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Adicionar um enredo no seu idiomaA young governess falls in love with her mysterious employer, but a terrible secret puts their happiness at risk.A young governess falls in love with her mysterious employer, but a terrible secret puts their happiness at risk.A young governess falls in love with her mysterious employer, but a terrible secret puts their happiness at risk.
- Indicado para 1 prêmio BAFTA
- 3 vitórias e 2 indicações no total
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This review comes nearly 30 years late. Nevertheless, it has to be mentioned that I chanced by a copy of this movie sometime in early 2008 and watched it repeatedly for 4 months straight! I just had to write about it! I got smitten and forgot anything else existed once I saw this movie. How ironic it is to see Literature's ugliest male protagonist portrayed by the handsomest man! yet, what a welcome irony! It suited me perfectly and more so because Timothy Dalton did full justice to his role. He delivered an astounding and triumphant performance! I have never seen anything like it! All the other actors are very good too. The whole movie was put together beautifully. I don't care what anyone says about this movie. I just love it and love it! It made me happy and satisfied. It crushes me a bit to say this but I prefer Jane Eyre 1983 to A&E's P&J, which I believe is the ultimate mini-series.
The excerpts from Jane Eyre spooked me a little back in school. I never got around to reading the book seriously knowing the story line so well. Seeing this particular production made the story come to life for me and drove me to a near frenzy. The scenes and Mr. Dalton's voice haunted me endlessly and finally led me to read the book seriously, which, of course is a masterpiece. Bravo to the whole team and especially to Mr.Dalton!! This movie is now a part of me.
I give it 10/10 rating.
The excerpts from Jane Eyre spooked me a little back in school. I never got around to reading the book seriously knowing the story line so well. Seeing this particular production made the story come to life for me and drove me to a near frenzy. The scenes and Mr. Dalton's voice haunted me endlessly and finally led me to read the book seriously, which, of course is a masterpiece. Bravo to the whole team and especially to Mr.Dalton!! This movie is now a part of me.
I give it 10/10 rating.
Those who love the book Jane Eyre as I do (it's my all time favorite, and I re read it at least once a year) will love this version. Timothy Dalton is just a tad too good looking to be Mr. Rochester, but other than that, he does a marvelous job portraying the brooding master of Thornfield. Zelah Clarke may have been just a little too old to play the 18 year old Jane, but when I watch this movie, I don't think about the ages of the characters. The dialog from the film is taken almost verbatim from the book, which was very smart. Sure, this film might seem a little long, but it's the only version I've seen that includes part 3 of the story.
I wish the people who made this film had been involved in the newer Zeferelli version, as it would have helped that mess of a film.
I also realized the last time I watched this video that Judy Cornwell plays "Aunt Reed"! She is so versatile that I didn't recognize her. She plays Daisy in Keeping up Appearances, and also played Mrs. Musgrove in 1995's Persuasion (another wonderful adaption).
UPDATE: Got the DVD this week, and it's marvelous to see the original unedited version. There's lots more at the beginning (Young Jane at Gateshead and at Lowood.) And at the end, they've restored lots of things, (I always wondered why St. John had a slip of paper when he reveals that he knows who Jane is-- because the part where he tears it from her painting was edited out of the US VHS version!). Rosamund Oliver is in it...she was completely cut out of the VHS. As far as I could tell, they hadn't edited out any of Timothy Dalton's parts, so nothing new there, but it is great to see the whole miniseries in its entirety after all these years of enjoying the VHS. Thanks, BBC (PS...I would have paid more for a special edition DVD...with maybe some interviews with the stars...or a making of show)
I wish the people who made this film had been involved in the newer Zeferelli version, as it would have helped that mess of a film.
I also realized the last time I watched this video that Judy Cornwell plays "Aunt Reed"! She is so versatile that I didn't recognize her. She plays Daisy in Keeping up Appearances, and also played Mrs. Musgrove in 1995's Persuasion (another wonderful adaption).
UPDATE: Got the DVD this week, and it's marvelous to see the original unedited version. There's lots more at the beginning (Young Jane at Gateshead and at Lowood.) And at the end, they've restored lots of things, (I always wondered why St. John had a slip of paper when he reveals that he knows who Jane is-- because the part where he tears it from her painting was edited out of the US VHS version!). Rosamund Oliver is in it...she was completely cut out of the VHS. As far as I could tell, they hadn't edited out any of Timothy Dalton's parts, so nothing new there, but it is great to see the whole miniseries in its entirety after all these years of enjoying the VHS. Thanks, BBC (PS...I would have paid more for a special edition DVD...with maybe some interviews with the stars...or a making of show)
Yes, this production is long (good news for Bronte fans!) and it has a somewhat dated feel, but both the casting and acting are so brilliant that you won't want to watch any other versions!
Timothy Dalton IS Edward Rochester... it's that simple. I don't care that other reviewers claim he's too handsome. Dalton is attractive, certainly, but no pretty-boy. In fact he possesses a craggy, angular dark charm that, in my mind, is quite in keeping with the mysterious, very masculine Mr R. And he takes on Rochester's sad, tortured persona so poignantly. He portrays ferocity when the scene calls for it, but also displays Rochester's tender, passionate, emotional side as well. (IMO the newer A&E production suffers in that Ciaran Hinds - whom I normally adore - seems to bluster and bully his way throughout. I've read the book many times and I never felt that Rochester was meant to be perceived as a nonstop snarling beast.)
When I reread the novel, I always see Zelah Clarke as Jane. Ms. Clarke, to me, resembles Jane as she describes herself (and is described by others). Small, childlike, fairy... though it's true the actress doesn't look 18, she portrays Jane's attributes so well. While other reviews have claimed that her acting is wooden or unemotional, one must remember that the character spent 8 years at Lowood being trained to hold her emotions and "passionate nature" in check. Her main inspiration was her childhood friend Helen, who was the picture of demure submission. Although her true nature was dissimilar, Jane learned to master her temper and appear docile, in keeping with the school's aims for its charity students who would go into 'service'. Jane becomes a governess in the household of the rich Mr. Rochester. She would certainly *not* speak to him as an equal. Even later on when she gave as well as she got, she would always be sure to remember that her station was well below that of her employer. Nevertheless, if you read the book - to which this production stays amazingly close - you can clearly see the small struggles Zelah-as-Jane endures as she subdues her emotions in order to remain mild and even-tempered.
The chemistry between Dalton and Clarke is just right, I think. No, it does not in the least resemble Hollywood (thank God! It's not a Hollywood sort of book) but theirs is a romance which is true, devoted and loyal. And for a woman like Jane, who never presumed to have *any* love come her way, it is a minor miracle.
The rest of the casting is terrific, and I love the fact that nearly every character from the book is present here. So, too, is much of the rich, poetic original dialogue. This version is the only one that I know of to include the lovely, infamous 'gypsy scene' and in general, features more humor than other versions I've seen. In particular, the mutual teasing between the lead characters comes straight from the book and is so delightful!
Jane Eyre was, in many ways, one of the first novelized feminists. She finally accepted love on her own terms and independently, and, at last, as Rochester's true equal. Just beautiful!
Timothy Dalton IS Edward Rochester... it's that simple. I don't care that other reviewers claim he's too handsome. Dalton is attractive, certainly, but no pretty-boy. In fact he possesses a craggy, angular dark charm that, in my mind, is quite in keeping with the mysterious, very masculine Mr R. And he takes on Rochester's sad, tortured persona so poignantly. He portrays ferocity when the scene calls for it, but also displays Rochester's tender, passionate, emotional side as well. (IMO the newer A&E production suffers in that Ciaran Hinds - whom I normally adore - seems to bluster and bully his way throughout. I've read the book many times and I never felt that Rochester was meant to be perceived as a nonstop snarling beast.)
When I reread the novel, I always see Zelah Clarke as Jane. Ms. Clarke, to me, resembles Jane as she describes herself (and is described by others). Small, childlike, fairy... though it's true the actress doesn't look 18, she portrays Jane's attributes so well. While other reviews have claimed that her acting is wooden or unemotional, one must remember that the character spent 8 years at Lowood being trained to hold her emotions and "passionate nature" in check. Her main inspiration was her childhood friend Helen, who was the picture of demure submission. Although her true nature was dissimilar, Jane learned to master her temper and appear docile, in keeping with the school's aims for its charity students who would go into 'service'. Jane becomes a governess in the household of the rich Mr. Rochester. She would certainly *not* speak to him as an equal. Even later on when she gave as well as she got, she would always be sure to remember that her station was well below that of her employer. Nevertheless, if you read the book - to which this production stays amazingly close - you can clearly see the small struggles Zelah-as-Jane endures as she subdues her emotions in order to remain mild and even-tempered.
The chemistry between Dalton and Clarke is just right, I think. No, it does not in the least resemble Hollywood (thank God! It's not a Hollywood sort of book) but theirs is a romance which is true, devoted and loyal. And for a woman like Jane, who never presumed to have *any* love come her way, it is a minor miracle.
The rest of the casting is terrific, and I love the fact that nearly every character from the book is present here. So, too, is much of the rich, poetic original dialogue. This version is the only one that I know of to include the lovely, infamous 'gypsy scene' and in general, features more humor than other versions I've seen. In particular, the mutual teasing between the lead characters comes straight from the book and is so delightful!
Jane Eyre was, in many ways, one of the first novelized feminists. She finally accepted love on her own terms and independently, and, at last, as Rochester's true equal. Just beautiful!
This version of Jane Eyre is simply AMAZING! If you haven't seen it already, you should because there will never be another like it. This four-hour adaptation of Charlotte Bronte's novel hardly leaves out the crucial parts that are often left out and overlooked by the other versions I've seen. For the fans of the novel, you will find that this movie includes many lines straight from the novel. You may be surprised on how easy to follow this movie is. I have watched the movie with the book in hand to help answer any questions I may have had.
The dashing Timothy Dalton fits the part of Edward Fairfax Rochester, almost too well, except for one thing; he is FAR too handsome for the Rochester spoken of in the novel! :) Despite this, he brings the Rochester created in my mind to life, because with every line he spoke, Timothy brought a fiery magic to his character. "He was born to play the role," some have said. I must say, I agree. I have watched this movie many times over, and I hardly find a fault to his performance. I think that if I was closer to Tim's age, that I would find my self-swooning over his fine features and magnetic accent. Accents are so sexy! Come on ladies, don't you agree?! :)
Yes, I could go on forever talking about him, but, now I must move on to Zelah Clarke, who although may seem too old to play the part of Jane Eyre, shared a great chemistry with her co-star. Their onscreen chemistry is too magnificent to put into words. Some have said she was not `plain enough' to play the role, I agree that she was pretty, but I think she fit her role just as well as Timothy. I hope that she is well remembered for playing the part of the plain, quakerish governess for decades to come. After all, She deserves to be remembered because of her acting talents. They both [Dalton & Clarke] have immortalized the classic story that touches on the idea that Love is blind. Love knows no age limits.
In conclusion, this truly is an old-fashioned romance movie, and the settings and supporting characters add to the incredible adaptation from the novel to the movie. Bravo, BBC!
The dashing Timothy Dalton fits the part of Edward Fairfax Rochester, almost too well, except for one thing; he is FAR too handsome for the Rochester spoken of in the novel! :) Despite this, he brings the Rochester created in my mind to life, because with every line he spoke, Timothy brought a fiery magic to his character. "He was born to play the role," some have said. I must say, I agree. I have watched this movie many times over, and I hardly find a fault to his performance. I think that if I was closer to Tim's age, that I would find my self-swooning over his fine features and magnetic accent. Accents are so sexy! Come on ladies, don't you agree?! :)
Yes, I could go on forever talking about him, but, now I must move on to Zelah Clarke, who although may seem too old to play the part of Jane Eyre, shared a great chemistry with her co-star. Their onscreen chemistry is too magnificent to put into words. Some have said she was not `plain enough' to play the role, I agree that she was pretty, but I think she fit her role just as well as Timothy. I hope that she is well remembered for playing the part of the plain, quakerish governess for decades to come. After all, She deserves to be remembered because of her acting talents. They both [Dalton & Clarke] have immortalized the classic story that touches on the idea that Love is blind. Love knows no age limits.
In conclusion, this truly is an old-fashioned romance movie, and the settings and supporting characters add to the incredible adaptation from the novel to the movie. Bravo, BBC!
I had no idea what Jane Eyre was before I saw this miniseries. I had read and watched many classics before, and I believed that most classics were boring, over-worded, and overrated stories with moderately interesting plots at best. This Jane Eyre miniseries completely changed my conceptions.
Zelah Clarke is a fabulous actress, and she gives a wonderful portrayal of Jane Eyre. Her accent is delightful and her quiet, yet firm nature matches the young governess' character exactly. Timothy Dalton is an amazing Rochester. His passion and energy in the film makes me believe that he was born to play the brooding master of Thornfield Hall. I couldn't sleep at all the night after I had watched this miniseries. The plot is both haunting and inspiring. The characters are masterfully performed, and the story is incredible. This is the best version of Jane Eyre to ever appear on film.
I read the book later and was amazed at how closely this miniseries followed Charolette Bronte's writing. Jane Eyre is now my favorite film and book. If you want to see a masterpiece that will change your life, watch the 1983 BBC version of Jane Eyre.
Zelah Clarke is a fabulous actress, and she gives a wonderful portrayal of Jane Eyre. Her accent is delightful and her quiet, yet firm nature matches the young governess' character exactly. Timothy Dalton is an amazing Rochester. His passion and energy in the film makes me believe that he was born to play the brooding master of Thornfield Hall. I couldn't sleep at all the night after I had watched this miniseries. The plot is both haunting and inspiring. The characters are masterfully performed, and the story is incredible. This is the best version of Jane Eyre to ever appear on film.
I read the book later and was amazed at how closely this miniseries followed Charolette Bronte's writing. Jane Eyre is now my favorite film and book. If you want to see a masterpiece that will change your life, watch the 1983 BBC version of Jane Eyre.
Você sabia?
- CuriosidadesTimothy Dalton considers this production to be one of his best.
- Erros de gravaçãoWhen Jane saves Mr. Rochester from his burning bed, he lends her his coat (with a fur collar) to wear because she is cold. When she finally leaves his room, she is still wearing the coat, but the next morning when Jane runs after Mr. Rochester to tell him that Grace Pool is in his room, he is wearing the coat for his morning ride to a house party.
- Citações
Edward Fairfax Rochester: I wish at times I were a trifle better adapted to match with her, externally. Tell me now, fairy that you are, you couldn't give a charm or a filter or something of the sort?
Jane Eyre: I would be past the power of magic, sir.
- ConexõesFeatured in Points of View: Episode #16.8 (1983)
- Trilhas sonorasPrelude in A Major, Op. 28, No. 7
Written by Frédéric Chopin
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Джейн Ейр
- Locações de filme
- Deene Park, Deene, Northamptonshire, Inglaterra, Reino Unido(Thornfield Hall)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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