Vermelho Sangue

A priest is pursuing a madman who,the victim of a genetic experiment,has become a homicidal killer with blood that coagulates very quickly,making him virtually indestructible.The killer goes on the rampage in a small town.This ultra-gory sequel to Joe D'Amato's "Antropophagus" is very slow and boring at times but has also some creepy moments plus plenty of very strong violence and gore.The bandsaw killing is ten times nastier than the similar drill scene in Lucio Fulci's "City of the Living Dead".The gore flows freely resulting in a film that is simultaneously repellent and extremely funny.Highly recommended.

While I've seen over a dozen of Joe D'Amato's films, this was my first foray into his horror films (unless you count Emanuelle and the Last Cannibals, and his Caribbean Horror/Porns, which I have seen.)

For the first half of the movie I wasn't that impressed. But, the second half was relentless, suspenseful, brutal and agonizing. I've seen hundreds of horror/gore/splatter/slasher films, but the infamous 'oven scene' (which I won't spoil) had me literally covering my mouth to keep from making too much noise.

The rampage of the second act works well because the horror comes from the THOUGHT of what is happening, rather than the more visceral deaths of the first half. There is blood and gore, to be sure, but Joe D'Amato shows a modicum of restraint, letting the suspense build in a way it was unable to in the first act.

So, if you decide to give this film a try, and I hope you will, stick with it. Not only does the film really get going in the second half, the final shot of the film has to be one of the most unexpected, shocking and unexpected moments I've ever seen.

I first saw this in the mid 80s on a vhs. Revisited it recently on YouTube. The quality is fine n it is totally uncut. Eastman once again plays a killer but this time he ain't no cannibal but a product of scientific experiment gone wrong in which he turns into an invincible nutjob who can heal itself n somehow makes weird snorting voices towards the end. Compared to Anthropophagus, this film is fast paced with lots of gory kills. Comparison to Halloween is inevitable, acting n editing wise it is horrendous. The short hair blonde is cute but her death sequence is terrifying. The nurse's drill scene made me squirm.

Joe D'Amato and George Eastman's follow-up to the notorious "The Grim Reaper" (Antropophagus) is sick, twisted and – oh yes – deliciously absurd! There's no real story and the amount of genuine chills is limited, but the gory murder sequences are sensational and they easily rank among the craziest stuff ever caught on film. Eastman once again portrays a Greek psycho-killer, though a different one than the fetus-munching monster in Antropophagus (love that title!), cheerfully butchering half the population of a small American town. Nikos isn't your ordinary madman, but a scientific guinea pig whose blood coagulates much faster and hence he instantly recovers from severe wounds, like gunshots or impalement. He's pursued by an unintelligible priest, a chain-smoking copper and his black assistant who isn't allowed to talk without permission. No wonder none of these blokes is capable of catching or even tracing Nikos and the body count increases immensely. Whenever George isn't barbarically killing someone using band saws, surgical devices or axes, "Absurd" is rather dull, slow-moving and borrowing story ideas as well as direct quotes from John Carpenter's landmark slasher Halloween. There's babysitters in peril, young kids spotting the bogeyman everywhere around the house and dangerous killers escaping from hospital beds. Still, if you're looking for really good horror cinema, just wait for the climax which is quite suspenseful and it makes the popular title "Absurd" all the more meaningful.

MONSTER HUNTER is the HALLOWEEN-esque 'sequel' to 1981's insomniac's dream ANTHROPOPHAGOUS. This time around D'Amato brings to us a sense of pace, making Monster Hunter much more enjoyable. The added gore (including an ultra-torturous scene involving an oven) and cool electronic music score is a nice bonus (I caught some music from PIECES in here as well...cool). The story (or lack thereof) brings back George Eastman as our favorite cannibal, this time not on a Greek island, but somewhere in the US being hunted by a priest (of all people). During this, he somehow manages to spill his guts (again, but does not eat them) on an iron fence outside a house. Eastman is taken to a nearby hospital. There, he recovers, kills the doctor (gorily too I might say), hacks up a few others and then returns to the house where he had his 'accident', and proceeds to stalk the babysitter and kids residing there. A bit boring at times (aren't all these italo-gore flix?) but Eastman's presence is over powering and the end involving a 'vegetable' overcoming her disabilities to face the beast is fairly ironic.