Julie Anjo Ou Demonio

I was searching through lists of 80s horror/slasher movies because I am a big fan of that era's horror/slasher genre. Every now and then I like to watch those movies, especially one's that I've never seen. I found this and streamed it online and I thought it was pretty good.

Although lower budget, it is suspenseful and the little girl in it is pretty disturbed! It's almost a mix of a drama/horror/thriller movie all rolled into one. Acting is OK, especially the little girl's part. She is fairly convincing in her role as a spoiled, jealous, and downright evil kid. She seems to have a strong attachment to her father and doesn't like when others steal the attention away, let's just say! Some may find this movie dull and too low budget, but if you're a big 80s horror/slasher fan, I think you'll like it enough. It does have that made-for-TV feel a little, but it keeps you interested. It isn't necessarily the most believable plot, but how many movies are, right?! Interesting ending by the way, I think you'll like it. 6/10

What a very disturbing film. I began by thinking "What a brat!" Now, I knew she was not a nice little girl, but her incredibly disturbed being didn't enter my mind. She has such a a fixation on her father like no other film I've seen. There are very disturbing scenes. This actress's face is so angelic, and yet the coldest of hearts beats behind it. This is a pretty explicit film with lots of very graphic scenes. There is real violence here. I guess it's really based on total psychosis, because our little heroin is bound to do anything to latch on to her daddy.

As a film there is a great deal of suspense. This happens because only we know this child. She also has had weapons training and is quite the hunter. Talk about arming the enemy. The father never has a clue. Gosh, in addition to losing his first wife, isn't it odd that his new stepson gets put in an old refrigerator. The young rapist/murderer, however, doesn't hold a candle to Julie, which is pretty amazing.

I've been searching and waiting to see "Julie Darling" for quite a very long time, and now that I finally watched, I'm both pleased and upset. Pleased because it's one of the most intense and disturbing 80's thrillers I've seen in a very long time, and upset because it undeservedly became obscure and forgotten amidst the overflow of inferior slasher pictures in that same decade. "Julie Darling" can more or less be categorized as a so-called Bad Seed effort, or – in other words – (horror) movies dealing with evil, psychopathic and murderous children. But this awesome little gem qualifies as a lot more than just that as well. It's a psychological "family" drama with a thoroughly uncanny atmosphere, numerous controversial undertones and a handful of very efficient shock moments. Julie Wilding is a cherubic and well- educated adolescent girl with a rather unhealthy affection for her daddy. Her mother notices Julie's rivalry and possessive behavior and wants to send her to a boarding school. But then her mother gets raped and killed by the grocery delivery boy, and even though Julie witnesses the whole thing from atop of the stairs, she doesn't move a muscle. Just when Julie thinks to have her daddy all for herself, he reveals that he's been having a secret affair for many years and wants to raise a new family with the lovely Susan and her little son. Rather than to get her own hands dirty, Julie tracks down her mother's murderer and blackmails him into doing the same with her new step family. She even joyously adds the words "Oh, and you can rape her all you want…". If Sigmund Freud would have ever written a movie script, the result would look a lot like "Julie Darling". The film is literally stuffed with psychosexual references and disputatious elements, like incestuous, intercourse with minors and matricide. In spite of its obscure status, "Julie Darling" features quite a few famous (in the cult/horror business, at least) names. Writer/director Paul Nicolas was also responsible for the greatest Women in Prison exploitation flick ever made, namely "Chained Heat" released that same wondrous year 1983. Anthony Franciosa, known from Dario Argento's giallo classic "Tenebre" is excellent as the unsuspecting (?) father and many horror fanatics will be super enthusiast to see Sybil Danning stars as the lovely stepmom. The one true diva of the film, however, is young Isabelle Mejias as Julie. I always thought that Patty McCormack ("The Bad Seed" 1956) was the most devilish child star, but she's a church choir girl in comparison to Isabelle Mejias. She depicts a truly frightening, cold-hearted and malignant teenage psycho.

Isabelle Mejias, an under-recognized talent who deserved better material than she received during her brief acting tenure, performs strongly as Julie, a socially disunited young lady with a ravenous Electra complex. Julie harbors malicious and dangerous resentments toward anyone she feels is competing for her father's affections, or who might create a rift within her delusional fantasy world. Hapless potential-victims-to-be are her new step-brother and step-mom(Sybil Danning, upstaged once again by her extremely well-ventilated 36-C juggage). It's a minor B gem with a brisk pace, mounting suspense, and some pretty grim deaths...JULIE, DARLING was not a boxoffice success, and received a rather limited VHS release. This is a better quality picture than its relative obscurity might suggest, and ripe on the vine for rediscovery. 6/10

Isabelle Mejias has the ultimate Daddy fixation, and Stepmothers who get in her way become expendable. The object of her attention, Anthony Franciosa, seems oblivious, clueless, or both, to his Daughter's unnatural behavior. The methods employed by Mejias to torment Stepmothers borders on sadism. While the script is sometimes clever, it also has a brutal amount of time wasted on small talk not relevant to the story. Sybil Danning and Isabelle Mejias give good performances, while Anthony Franciosa is so boring, you will almost cringe. "Julie Darling" is an effective thriller that could have benefited from some script tightening, however the extremely satisfying ending totally redeems any minor faults the film might have. - MERK