Três Dias do Condor

Great film -Robert Redford has a way of drawing in the audience and Faye Dunaway is more vulnerable than ever, her best role since Thomas Crown. No vulgarity in the love scene just a great sensuality. Both stars have shown an outstanding performance ! Top-notch screenplay - 70's films are definitely the best ones in terms of storytelling and screenplays. Sidney Pollack does also a great job as a director and delivers an efficient thriller that you can watch over and over again.I agree with some reviewers who think that it is one of the Redford's best. The supporting cast is also excellent. Maybe the directors nowadays should watch more often 70's films to be more inspired.

Towards the end of this film - two of the main protagonists engage in a conversation that is so telling - it could have been written yesterday and not thirty years ago.

The West has long looked to the east and its oil fields as potential targets and this film just reinforces the fact that what we think of as a new war has in fact been a raging cold war for decades. It is not and never has been about freedom –it is now and always has been a war of economic necessity. Although this film is not as renowned as many of the other paranoid spy thrillers of the 70's such as the Conversation or the Parallax View it is still a very watchable and intriguing film.

Redford is well cast as a fish out of water having to adapt his talents from the page to real life. The central relationship between Dunaway and Redford doesn't work as well as it should. She is too keen to fall for his charms and were it not Redford but a more charmless man like Hackman for example I doubt it would have worked at all.

The film is not as complex as has suggested. It is neat and easy enough to follow. It has a beguiling character that is better for my money than harder hitting films like Parallax. Redfords fight in the middle of the film is copied in a many ways by the new Bourne movie fight scenes. Indeed the double talk spy will appeal to fans of this genre. Bourne today is the nearest thing to Condor in the movies.

And Von Sydow is as always untouchable. Worth a remake but I still have a very dear place in my big movie heart for well made 70s films like this.

Saw this movie in theaters way back when (yes I am old). It was so long ago that I had forgotten most of the movie. Thoroughly enjoyed watching it again during the virus lockdown. As much fun for first time viewers of today as it is for old timers like me.

I'm sure that Robert Redford thought he had the greatest job in the world in Three Days Of The Condor. He's a reader for the Central Intelligence Agency. His job along with several other associates is to read various books, fiction and non-fiction, in a comfortable old Upper East Side of New York brownstone and glean ideas for the agency.

Except that one fine day an innocuous report gets turned in from his brownstone that panics someone in a high place. A hit team is sent out and Redford by dint of going out for lunch orders through a back entrance misses a massacre. After he calls it in and then escapes another murder attempt in which a friend in the agency is killed, he doesn't know who to trust.

Three Days Of The Condor is a finely tuned spy thriller which will keep you guessing right up to the end. You will be inside Robert Redford's head totally, you won't know what to believe either. Eventually the only one he does trust is a woman whom he forces at gunpoint to help him escape. The woman is Faye Dunaway who goes Stockholm and enlists in helping Redford try and sort things out.

Redford proves to be quite resourceful even winning the admiration of Max Von Sydow, the contract killer hired to get him. After all he's not a field agent, but as Von Sydow points out, 'he does read'.

Sydney Pollack kept things going at a Hitchcock like level of tension with great performances from his cast. That would also include Cliff Robertson as the CIA station chief whose motives are mixed to say the least.

If your taste tends to espionage thrillers, don't miss Three Days Of The Condor.

Three Days of the Condor (1975)

This is looking more and more like a period piece, dated and curious like one of those great Cold War films looks today (Failsafe or Seven Days in May). And yet it also feels like the beginnings of spy/counterspy films that are going on today, way beyond the pizazz of the early Bond films of the 1960s, and presaging the dozens since, including recent ones like the Bourne films or Syriana. It plays straight up as a suspense film, one where an almost innocent man is caught up in something huge and perplexing and awful, and we all identify with the individual against the powers of evil. Robert Redford plays the role of Joe Turner well, with the usual Redford stiffness, but believably--he reads books, after all--and sympathetically.

Putting yourself back to 1975 you have to remember that everyone was talking about, and reacting to, Watergate, and a U.S. president who had to resign from office because of it. Watergate, more than anything, started the current public roar (blossoming on the internet) about government conspiracy. Three Days of the Condor makes the government, and the CIA in particular, an almost unassailable and invisible force of spying and mistrust. Turner, by circumstance at first and then by admirable determination, fights back. He's clever as much as he is worried. He falls in love. He feels isolated but never gives up. He has close calls, and lucky escapes, and unlikely friends. He thinks of other people first.

In other words, he's a hero against the machine, and if the movie is sometimes slow, it creates a nice pace for the end, which is beautifully thought out. Director Sydney Pollack is hampered by a screenplay that alternates between awkward (Faye Dunaway's scenes) and brilliant (Redford's anti-spy character has a conversation with a hit man played by Max Von Sydow that shines), but he patches it together with an editing job that was nominated for an Oscar. And the cinematography by Owen Roizman is really nice (he shot a dozen great films from the French Connection to the Exorcist to Network). Condor is not just an entertainment, which is a saving grace, but it does also, slowly and beautifully, entertain.