Spider Baby

From the moment the beginning credits role, you know that you're going to be in for one mental ride! The opening credits themselves are captivating due to the music and the voice over that plays over them, and the film never loses this eerie verve that it creates with the credits. Spider Baby is a captivating and fascinating trek through mental illness from beginning to end and it's quality certainly isn't justified by it's reputation. It's amazing how great and influential films such as this one can become lost and not often spoken of, while other, far lesser films, have gone on to meet wide acclaim. The influence that this film has had can be felt on many films, but most obviously the 70's exploitation classic - The Texas Chain Saw Massacre. The film has the added title 'The Maddest Story Ever Told', and while that may not quite be the case - this is indeed one very demented tale.

The story follows a family of inbreeds that have been afflicted by a genetic disorder known as 'Merrye syndrome', named after the family in which the disorder developed. This malady causes it's victims to enter a state of age regression that starts at the age of ten and continues throughout the remainder of the person's life, rendering them with the intelligence of a child. The final generation of the family has been entrusted to the care of the family chauffeur (Lon Chaney Jnr), and all is well for these odd people until a greedy branch of the family decides that they want to relieve the family of it's home. Mental illness has always, and will always be, a fascinating subject for horror movies as it probes into the unknown and Spider Baby makes best use of that fact.

The film works because it's extremely macabre throughout, and although we hardly see any gore at all - we always know that something bad is just around the corner, and the film features many nasty happenings, from one of the "children" playing 'spider'; a game which involves her wrapping her victim up in rope and proceeding to 'sting' them with a pair of kitchen knives, to the rotted corpse of the family father still lying in it's bed. The cast of characters are superbly odd, and this helps to create the morbid atmosphere that the film revels in. The two girls are the central focus of the film, and they make for two deliciously creepy leads. Their childlike tendencies make them macabre in a way that few horror villains have ever captured. Lon Chaney Jnr's chauffeur is another great piece of characterisation, which is portrayed by way of a great performance. He brings just the right amount of sorrow and love to his character, and provides the backbone of the movie. The black humour is rife within the film and this, and the setting - a rickety old farmhouse - only further helps to instill the morbidity into the viewer's mind. All in all; a very good and underrated horror movie that any and all horror fans would do well to catch if given the chance!

I am amazed at some of the earlier comments on this board concerning this picture. One wonders why the people who hate it with such a passion bothered to contribute to the comments at all? This film is an acquired taste to be sure but I happen to like movies of this sort.

Admittedly Lon Chaney did very few things in the 60's that could be called "memorable". THE HAUNTED PALACE and WITCHCRAFT are the only things that come to mind. (Let us forget about FACE OF THE SCREAMING WEREWOLF entirely and that story about Edward D. Wood directing the scene of Chaney climbing the outside of the building is probably hooey.)

Any movie that opens with Lon singing the title song (it was released as a .45 with Bobby Pickett's 'Monsters Holiday' on the "A" side)moves on to a cameo by Mantan Moreland who pops up long enough to get himself killed and which quickly segues to Chaney as surrogate patriarch to a totally insane family can't be all bad. The Merrye Family is definitely one that you would not want to live nextdoor to. I get the feeling Rhoda Penmark from THE BAD SEED would enjoy hanging around with the 2 sisters (Beverly Washburn and Jill Banner) and Ralph (Sid Haig) can cause shudders just by entering a room.

Is this movie a cult classic? Yes! Some people will not take to it right away (qv, some of the other comments on this board) but if you go into it expecting black comedy you will not be disappointed. Sure go ahead and rent this one. It may take more than one viewing but I think, if you keep an open mind, you might learn to like it.

PS: If you want to catch one of Beverly Washburn's earliest performances check out SUPERMAN AND THE MOLE MEN. She is the little girl whose home is visited by the creatures from beneath the Earth. If you want to see more of Jill Banner, start watching reruns of 'Dragnet'.

I first stumbled on this movie via some clips on the "Switchblade Sisters" laserdisc and immediately put it on my "wanna-have"-list. And I sure wasn't disappointed when I watched the complete film (no two weeks later).

Jack Hill creates a weird story circling about the strange Meryee family which suffers from some strange disease, causing their members to degenerate into primitive pre-human lifeforms (or something like that), or as Lon Chaney puts it out "rotting of the brain". Chaney himself, of course, is - in a fine performance - the loyal caretaker who suddenly has to deal with the fact that some relatives are trying to get their hands on the family estate (and heritage).

Besides great cinematography (under the given budget) and the genuine storyline one has to admire the characters, making the viewer think of something like "Addams Family" on Crack.

Classic stuff, with some bits which really are memorable (e.g. Chaney's groan "It's going to be full moon tonight" when the nerd hero and his love interest are discussing horror films in general and "The Wolfman" in special). And, last but not least, there's always Sid Haig...

Rent it, buy it, see it, believe it.

The film opens with one of the most horrific murders ever shown on film; the rest of the movie is never again quite this frightening or startling, but is enjoyable nonetheless as a horror-comedy of the same ilk as "House on Haunted Hill" or "Bucket of Blood." The story concerns a family of inbred Southern degenerates who were once proud and powerful but whom years of inbreeding have reduced not only to childlike idiocy but savagery; some distant relatives out for money decide to meddle with dire, predictable results. The movie, complete with a loyal retainer, cute but deadly kids, and some even deadlier aunties and uncles kept tucked away in the cellar is essentially an extended version of an Addams family episode (the drawn out dinner scene is a bit too sitcomish). However, there are enough funny-scary moments to keep things moving along: the more memorable of these being when bitchy ice queen Emily succumbs to brother Ralph's caveman charms and when sister Virginia, the spider baby of the title, gives her long dead father a good night kiss—a scene with a weirdly poetic quality like something out of Poe. Perhaps the best part of the movie is Lon Chaney Jr. in his touching portrayal of Bruno, the kindly chauffeur who is genuinely devoted to his savage and hopeless surrogate family.

A cult film that deserves its status.

At one point in this movie, Virginia (Jill Banner), the "Spider Baby" of the title, grabs a spider from the table and pops it into her mouth. Her sister Elizabeth (Beverly Washburn) quips, "Spiders don't eat spiders."

"Cannibal spiders do," retorts Virginia, and this scene sums up everything good about Spider Baby: twisted, funny, and possessing an internal logic that pretty much justifies anything it does, no matter how preposterous.

Originally funded by two real estate developers and locked away for years after a bankruptcy filing, Spider Baby hit the drive-in circuit, made its modest sum of money, and faded away--almost. Somewhere down the line, it developed a cult status despite only being available on low-quality, grainy video. It is now available on DVD in a restored cut that reveals strikingly beautiful black-and-white cinematography. Low-budget it may be, but it's gorgeous to look at.

Lon Chaney Jr. stars as a butler taking care of his deceased employer's children (Washburn, Banner and Sid Haig). The siblings suffer from a hereditary disease that leaves them intellectually childlike but also makes them casual murderers, a problem compounded when distant cousins (Quinn Redeker and the stunning Carol Ohmart) arrive with designs on taking over the estate. The plot is simple and the movie is short (only 81 minutes), but it wastes no time and delivers plenty of creepy thrills, among them cannibalism, implied necrophilia, and midnight chases through the woods.

The acting is a pleasant surprise as well. The entire cast does a convincing job of bringing these oddball characters to life. There are a few missteps here and there: a couple of moments, for instance, when Redeker addresses the audience directly, and it's hard to know if the humor is intentional or not. Overall, however, the quality of each performance is pretty high. Especially touching is a scene where Chaney's character realizes there will be no good end to the situation, and his obvious affection for these mad but dangerous children actually brings a tear to the eye.

Well worth checking out if you're into horror, grim humor, or very, very odd movies.