Julie - Anjo ou Demônio?

I've been searching and waiting to see "Julie Darling" for quite a very long time, and now that I finally watched, I'm both pleased and upset. Pleased because it's one of the most intense and disturbing 80's thrillers I've seen in a very long time, and upset because it undeservedly became obscure and forgotten amidst the overflow of inferior slasher pictures in that same decade. "Julie Darling" can more or less be categorized as a so-called Bad Seed effort, or – in other words – (horror) movies dealing with evil, psychopathic and murderous children. But this awesome little gem qualifies as a lot more than just that as well. It's a psychological "family" drama with a thoroughly uncanny atmosphere, numerous controversial undertones and a handful of very efficient shock moments. Julie Wilding is a cherubic and well- educated adolescent girl with a rather unhealthy affection for her daddy. Her mother notices Julie's rivalry and possessive behavior and wants to send her to a boarding school. But then her mother gets raped and killed by the grocery delivery boy, and even though Julie witnesses the whole thing from atop of the stairs, she doesn't move a muscle. Just when Julie thinks to have her daddy all for herself, he reveals that he's been having a secret affair for many years and wants to raise a new family with the lovely Susan and her little son. Rather than to get her own hands dirty, Julie tracks down her mother's murderer and blackmails him into doing the same with her new step family. She even joyously adds the words "Oh, and you can rape her all you want…". If Sigmund Freud would have ever written a movie script, the result would look a lot like "Julie Darling". The film is literally stuffed with psychosexual references and disputatious elements, like incestuous, intercourse with minors and matricide. In spite of its obscure status, "Julie Darling" features quite a few famous (in the cult/horror business, at least) names. Writer/director Paul Nicolas was also responsible for the greatest Women in Prison exploitation flick ever made, namely "Chained Heat" released that same wondrous year 1983. Anthony Franciosa, known from Dario Argento's giallo classic "Tenebre" is excellent as the unsuspecting (?) father and many horror fanatics will be super enthusiast to see Sybil Danning stars as the lovely stepmom. The one true diva of the film, however, is young Isabelle Mejias as Julie. I always thought that Patty McCormack ("The Bad Seed" 1956) was the most devilish child star, but she's a church choir girl in comparison to Isabelle Mejias. She depicts a truly frightening, cold-hearted and malignant teenage psycho.

This movie is marketed as a Sybil Danning vehicle even though the erstwhile German-American sex symbol is really only in the last half of the movie, and the really memorable performance is by the unknown Isabella Mejia as a disturbed teenage girl whose infatuation with her father (Antonio Franciosa from "Tenebra")leads her to allow an intruder to rape and murder her own mother. She then blackmails the same guy into trying to do the same to her new stepmother (Sybil Danning). The disturbed girl at one point even locks her young step-brother in an old fridge in the middle of a junkyard.

I saw this film almost back-to-back with another, much more terrible Sybil Danning-starrer "They're Playing with Fire". But while that film was a horrid hybrid of a dumb 80's teen sex comedy and an idiotic 90's erotic thriller (featuring Sybil in the sack with the annoying kid from "Private Lessons", and the once great Andrew Prine flushing his career right down the toilet), this film does the burgeoning erotic thriller genre proud (or as proud as you can do that crappy genre). It has a real, if not necessarily highly believable, plot and pretty decent acting. Other reviewers have compared it to "The Bad Seed", but it is actually better than that stagey, melodramatic flick (which ends with the villain literally being struck down by lightning). I'd put it somewhere between that one and a truly deserving classic like "Pretty Poison" (with Tuesday Weld and Anthony Perkins).

This movie is certainly no classic, but it doesn't really deserve its current obscure status either. It's probably Danning's best (American)movie. Those who watch it just to see her take her clothes off for the zillionth time won't be disappointed of course, but I think they'll also be pleasantly surprised with the rest of the movie.

Isabelle Mejias has the ultimate Daddy fixation, and Stepmothers who get in her way become expendable. The object of her attention, Anthony Franciosa, seems oblivious, clueless, or both, to his Daughter's unnatural behavior. The methods employed by Mejias to torment Stepmothers borders on sadism. While the script is sometimes clever, it also has a brutal amount of time wasted on small talk not relevant to the story. Sybil Danning and Isabelle Mejias give good performances, while Anthony Franciosa is so boring, you will almost cringe. "Julie Darling" is an effective thriller that could have benefited from some script tightening, however the extremely satisfying ending totally redeems any minor faults the film might have. - MERK

I was searching through lists of 80s horror/slasher movies because I am a big fan of that era's horror/slasher genre. Every now and then I like to watch those movies, especially one's that I've never seen. I found this and streamed it online and I thought it was pretty good.

Although lower budget, it is suspenseful and the little girl in it is pretty disturbed! It's almost a mix of a drama/horror/thriller movie all rolled into one. Acting is OK, especially the little girl's part. She is fairly convincing in her role as a spoiled, jealous, and downright evil kid. She seems to have a strong attachment to her father and doesn't like when others steal the attention away, let's just say! Some may find this movie dull and too low budget, but if you're a big 80s horror/slasher fan, I think you'll like it enough. It does have that made-for-TV feel a little, but it keeps you interested. It isn't necessarily the most believable plot, but how many movies are, right?! Interesting ending by the way, I think you'll like it. 6/10

There have been plenty of movies about evil children over the years, but Julie Darling distinguishes itself by being more perverse than most.

Isabelle Mejias plays cherubic teen Julie, who only has eyes for daddy (Anthony Franciosa), but isn't as innocent as she pretends to be. Her wicked streak is evident in the relish she takes in feeding live rats to her pet snake, her joy at shooting birds while hunting with her father, and the cruel pranks she plays on her long suffering mother Irene (Cindy Girling). Julie takes her callousness to a whole new level when delivery man Weston (Paul Hubbard) tries to rape her mother: even though she trains the sights of her gun on the man, Julie doesn't pull the trigger, her deliberate inaction resulting in the death of her mum, who hits her head on the stone floor during the struggle.

With her mum gone, Julie has dear daddy all to herself, or so she thinks: the girl is shocked to learn that her father has a mistress, Susan (sexy cult star Sybil Danning), and now, with his wife dead, he is free to marry her. Worse still, Susan has an irritating young son who is stealing daddy's attention. After Julie wakes to hear a noisy sex session between her pops and his sexy new spouse (during which it becomes very clear that the girl harbours incestuous desires for her father), she hatches a plot to get rid of her new stepmother.

Mejias (actually 21 at time of filming, but looking younger) puts in a commanding performance as the conniving minx, utterly convincing as a cold-hearted psychopath. Franciosa is less credible, especially when doting on stepson Dennis (Benjamin Schmoll), and Danning does what she does best: look sexy and remove her clothes (other gratuitous nudity comes courtesy of Girling, who takes a bubble bath, and Mejias, who is topless during her jaw-droppingly twisted Oedipal fantasy sex scene with Franciosa).

Director Paul Nicholas does a great job in keeping the suspense levels high, constantly surprising the viewer with Julie's lack of empathy: not only does the evil brat blackmail Weston into killing Susan ("And you can rape her all you want before you kill her"), but she also orchestrates the murder of her best friend Michelle. The brutal, bloody climax sees Susan beaten and thrown through a window, Weston stabbed in the crotch with a broken bottle (nasty!) before being blasted by Julie with a shotgun, and Susan proving that she wasn't lying when she said she would do anything to protect those she loves.