Especiais Efeitos

Larry Cohen's "Special Effects" is an average snuff-themed horror film.Eric Bogosian plays here an on-the-decline director who murders a starlet(brilliant Zoe Tamerlis,who sadly died in 1999)on camera and decides to use a dead ringer to make a film about the killing."Special Effects" is average-the script is mediocre and the action is dull at times.Still the snuff/murder scene(the strangling)is pretty nasty!The ending is also effective.All in all I'd recommend this film for undemanding horror fans-it's really nothing special,but if you want a passable time-killer...

Keefe Waterman (Brad Rijn) travels to New York to find his wife Mary-Jean (Zoë Lund), who has abandoned him and their young son to find fame and fortune as a movie actress. Mary-Jean, now going by the name of Andrea Wilcox, is none too pleased to see her husband, and escapes to the swanky pad of film director Christopher Neville (Eric Bogosian), who talks the woman into his bed. However, when the aspiring actress realises that Neville is filming their romp, she rejects him, which leads to the director strangling her to death.

The discovery of the strangled woman's body in her car on wasteland leads to the arrest of Keefe, but he is bailed out by Neville, who reveals that he is intending to make a film about the murder, with Keefe playing himself. All they need is someone to play Mary Jean. That person is Elaine Bernstein (also played by Lund), an exact double of the dead woman. The filming commences, with Neville planning to splice in the actual footage of the murder into his movie. His plan also involves setting up Keefe for an exciting final act in which the young man dies - for real!

Special Effects is B-movie director Larry Cohen's attempt at a sexy, sophisticated thriller al la Brian De Palma, a film that attempts to say something meaningful about the world of movie-making, in particular the way in which film-makers can use the medium to break down the boundaries between reality and make-believe. Perhaps if Cohen had employed better actors than Zoë Lund and Brad Rijn as his protagonists, the theme of blurring of illusion and real life might have been more effective, but at no point are his performers remotely believable. Eric Bogosian, as murderous director Christopher Neville, is a much better actor, but even he can't make this trite nonsense bearable, his character insufferable (he would have been more chilling had he been more charismatic).

True to his B-movie roots, Cohen ensures there's some nudity, sex and a modicum of violence, and one can't help but feel that, in trying to be stylish and classy, the director is punching way above his weight, and that things would have been much better had he just been out and out exploitative in his approach.

3.5/10, rounded down to 3 for the extremely intrusive and irritating synth score.

"Special Effects" is a thriller that delves into the darker aspects of Hollywood, where reality and illusion collide. The film tells the story of a megalomaniacal movie director, Neville, who murders a young actress and then casts her husband as the patsy in a film about the crime.

While the premise is intriguing, the execution falls short. The film's pacing is slow, and the acting is uneven. Zoe Tamerlis's performance is particularly cringe-worthy, making it difficult to watch her scenes without wincing.

However, Eric Bogosian and Brad Rijn fare better, bringing some much-needed depth to the film. Larry Cohen's direction is also noteworthy, as he attempts to emulate the style of Brian De Palma.

Despite its flaws, "Special Effects" is a thought-provoking commentary on the darker side of Hollywood. The film's exploration of the blurred lines between reality and illusion is both fascinating and unsettling.

Overall, "Special Effects" is a mixed bag. While it has its moments, the film's poor acting and slow pacing make it a chore to sit through. However, fans of Larry Cohen and those interested in a behind-the-scenes look at Hollywood's darker side may find it .

Eric Bogosian of "Talk Radio" fame stars as Chris Neville, a hotshot young filmmaker. His career is going downhill fast, so he decides to try something unusual. He films himself murdering aspiring starlet Mary Jean (the late Zoe Lund of "Ms. 45" cult stardom), then proceeds to make a movie telling Mary Jeans' sad life. Swept into the filmmaking process are Mary Jeans' husband Keefe (Brad Rijn, "Smithereens"), and the detective (Kevin O'Connor, "Let's Scare Jessica to Death") investigating the case; the detective quickly gets stars in his eyes. Neville actually finds a young woman who's a dead ringer for the murdered actress, also played by Lund.

There is a good idea here, about satirizing the entire movie-making business, and showing what happens as real life and reel life blend together. It's written and directed by low budget movie icon Larry Cohen, so you know that he will come up with some interesting material, and movie moments. (It IS intriguing to think what a filmmaker of Brian De Palmas' sensibilities could have done with this!) It's a good blend of art and trash, with a little bit of sex and shots of the beautiful Lund baring her body. It's also a marvel of art direction: dig that garish studio and townhouse in which Neville does his dirty work. Perhaps the most entertainment value arises out of O'Connor enjoying his "technical adviser" capacity and becoming fixated on receiving the appropriate credits. Given that Neville is such a smarmy character, you watch and keep waiting for him to get his just desserts. Michael Minard supplies a fun electronic score that unfortunately is used a little too much.

The performances are fine. Lund has a field day in her dual roles. Bogosian is superb as the creepy director. Rijn, O'Connor, Bill Oland, H. Richard Greene ('Mad Men'), and Steven Pudenz offer fine support.

The most striking image of all: Neville standing on a floor completely covered with headshots. (Among those he thumbs through is one of Dustin Hoffman as "Dorothy Michaels" in "Tootsie".)

Seven out of 10.

Special Effects is kind of a serious parody, if that makes any sense, of what De Palma did back in the 80's (or perhaps Larry Cohen's work too), where a filmmaker becomes a murderer when he lets in a would-be actress to his home, films having sex with her and also films the act of death. But instead of going on the run or just hiding it and going on with his life, he decides to make a movie about this girl, using Keefe, the girl's husband (played by Brad Rijn), getting a police detective to be a consultant (because who needs to solve any crimes) and, via Keefe making a trip to the Salvation Army and her just happening to work there, a girl who with a hair change looks just like the dead Andrea Wilcox (both played by Zoe Lund of Ms 45 fame).

Eric Bogosian is the reason to see the movie, playing this nasty, brutal director with some level of... do we call it humanity? He sometimes plays it over the top, but not in a way where it chews the scenery. He is really there to be the best actor he can be, which is more than can be said of Lund (who is maybe half-good, not as Wilcox but as the 'new' Andrea, Elaine), and certainly not Rijn, who tellingly only made a few movies and is just terrible here as this angry, despondent husband.

Maybe the problem is that Cohen is just a bit too obvious with his satire, or maybe, in a way, not obvious enough. This should be really funny - once or twice I did laugh, more from the police detective's meddling - and when he does an actual sex scene with two characters it stops the movie dead in its tracks. Special Effects has a little fun with its premise, which is rather dark and takes not just from De Palma but liberally from Hitchcock (Vertigo, duh) and even Peeping Tom with the idea of a camera that, ahem, kills in its way. It also has a rather obnoxious 80's synth soundtrack, which could be fine in small doses but is laid over every scene like a cocaine-diddled cloak. And the horror scenes, when they come, are kind of shoddily filmed.

But, again, if you like Eric Bogosian, this is one of his better performances, and a good indication of what he would do later in the decade with Talk Radio.