Q - A Serpente Alada

Michael Moriarity is a small time crook and ex-junkie who - for a price - can lead the police to the nest of a huge prehistoric bird-like creature that is feeding off the residents of New York City. A lot of reviews rightly praise Moriarity's performance but for me having David Carradine (Kung Fu) and Richard Roundtree (Shaft) play the two leading cops was very cool. The creature is an ancient Aztec god called Quetzalcoatl, and has been revived by a man carrying out human sacrifices on willing victims (a good excuse for some fairly graphic gore). Although the special effects of the creature look dated for 1982 they add a certain charm and for me are preferable to the cheap looking CGI so often employed these days. The bird attacks are gory and fun, one involves a token scene of topless female nudity and there are some impressive aerial shots of the city. The film is occasionally let down by some poor script, the whole idea of the creature living at the top of the iconic Chrysler Building but only one man knowing this is pretty silly and I felt that the plot got bogged down at times with the police investigations. Overall Q is reasonably enjoyable, far better than most of the CGI trash that gets churned out nowadays.

This flick is a distinctive and haunting oddity , concerning about a winged serpent , a dragonlike , which carries out creepy killings , happening in N.Y. City . A pair of detectives (David Carradine , Richard Roundtree) are investigating the strange events . As the giant winged bird hungry for sunbathers and rooftop construction workers . Thanks help a delinquent (Michael Moriarty) who encounters the monster's hidden nest on the Chrisler building , detective Sheperd discovers that several murders committed in violent manner have been executed as bloody sacrifices to Aztec God named Quetzalcóatl , a feathered serpent whose two halves are a serpent and a bird .

This is a rough-edged chiller and results to be an entertaining return to monster movies from the 50s . Simple and stop-motion monster special effects by recently deceased David Allen , usual to 'Full moon' and 'Empire' Factory . Good cast as an overacting Michael Moriarty and David Carradine , Richard Roundtree as Police Inspectors ; and nice support casting as Eddie Jones and Candy Clark as crooks'fiancée . The film is well produced by Samuel Z. Arkoff who along with James H. Nicholson financed numerous movies of various genres , including monster movies , during the 50s, 60s , and 70s for their production company called ¨American International Pictures¨ . Atmospheric photography by Fred Murphy who has a successful career as an expert cameraman . The picture was compelling and originally written/realized by Larry Cohen . He's a B series craftsman , such as : terror genre (Stuff , Return to Salem's Lot , It's alive I ,I and Island of the alive) , hard hitting crime films (FX , Ambulance) and Blaxploitation(Black Caesar , Hell up in Harlem , Original gangsters) ; plus , a prestigious screenwriter (Phone booth , The ex , Invasion of privacy) and usually writes all his own scripts . This is a cult movie to be liked for chillers and monster films admirers .

It was the best of films. It was the worst of films.

One day Screenwriter Larry Cohen came up with two interesting but totally different ideas. The first was a Science Fiction epic about two NYC detectives charged with stopping a modern day Aztec cult and the monsterous winged deity they have brought to life.

The second concerns the exploits of a small time hood trying to rise above his station in life. Both interesting concepts. Unfortunately, try though he might Cohen could not develop enough material to make either project viable. Then a thought struck him. A notion so radical he dare not give it utterance. What if he were to combine both projects into one??????

Sound impossible???? Well Cohen tried to pull it off with the convoluted epic Q.

Q stands for Quetzacoatl, the aforementioned winged deity worshipped by the aforementioned Aztec cultists. Needless to say Q is not a nice deity and decides to get its jollies noshing on penthouse dwelling Manhattanites. Investigating the crime are Richard Roundtree and David Carridine as the aforementioned detectives.

Meanwhile the aforementioned small time hood protrayed by Micheal Moriarty is making a half hearted attempt to reform. He fails and is soon involved in a jewel heist. When the heist goes sour Moriarty seeks a spot to lay low. As chance would have it his sanctuary happens to be the same location Q has chosen for its nest. When Roundtree and Carridine's investigation fails to turn up Q hiding spot Moriarty offers to lead them to the nest in exchange for criminal immunity and monetary considerations.

The blending of these two stories is far from seemless. Despite the critical praise he recieved for this role, Moriarty's charactor seems totally out of place. His low end gangster antics seem better suited for an episode sapranos.

Far more impressive, though sadly less seen is Q itself. Brought to life with the aid of some niffy bits of stop motion animation, the elephant sized beastie wings its way over the Manhattan skyline out performing the human actors as it goes.

The best thing Cohen could have done is to drop Moriarty's entire segment and replace it with something more in keeping with the films Sci-fi nature. It would have been a far far better thing to do than he had ever done before.

When the Empire State Building was being constructed, another high-rise skyscraper, the Chrysler Building was its rival. As far as I know, this is the only film to pay homage to the Chrysler Building.

The Q stands for Quetzacoatl, a winged serpent from Aztec mythology. Outside of that, the Aztec connection isn't that great. But the idea of a monster living in seclusion in New York, feeding on sunbathers and the like, is rather bemusing.

The film is a rarity: a police-procedural monster film. The only other that comes to mind is Them!, with the giant ants. This one is truer to form, though not as taut.

Entertaining. A good rainy-day film.

Cohen is pretty goddamned erratic for an auteur. I mean, I don't think I've ever seen a movie with worse continuity; I don't think the constant lapses in screen direction are an homage to Godard; the character motivation is a mess. The newspaper headlines even have spelling mistakes for crying out loud. And every gruesome effort is made to avoid showing the titular winged serpent on screen. So why is this movie so cool? First of all, because it doesn't give a sh*t; second of all, because its subject matter takes us on an unprecedented and mesmerizing tour of the rooftops of NYC. And third of all because of that cast! I can't fling my stock epithet of 'stupid detectives' at Richard freakin' Roundtree and David by-the-Jesus Carradine, now can I? And I've never seen anything like Michael Moriarty's lead performance as a born-to-lose ex-junkie loudmouth opportunist with ego to burn. He's so mesmerizing you don't care about all the nervous cutting away from the sub-Harryhausen goings-on upstairs. In fact when you realize that Moriarty in Q equals Haze in Little Shop equals Miller in Bucket of Blood, the accretion of glaring imperfections starts to look like another form of loving tribute.