funk, and jazz. Despite a healthy dosing of gory violence and some great effects work, Legend of Dinosaurs and Monster Birds is a really outlandish film, odd and sometimes surreal, it's at least capable of keeping your interest from beginning to end.

Vacationers at Saiko Lake at the foot of Mt. Fuji are terrorised by aquatic and flying primeval monsters. The inaptly titled film (technically there are no "dinosaurs" and certainty there are no "monster birds") has little going for it beyond camp entertainment. The titular creatures don't appear until around the halfway point, subjecting waiting viewers to some limp attempts at building tension undermined by juvenile comic relief, lengthy musical interludes (featuring Japanese rockabilly), and a 'false alarm' scene copied almost verbatim from 'Jaws'. Things pick up a bit when the snaggle-toothed monsters appear and film turns surprisingly grisly. Also surprising is the brief glimpse of nudity before one showering victim is devoured (apparently both the more egregious gore and the nude scene is frequently edited out). The creatures might have been eye-catching in the early 1960s but for a late 1970s horror flic, the models and miniatures are unimpressive. The score is a strange mix of funk that would be at home in a Blaxploitation cop movie, generic disco-jive, the aforementioned 'Japa-billy', and an amusingly inappropriate romantic ballad accompanying the scene where the heroine is dangling over a lava-filled crevasse. The version I watched on-line was adequately dubbed in English but also included grammar-challenged voice-recognition subtitles ("pliesosaur" is rendered "policía soar" at one point). Of interest to hard-core kaiju fans and perhaps to camp followers (the latter may prefer the MST3K version although they likely won't get to see the bum of the chum). Another hard-earned checkmark on my tokusatsu life-list.