Emmanuelle 4

Oh dear. In a film series as bad as this it's hard to know where to rate it. If you like watching travel shows then this movie will be right up your street but if you're in search of a little erotic entertainment then forget it.

In a desperate attempt to reinvigorate the franchise, original Emmanuelle Sylvia Kristel decides to have a spot of plastic surgery and, hey, what do you know, she ends up looking like a woman 10 years her junior. Alas, the newcomer has half as much charisma although continuity is retained by her ability to drop her clothes at the drop of a hat.

Chances are you'll be watching this on video as the prospect of watching it on TV is too hideous a thought to bear so after about five minutes with your finger on the fast forward button, there's a little soft core action executed with all the passion of a director in a coma.

The movie is laid out across several days in 1983. Why we need to know the dates is a mystery as this is hardly in the realms of Se7en for attention-grabbing yet episodic drama.

Needless to say, all the girls present are gorgeous and most of the blokes look as ugly as sin.

After a slow start, there's much kit offery for the duration and symbolism is rife for those who like that sort of thing. As the eponymous nymphomaniac takes her latest flame off into the jungle, we see a snake in the grass.

Is this the garden of eden, a place of temptation or just a snake? You decide - if you can be bothered.

The movie does at least boast one hilarious line of dialogue: "Women are like mud," suggests Emmy in perhaps not the greatest analogy ever heard in a movie.

The music is dreadful - pure 1970 and for fans of the series, there is at least the reappearance of that famous wicker chair, an inanimate character far more endearing than any of the kit- free cast.

Watch it with the sound off if you like and take in the okay scenery as this erratic rather than erotic tale unfolds. Stick a CD on and better still, have a few mates round and come up with your own dialogue.

It's a lot more fun than having to put up with the poor excuse for a script on offer here.

This film is odd, but hey, it's French. The plastic surgery deal is a way to pass the baton from Sylvia Kristel to Mia Nygren, a maneuver which wouldn't really work now, and was ludicrous in 1984. The film was, however, reasonably erotic, its "raison d'etre", at least in its uncut version(~90 min.)It's worth a look to fans of the genre. Grade: C

This movie is an incredible memory for me because it may be the second adult movie i have seen when i wasn't an adult ! The first « Les Bas De Soie Noire » was in March 1987 (seen my review #00) and « Emmanuelle » is likely to have been a few weeks or month later and surely before May 1988, because it was then « Emmanuelle V ». What i remember from this time is that Mia was a stunning woman but that was a pity in the fact that she didn't get involved a lot. It was really soft and a frustration she would never do the thing with a man or a woman, especially the beautiful brunette Maria ! All the famous scenes were in addition not so hot except the samba lesbian fiesta which is one of the most erotic scene ever filmed : the tribal sound, the veiled colors, the mix of colors skins and the peeping situation is totally exciting !

After all those years, my feelings stays the same and i'm surprised it's always the same motifs that come and go in my life : Sweden, Brazil… It's true that the story is totally crap (a new body, Marc's longing) but the locations are really enchanting and call for sensuality ; i like also Emmanuelle's affirmative desire quest : The movie is centered about her, her needs and it was great to have such a point of view to start instead of the usual banging flesh !

The 4th installment of the Emmanuelle series is my least favorite one. Sylvia Kristel briefly appears at the beginning because she needed the money, then Mia Nygren continues as the new Emmanuelle ("Les deux visages d'Emmanuelle", the advertising tried in vain to find a reasonable excuse for the silly cosmetic surgery story). They simply wanted to continue the series because it was a successful brand name, though Kristel was meanwhile too old to play the innocent girl. Now Nygren is pretty on photos, but wooden on film. "Emmanuelle 4" lost the style of the first three movies rapidly, anyway. A stylistic means from the political thriller like inserting "Sao Paulo, 21st April 1983" tries to make it more realistic, but why? That just tears down the veil of magic.

The series was continued with 2 more cinema films (starring Monique Gabrielle respectively Natalie Uher); I voted 7/8/6/4/6/7 for the six movies. Unfortunately, further sequels were made in the 1990s and 2000s for cable TV and the video market. Don't waste your time with any of these.

b-film.nl Last Wednesday at the age of 60 Sylvia Kristel deceased. She will be remembered for its successful game, her paintings and her powerful autobiography. Plus Minus 58 (TV) films she has to her name. With major productions as The Concorde ... Airport '79 and Private Lessons, she remains best known for the Emmanuelle series. A huge success formula that was milked. Eventually these films degenerated into flawless b-movies. The one to one with three parts for the enthusiast perfectly palatable. Beautiful naked, rich sites and addition Kristel Umberto Orsini example that also could occur in Visconti's The Damned and Ludwig.

Part four is a different story. That part is downright obscure. Perhaps even more obscure as many Emmanuelle rip or programs created by Joe D'Amato. Many of his titles (Emanuelle with 'm') are polished, with extras and reissued by the precious Blue Underground.

Definitely something to this site even pay attention to it. This beautiful lot of fancy reissue is not played by Emmanuelle IV. The film has the title role Sylvia Kristel top stand, the producers had not thought that are the star of the film would be. They devised a diabolical plan to the 32 year old Kristel in exchange for the 24-year-old fashion model Mia Nygren. Undoubtedly the idea with the new star Just to continue the series.

But in part four first had eaten it both ways: either as Kristel Nygren present as ester. To the old Emmanuelle come to the new one that invented Kristel in the film a full body and had to undergo face-lift. The scenario motivates the drive of the character of Kristel order it do to them as an annoying boyfriend can come. Logical. Almost happy we see her in the office of the plastic surgeon, with a stylus subtly indicates what "can be off" and "what can be lifted.

The successful applicant must have been less pleasant scene anyway. Moments later, the time has come: Silvia is transformed into Mia. The film is less than fifteen minutes on the road and that's a bit too early to Kristel outside the film to. New diabolical plan of the producers: it is the imaginary love coach of the New Emanuelle. And hop: Both ladies are back on the canvas. The blootigheid is especially Nygren. Sylvia Kristel, the rattan chair may exchange it for an office chair. She is now finally coach.

Where his script see prices go? Probably the creator disillusioned industrial out-office. From their hand came into the cinema not much more justified. Silvia Kristel remained stuck with the legacy they now suddenly no longer Emmanuelle is ..? Of course not. In part five, she just returned. Fortunately. For all the films are not very good. Sylvia Kristel is super nice in game and who she is.

JdW b-film.nl