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This film is pretty much a second-rate Russ Meyer film (in fact, it was written by a F.X. Maier...coincidence??;) The dialogue isn't as clever, nor as tongue-in-cheek, and the acting is definitely second best. but on the other hand, Quentin Tarantino (who re-released it in '97 through Rolling Thunder Pictures) was right when he said in USA Today `There's more action is Sisters than in Twister…' The film is fast-paced, full of thrills (gotta love those low-budget, campy 70s films where everyone loses their shirt eventually...) and most of all, fun! Aside from the few scenes that just seem utterly pointless, and aside from Robbie Lee's incessant whining, it's a great film to watch; full of giggles and smiles.

As long as one doesn't take this film seriously, or compare it too closely to Faster Pussycat of Ultra-Vixens, it will be enjoyable to anyone looking for a cheezy laugh or three. And the prison scene is *priceless*.If I were to take it seriously it wouldn't rate higher than a five, but all things considered, 7/10.

As in all thing's this was not made for everyone, it was intended to latch onto a genre that makes money, however, I think Jack Hill has done some great work with this, if one has an open mind, they just cant help but feel for the characters as the story develops, it's interesting the whole way thru, with lots of humor violence & sex involved.

Switchblade Sisters, apart of the more or less dozen films in Tarantino's Rolling Thunder pictures collection (re-released exploitation flicks and foreign films), was worth the watch for a past midnight time of viewing. It might even be Jack Hill's most entertaining movie (though I haven't seen Coffy in a while). There are really a few things that he gets really right, amid the obvious camp that comes with a movie like this. He uses some tough, interesting B-actresses for the parts of the Debs-turned-Jezebelles, with Robbie Lee and Joanne Nail and Monica Gayle as the main three ladies of the bunch all turning in cool, un-restrained performances (one thing they don't lack, aside from some sex appeal, is spunk).

Another thing that makes the film really work is that, more often than not (which was also the case with Hill's Pam Grier pictures) is that it's very, very funny. Sometimes it was just by some unexpected stuff (the guy in the elevator early in the film, or stuff during the climactic battle in the streets), or just by some of the creative dialog. But really what helped make the film work for me was that it had a great marriage of 'exploitation' ideals (just look at the prison scenes) with spots of realism, or at least things that seem realistic in the Roger Corman school of writing.

These may be larger-than-life character, but that's part of the fun in it, that it's an action fantasy where we can root for the rough, take-no-prisoners gals of action, who also aren't completely in-human. Hill, who has mentioned in interviews how part of his film-making comes from being a musician, knows the rhythms of scenes and dialog (as stupid as it can get at times), and even has a little style to show off amid the patently 70's times. That, in the end, it's really a lot of fun helps out during some of the more 'dramatic' parts. And what an awesome last line!

A persons impression of a movie sometimes depends on what they're expecting before they see it. You gotta go into this one expecting a low budget poorly acted 70's action film. If you do, you'll be quite impressed! The acting isn't all that bad. Lace can get a little annoying, talking through clenched teeth like she does, but she acts pretty well during her softer parts. And the movie is funny! I was not expecting to actually laugh out loud during it, but I did in several spots. This movie is kind of like The Warriors meets Fast Times at Ridgemont High meets L7. :')

And there were even a couple touching moments to the film that I wasn't expecting. The characters are interesting too. I can see why Quentin Tarantino likes this film. If you are a fan of his, and don't mind B movies, I think you'll like this.

Predating the cycle of gang movies by a few years, "The Jezebels" (a.k.a. "Switchblade Sisters") by exploitation icon Jack Hill really is a whole lot of fun. It's colourful entertainment that actually manages to be campy and serious in equal doses. And it does come complete with a feminist statement.

Robbie Lee is Lace, the leader of a girl gang dubbed The Dagger Debs, who are affiliated with a male gang known as the Silver Daggers. She's sweet on Dominic (Asher Brauner), their leader. Laces' world starts falling apart when Maggie (Joanne Nail), a loner, attracts the attention of the gangs (especially Dominic) and rises within the ranks - and gains influence - a little too quickly. Amid the personal problems of the main characters, they must go to war with a gang that masquerades as community activists.

Considering the fact that some of these actresses don't really convince at all as tough gals (especially Lee), and are clearly too old for their roles, they really are a whole lot of fun. Monica Gayle delivers a standout performance as Patch, a gang member who comes to distrust and despise Maggie. A rich assortment of familiar actors in the supporting roles include Marlene Clark as black revolutionary Muff, Don Stark as Hook, Bill Adler as Fingers, Kate Murtagh as butch lesbian prison guard Mom Smackley, and Bob Minor as police officer Parker. Nail definitely looks very hot in various sexy outfits. Co-star Kitty Bruce, who plays the put-upon Donut, is the daughter of Lenny Bruce.

The movie contains some absolute gems of dialogue thanks to screenwriter F.X. Maier; the viewer will find them very quotable. Nails' speech to the cops right before the end credits is hilarious. There's sex and plenty of violence, and some eye catching costumes by Jodie Tillen. And you just know that this is going to a be a most enjoyable film because of the tune "Black Hearted Woman" that's belted out during the opening credits. Many fine scenes include the clichéd action in the penitentiary and the gunfights at the roller rink and in the streets.

Fans of this kind of thing would be well advised to seek it out. It really hits the spot in terms of all of its exploitative elements.

Nine out of 10.