A Fortaleza Infernal

To call this film an oddity or a curiosity piece is a bit of an understatement. Actually if you look at this, there's already a lot of reviews here, so strangely enough this film is not as forgotten as its ashamed director would like it to be.

THE KEEP starts out extremely well with a spellbindingly dreamlike and somewhat pretentious sequence with the Germans rolling into a small Romanian hamlet during WW2. Things remain interesting as long as the film keeps up the bizarreness and borderline out-of-place Tangerine Dream synthesizer music. However, things get silly when it turns out that the Germans have unwittingly raised a demon from a thousand year slumber who goes on a slow killing spree while fallen angel Scott Glenn works his way back there to save the earth. Things rapidly unravel as the promising setup settles into a plot which manages the amazing task of becoming nonsensical and routine simultaneously!

A few things guarantee though that this imperfect film will forever have my attention. For one, it actually does a decent job of melding the horror and war genres and gives a brief glimpse of the completely ignored Romanian complicity in World War 2. It actually interestingly manages to give the German soldiers some characterization as well. Another thing this film has going for it is Michael Mann's completely OCD touch to the whole thing which oddly suits the subject matter.

Not to mention the inspired casting; Jurgen Prochnow shines in his first major English-language role as a conflicted Wehrmacht captain matched by a cold and calculating Gabriel Byrne as his closed-minded S.S. superior. Scott Glenn and Alberta Watson do about as much as they can with their very underwritten protagonal characters and Ian McKellen hams things up considerably as a Jewish professor who tries to maneuver the demon into destroying the Germans for him.

Actually, come to think of it, this film would have done just fine without Glenn or Watson - they seem only to exist to sidetrack the film into romantic drama territory which adds nothing. Much more interesting is McKellen's inner conflict and the exchanges between Prochnow and Byrne. Things seem awfully rushed at the film's last act considering the slow pace through most of the film, but that may be more the work of studio meddling than anything.

Definitely worth picking up if you're into cinematic curiosities. Fits right in with THE SOLDIER and THIEF if you're looking for early 80's murky drama accompanied by Tangerine Dream, Alberta Watson, and Robert Prosky.

A few of a detachment of German Army soldiers are mysteriously murdered in a Romanian citadel - 1942. The SS arrives to investigate and put a stop to the killings. However, there is an evil force at work within the Keep which will do anything to escape.

The Keep is a high concept yarn. The initial find set up and shooting of the villagers are stand out moments. The visuals and effects are stylistic, strong lighting, wind machines, optical layers are very much of there day. The special make-up has a startling 'cool' look to it, the 'Molasar' and Trismegestus designs are particularly well executed. Notably are the cast which includes the likes of Gabriel Byrne and Robert Prosky. Jürgen Prochnow is on fine form as Captain Klaus Woermann, Scott Glenn is intense and Ian McKellen is memorable as Dr. Theodore Cuza. The sets are well crafted, the on location shoot adds credence to the WWII setting and costumes add to the believability.

Nevertheless, rather than being intriguing with a slow pace The Keep plods along without building any real tension or suspense. The editing is a little jumbled, it appears to be a mixture of good and bad takes leaving it somewhat disjointed especially in the final reel, it may have benefited from only using those 'good' takes with a shorter running time. Tangerine Dream's score is of its time but doesn't compliment the scenes, it's highly intrusive and takes away much of the atmosphere, subtlety and eeriness.

Even with director Michael Mann at the helm and given the excellent story based on F. Paul Wilson's novel and Mann's adequate screenplay it never gels together. It's not sure whether it wants to be an art house, MTV video piece or gritty supernatural. Should Mann had attempted this recently he may have been able to fuse it together satisfyingly. I suppose retrospect is a fine thing. Curiously, Mann's workprint ran for 3 hours, after the studio saw what he had they wanted it cut to no longer than 90 minutes and assigned it second-level advertising. Mann has since distanced himself from the film.

Through all its disjointedness The Keep is an interesting film with a strong mythical good versus evil theme that plays on old religious fables. Molasar (Michael Carter) is the most menacing evil entity/being ever committed to celluloid and it's a shame that this has fallen into obscurity robbing the character and The Keep of even cult status.

This movie begins with a German army squad traveling through the Carpathian Mountains in Romania to secure the Dinu Mountain Pass during the first days of Operation Barbarossa during World War II. Commanding this squad is "Captain Klaus Woermann" (Jurgen Prochnow) who is both competent and combat experienced. Upon arrival at a small Romanian village near an abandoned citadel known as "The Keep" he decides to set up operations. What he doesn't know is that rather than being built to keep intruders out, "The Keep" was built to keep something--in. That being the case, it isn't too long before German soldiers are being killed by some mysterious entity despite the best efforts of Captain Woermann. Not long after he requests a relocation point, a special SS unit arrives under the command of "SD Sturmbannfuhrer Eric KKaempffer" (Gabriel Byrne) who takes command of the area and decides to execute villagers as a way of containing what he believes is partisan activity. But there is no partisan activity. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this was an interesting movie which made great use of smoke and music to create a surreal atmosphere. Unfortunately, the director (Michael Mann) went too far with these stylistic enhancements which crowded out everything else. Along with that the special effects for the "entity" were clearly second-rate and that didn't help either. In short, the film had a good plot but lacked the necessary time to really develop which in turn limited the overall effect. Accordingly, I rate this movie as about average.

This exciting movie is set during WW2 , when a detachment of the German army (commanded by Jurgen Prochnow) is sent to guard a mysterious Rumanian keep located on a strategic mountain pass in Carpathian Alps . The Nazis ignore villagers' warnings and of a Ortodox monk (Robert Prosky)about a weird presence inside. But one of the soldiers unwittingly releases an unknown spirit trapped within the walls. As the soldiers are mysteriously killed , the SS (Gabriel Byrne) arrives to deal with that is thought to be partisan activity . What the SS encounters, however, is an evil force trapped within the citadel, a menace that will do anything to flee. With no way of combating the force, the Nazis have no option but to seek the aid of a Jewish man (Ian McKellen) and his daughter (Alberta Watson), who are both knowledge about the keep and who can translate signs vital to combating the rare menace . Meanwhile appears a strange man (Scott Glenn) with supernatural power, an angel exterminator named Glaeken.

This fantastic movie packs action, violence, terror, suspense with creepy and eerie scenarios. The film is based on Paul Wilson novel , also screenwriter along with Michael Mann. Some versions include different endings and additional footage. The star-studded cast is well headed by Jurgen Prochnow, Scott Glenn and Ian McKellen and excellent plethora of secondaries as Gabriel Byrne, Robert Prosky, William Morgan Sheppard and a very secondary role by Bruce Payne and Roselie Crutchley. Impressive production design with breathtaking scenarios by John Box. Colorful cinematography with flog and fume and plenty of lights and dark by Alex Thomson. Eerie musical composed by means of synthesizer is made by Tangerine Dream (Christopher Frank, among others). The motion picture is professionally directed by Michael Mann, a successful director and usual screenwriter from the 80s with several hits (Manhunter,The last Mohican, Heat,Insider, Ali, Miami vice). The story will appeal to terror genre fans and WWII buffs.

I wish that Mann had been a more experienced director when he tackled this really bizarre film, but all things considered it is really a damn fine movie. The soundtrack has some problems, but the dialogue and acting are so interesting that the faults of the film are balanced out. I especially enjoyed the conversations between Byrne's SS Major and Prochnow's German Army Captain. In fact, I almost wish that the majority of the film had dealt with this rather than the bizarre supernatural stuff. I really do advise this film to anyone that is interested in strange cinema. If you can get past the unfortunate flaws of the film, I think you will notice that it is actually a kind of fascinating little movie. I have seen it many times (first back in '85) and still find it a good watch (although most of my friends do not). In other words, this movie is not for everyone, but I thought it is quite interesting.