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IMDbPro

Na Calada da Noite

Título original: Still of the Night
  • 1982
  • 10
  • 1 h 33 min
AVALIAÇÃO DA IMDb
6,0/10
6,9 mil
SUA AVALIAÇÃO
Meryl Streep and Roy Scheider in Na Calada da Noite (1982)
A Manhattan psychiatrist probes a patient's murder and falls for the victim's mysterious mistress.
Reproduzir trailer2:08
1 vídeo
75 fotos
CrimeDramaMistério

Um psiquiatra tem um paciente brutalmente assassinado. Ao passo que ele se envolve com a investigação, ele também se envolve com a misteriosa amante de seu ex-paciente. Quanto mais ele se ap... Ler tudoUm psiquiatra tem um paciente brutalmente assassinado. Ao passo que ele se envolve com a investigação, ele também se envolve com a misteriosa amante de seu ex-paciente. Quanto mais ele se aproxima da verdade, mais coloca sua vida em risco.Um psiquiatra tem um paciente brutalmente assassinado. Ao passo que ele se envolve com a investigação, ele também se envolve com a misteriosa amante de seu ex-paciente. Quanto mais ele se aproxima da verdade, mais coloca sua vida em risco.

  • Direção
    • Robert Benton
  • Roteiristas
    • Robert Benton
    • David Newman
  • Artistas
    • Roy Scheider
    • Meryl Streep
    • Jessica Tandy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    6,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert Benton
    • Roteiristas
      • Robert Benton
      • David Newman
    • Artistas
      • Roy Scheider
      • Meryl Streep
      • Jessica Tandy
    • 72Avaliações de usuários
    • 40Avaliações da crítica
    • 43Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 indicações no total

    Vídeos1

    Trailer
    Trailer 2:08
    Trailer

    Fotos75

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    Elenco principal29

    Editar
    Roy Scheider
    Roy Scheider
    • Sam Rice
    Meryl Streep
    Meryl Streep
    • Brooke Reynolds
    Jessica Tandy
    Jessica Tandy
    • Grace Rice
    Joe Grifasi
    Joe Grifasi
    • Joseph Vitucci
    Sara Botsford
    Sara Botsford
    • Gail Phillips
    Josef Sommer
    Josef Sommer
    • George Bynum
    Frederikke Borge
    • Heather Wilson
    • (as Rikke Borge)
    Irving Metzman
    • Murray Gordon
    Larry Joshua
    Larry Joshua
    • Mugger
    Tom Norton
    • Auctioneer
    Richmond Hoxie
    • Mr. Harris
    Hyon Cho
    • Mr. Chang
    Danielle Cusson
    • Girl
    John Bentley
    • Night Watchman
    George A. Tooks
    • Elevator Operator
    Sigrunn Omark
    • Receptionist
    Randy Jurgensen
    Randy Jurgensen
    • Car Thief
    • (as Randy Jurgenson)
    Palmer Deane
    • Auction Spotter
    • Direção
      • Robert Benton
    • Roteiristas
      • Robert Benton
      • David Newman
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários72

    6,06.9K
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    Avaliações em destaque

    8blanche-2

    Riff on Hitchcock

    I remember trying to get into this film in New York City on a Friday night, and it was sold out. IMDb doesn't list its box office, but I remember that it was quite popular. It was around the beginning of Meryl as Goddess - this was her 10th film and before "Sophie's Choice." The rest of the stars are Roy Scheider and Jessica Tandy. Scheider gets drawn into the murder of one of his patients after a visit from a mysterious woman (Streep) who worked with and had an affair with the victim. He goes back in his mind over some of his sessions with his patient, including a vivid dream, and finds himself living it.

    If you know and love the big guy, Hitchcock, as much as I do, you'll enjoy this film just picking out all the Hitchcock touches. Others on this board have mentioned the cool blonde (Streep, looking gorgeous), the psychiatrist mother and the dream (Spellbound), a shot reminiscent of Rear Window, the presence of Jessica Tandy (The Birds), the ordinary man drawn into strange circumstances, the auction scene (North by Northwest), and of course, the Shadow of a Doubt reference - Scheider's Uncle Charlie.

    "Still of the Night" is gimmicky, cold, and strangely memorable. Look at the various posts and see how many people remember where and when they saw it. Streep is excellent in her cool blonde role, though it's not a great part; however, her monologue toward the end of the film is very compelling. Scheider is just right as the psychiatrist, and Tandy is wonderful as his mother, though her role is too small.

    Others mention that the film moves slowly until the end. The ending is very suspenseful and exciting, but I didn't feel the rest of the movie was slow - I felt like I was being set up for something. As it turned out, I was.

    Recommended for lovers of Hitchcock and those who have not seen much early Streep.
    6SnoopyStyle

    good Hitchcockian start but falters

    Dr. Sam Rice (Roy Scheider) is a Manhattan psychiatrist like his mother Grace (Jessica Tandy). He's recently divorced. One of his patients George Bynum has been killed. He is visited by the mysterious Brooke Reynolds (Meryl Streep) who worked with Bynum at the auction house Crispin's. She's also Bynum's mistress. They are interrupted by Detective Vitucci and she accidentally leaves behind a watch. Dr. Rice examines his files on Bynum and suspicions falls on Reynolds.

    I really like the Hitchcockian touches. I love the laundry room when the lights go out in the hallway. I did not like all the flashback re-examination of his files. The plot loses its way a bit and some of its tension. Meryl Streep is pretty good as the mysterious damsel-in-distress. Although she's not the classic sex bombshell. Scheider is still a good leading man. This could be a much better mystery thriller.
    8matthew-hays

    Underrated

    This film has received quite a few negative posts. I also read Leonard Maltin's review, in which he said that it was full of holes and was a weak Hitchcock homage. I really think people are all wrong about this one; it's full of some very good old-fashioned suspense, and I love all of the Hitch touches many here have already noted. As well, it must be recalled that Hitch dealt in many implausibilities in his films. He hated those who constantly pointed out that "that could never happen in real life." It's not real life, it's a movie! That's one of the ways I thought this film succeeded, was in reflecting (or even gently parodying) Hitch's use of things that would never happen in real life. Loved the chemistry between Meryl and Roy, not to mention the lovely mentor/parent shrink/shrink relationship between Roy and Jessica. Nice work from Robert Benton. I love this film. --Matthew Hays
    Wizard-8

    Stillborn

    I think that writer/director Robert Benton was trying to make this movie akin to something Alfred Hitchcock would have made, but "Still of the Night" doesn't work as an homage or even a regular thriller. There is a real aloof feeling to this movie throughout - you don't really get a sense that any of the characters are those that are real flesh and blood. Roy Scheider was a talented actor, and Meryl Streep certain is, but even they seem overwhelmed by the depressing atmosphere and can't add much life. The main problem with the movie, however, is that it is extremely slow and boring. There are no shocks and there isn't even any real tension at any point. This extends even to the music score - there's almost no music in the entire movie. And it's extremely easy to figure out who the killer is, since the movie doesn't exactly give us a long list of suspects. Movies like this gathered dust in video stores for good reasons.
    5JamesHitchcock

    All those Hitchcock references do not make this a Hitchcock film

    "Still of the Night" is one of the more obscure entries in Meryl Streep's filmography, even though it came out in 1982 in between two of her greatest films, "The French Lieutenant's Woman" and "Sophie's Choice". (Until it turned up recently on British television I had never previously seen it or even heard of it). It is a psychological thriller, directed by Robert Benton who had earlier directed Meryl in "Kramer v Kramer". It has often been described as having been influenced by the works of Alfred Hitchcock, and one of the obvious signs of this influence is the fact that the main character, like the heroine of "Spellbound", is a psychiatrist. (Hitchcock was fascinated by psychology and psychiatry, and often makes reference to them in his films).

    Another Hitchcock touch is the idea of the "man in the street" who suddenly finds himself in trouble or in danger. When one of his patients is murdered Dr Sam Rice, a Manhattan psychiatrist, finds himself becoming emotionally involved with a young woman named Brooke Reynolds, who was not only a colleague of the dead man but also his mistress, and who is also a suspect in his murder. The plot is a complex one, involving Rice falling under suspicion with the police, who believe that he may be withholding evidence about the killing, and his placing himself in danger by his own attempts to solve the crime.

    The film makes quite deliberate reference to a number of Hitchcock films. Besides the general psychiatric theme, there is also a dream sequence reminiscent of the one in "Spellbound". The appearance of a bird during this sequence is a reference to "The Birds" and possibly also to "Psycho", where Norman's hobby is stuffing birds. A fall from a bell tower recalls "Vertigo" and, as in "North by North West", there is a scene set in an auction room. (The murdered man, George Bynum, was a senior employee of an auction house). There are also scenes reminiscent of "Rear Window" and "Marnie". Jessica Tandy who plays Rice's mother (also a psychiatrist) appeared in "The Birds". Many of Hitchcock's films, including "Notorious", "Strangers on a Train" and "Psycho", feature a strong, dominant mother-figure.

    Perhaps the most effective Hitchcock touch is the use of a trademark blonde heroine. Although this is far from being one of Meryl Streep's greatest films, she nevertheless gives a very accomplished performance as Brooke, portraying a woman who is clearly disturbed and frightened and who might just also be a psychopath, while leaving (as the conventions of the thriller genre require) that second point open to doubt. Had Meryl been twenty years older, she might have become one of the Master's great muses, along with the likes of Ingrid Bergman and Grace Kelly.

    And yet any number of Hitchcock references do not in themselves make a Hitchcock film. "Still of the Night" falls along way short of the great man at his best, or even at his second-best. Roy Scheider does not make a very charismatic hero and, except perhaps in the final sequences, Benton never succeeds in generating the sort of nail-biting tension that Hitchcock was so skilled at conjuring up, even in some of his lesser films. Whereas Hitchcock could normally relieve that tension with some effective use of humour, "Still of the Night" is a pedestrian and humourless film, no more than an average eighties thriller. 5/10, largely for Streep's performance.

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    • Curiosidades
      After making this film, writer/director Robert Benton said that he regretted the emphasis placed by critics upon its being a Alfred Hitchcock imitation. Benton said that he had intended it to be more a modern equivalent of the 1940s wave of noir thrillers about psychoanalysis (a group of films of which Hitchcock's Quando Fala o Coração (1945) is the most famous example, but not the only one) and that the directors he was actively using as direct influences on him were Jacques Tourneur and Fritz Lang, with the script being heavily influenced by Lang's Um Retrato de Mulher (1944). Benton summed up the situation saying, "This (genre) territory is so staked out by Hitchcock that there is nothing you can do that won't remind someone of him."
    • Erros de gravação
      As the woman with the scarf on her head first walks into Central Park the heels on her shoes are a thick, low to mid height style but as she continues to walk through the park the heels on her shoes change to a higher, thinner style heel.
    • Citações

      Doctor Sam Rice: Now listen to me! On account of you, I'm an accessory to something. I don't know what! I'm withholding evidence. I'm obstructing justice. I'm gonna get my license revoked if I'm not thrown into jail first. And on top of that, I've just spent fifteen thousand dollars for a painting I don't even like!

    • Versões alternativas
      In the limited DVD and Blu-ray prints from MGM and Kino Lorber respectively, in addition to adding the opening and closing MGM logos, the United Artists logo is plastered with the 2001 variant.
    • Conexões
      Referenced in Fanático (1982)

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    • How long is Still of the Night?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 19 de novembro de 1982 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • En la quietud de la noche
    • Locações de filme
      • Central Park, Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • United Artists
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 10.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 5.979.947
    • Faturamento bruto mundial
      • US$ 5.979.947
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 33 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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