Julie Anjo Ou Demonio

Im a big fan of Sybil Danning,she ruled the eighties,a real tough but sexy woman from Austria,i saw this one from the suspense classics 50 movie collection.and i can tell you its a real nail biter of a movie. sort of like the Macaulay culken thriller the good son.but this little girl is much more disturbed and evil.not to mention slick and calculating.she has a pet python and even locks her stepbrother in a refrigerator that is kept outside.why is it outside?? who knows.this thriller also stars late great Italian actor;Anthony Franciosca as dear old dad.the film is Italian/American made and in the beginning it shows the new york skyline showing the world trade center.I'm not giving any spoilers but ill tell you.nobody messes with Sybil Danning. and if you wanna see a good well made suspense flick,then Julie darling is the ticket.7 out of 10.

Was quite surprised after my initial viewing of this Canadian film as it was really quite good. I was surprised because it is a harder to find horror film and don't think it was ever popular. I must say though that it may not be for all tastes.

Its really the twisted, weird and gets quite creepy story of a 16 year old girl named Julie (wonderfully played by Isabelle Mejias). She's a bit of a bad ass as she enjoys feeding rats to her pet snake, shooting Canada Geese and loves her Nestle Quik. It's really about her relationship with her father (Anthony Franciosa). She watched her mother (Cindy Girling) get killed, did nothing and now steps in the next woman named Susan (Sybil Danning). Guess who wants her dead?

If this does sound interesting I would suggest finding it and giving it a watch.

Isabelle Mejias has the ultimate Daddy fixation, and Stepmothers who get in her way become expendable. The object of her attention, Anthony Franciosa, seems oblivious, clueless, or both, to his Daughter's unnatural behavior. The methods employed by Mejias to torment Stepmothers borders on sadism. While the script is sometimes clever, it also has a brutal amount of time wasted on small talk not relevant to the story. Sybil Danning and Isabelle Mejias give good performances, while Anthony Franciosa is so boring, you will almost cringe. "Julie Darling" is an effective thriller that could have benefited from some script tightening, however the extremely satisfying ending totally redeems any minor faults the film might have. - MERK

There have been plenty of movies about evil children over the years, but Julie Darling distinguishes itself by being more perverse than most.

Isabelle Mejias plays cherubic teen Julie, who only has eyes for daddy (Anthony Franciosa), but isn't as innocent as she pretends to be. Her wicked streak is evident in the relish she takes in feeding live rats to her pet snake, her joy at shooting birds while hunting with her father, and the cruel pranks she plays on her long suffering mother Irene (Cindy Girling). Julie takes her callousness to a whole new level when delivery man Weston (Paul Hubbard) tries to rape her mother: even though she trains the sights of her gun on the man, Julie doesn't pull the trigger, her deliberate inaction resulting in the death of her mum, who hits her head on the stone floor during the struggle.

With her mum gone, Julie has dear daddy all to herself, or so she thinks: the girl is shocked to learn that her father has a mistress, Susan (sexy cult star Sybil Danning), and now, with his wife dead, he is free to marry her. Worse still, Susan has an irritating young son who is stealing daddy's attention. After Julie wakes to hear a noisy sex session between her pops and his sexy new spouse (during which it becomes very clear that the girl harbours incestuous desires for her father), she hatches a plot to get rid of her new stepmother.

Mejias (actually 21 at time of filming, but looking younger) puts in a commanding performance as the conniving minx, utterly convincing as a cold-hearted psychopath. Franciosa is less credible, especially when doting on stepson Dennis (Benjamin Schmoll), and Danning does what she does best: look sexy and remove her clothes (other gratuitous nudity comes courtesy of Girling, who takes a bubble bath, and Mejias, who is topless during her jaw-droppingly twisted Oedipal fantasy sex scene with Franciosa).

Director Paul Nicholas does a great job in keeping the suspense levels high, constantly surprising the viewer with Julie's lack of empathy: not only does the evil brat blackmail Weston into killing Susan ("And you can rape her all you want before you kill her"), but she also orchestrates the murder of her best friend Michelle. The brutal, bloody climax sees Susan beaten and thrown through a window, Weston stabbed in the crotch with a broken bottle (nasty!) before being blasted by Julie with a shotgun, and Susan proving that she wasn't lying when she said she would do anything to protect those she loves.

This movie is marketed as a Sybil Danning vehicle even though the erstwhile German-American sex symbol is really only in the last half of the movie, and the really memorable performance is by the unknown Isabella Mejia as a disturbed teenage girl whose infatuation with her father (Antonio Franciosa from "Tenebra")leads her to allow an intruder to rape and murder her own mother. She then blackmails the same guy into trying to do the same to her new stepmother (Sybil Danning). The disturbed girl at one point even locks her young step-brother in an old fridge in the middle of a junkyard.

I saw this film almost back-to-back with another, much more terrible Sybil Danning-starrer "They're Playing with Fire". But while that film was a horrid hybrid of a dumb 80's teen sex comedy and an idiotic 90's erotic thriller (featuring Sybil in the sack with the annoying kid from "Private Lessons", and the once great Andrew Prine flushing his career right down the toilet), this film does the burgeoning erotic thriller genre proud (or as proud as you can do that crappy genre). It has a real, if not necessarily highly believable, plot and pretty decent acting. Other reviewers have compared it to "The Bad Seed", but it is actually better than that stagey, melodramatic flick (which ends with the villain literally being struck down by lightning). I'd put it somewhere between that one and a truly deserving classic like "Pretty Poison" (with Tuesday Weld and Anthony Perkins).

This movie is certainly no classic, but it doesn't really deserve its current obscure status either. It's probably Danning's best (American)movie. Those who watch it just to see her take her clothes off for the zillionth time won't be disappointed of course, but I think they'll also be pleasantly surprised with the rest of the movie.