AVALIAÇÃO DA IMDb
8,1/10
61 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter his family is murdered by a notorious and ruthless bandit, a former police officer enlists the services of two outlaws to capture the bandit.After his family is murdered by a notorious and ruthless bandit, a former police officer enlists the services of two outlaws to capture the bandit.After his family is murdered by a notorious and ruthless bandit, a former police officer enlists the services of two outlaws to capture the bandit.
- Prêmios
- 5 vitórias e 5 indicações no total
Jaya Bachchan
- Radha
- (as Jaya Bhaduri)
Satyendra Kapoor
- Ramlal
- (as Satyen Kappu)
Leela Mishra
- Mausie
- (as Leela Misra)
Sachin Pilgaonkar
- Ahmed
- (as Sachin)
Alankar Joshi
- Deepak
- (as Master Alankar)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I think Sholay is a great Hindi film of its times, although with the amount of praise and superlatives it has been getting throughout the years, I must admit it's a little overrated. The film was indeed ahead of its time in many ways. First, the action was really good - there were some glitches here and there, but it was far more credible than what the times had set the public for. Secondly, the attention to detail, as expected from Ramesh Sippy, is first-rate. Sippy, a great director whose combination of professional, technically skilled direction, impressive storytelling, and the delicate yet honest depiction of his stories, produced several classic Hindi pictures. Sholay is a good product although sadly it mixes too many genres and is overlong for the story it tells. It could have easily edited out some parts. Given the extraordinary brutality of the villainous characters and the situations, as well as the marked contrast between the good and the evil, I think the comedic parts (except for those of Basanti) were grossly redundant, among others, as they dragged the narrative and undermined its consistency as well as the minimalist approach that was so successfully employed by Sippy in some key scenes.
Set in a rural, remote region in southern India, the film is beautifully shot, and Sippy manages to capture the essence of the village and its people. One wonderful scene shows the routine of the village and the different activities of its inhabitants in the morning, a rare glimpse into the cultural weight of the place, which few directors would bother to tap into. This is where our heroes and villains are thrown, in an interesting story which benefits from Sippy's unique direction. The realism with which some of the situations are portrayed is striking, and it is matched by a careful handling of the proceedings in ways the Indian moviegoing public, which was used to being spoonfed by Hindi filmmakers, had not been accustomed to. Note for one the way the romance between Veeru and Radha is portrayed. Just watch the scene in which Jai is playing his harmonica as Radha is walking around and turning off the Kerosene lamps. Such subtlety is rarely seen in Hindi films. This is not to say that the film is devoid of any sentimentality. Still, the overall thing is really good - the film is both entertaining and then it is also quite moving and heartbreaking in some hard-hitting scenes, not to mention the famous, harrowing parts.
The film's authenticity is achieved in large parts through the acting, particularly the grounded, authentic performances of the main characters. Sholay is in my view Sanjeev Kumar's story as it is his character's determination that carries the narrative forward. He is tremendous. Dharmendra plays the energetic and happy-go-lucky Veeru pretty well, but Bachchan is fantastic in a subdued, quiet performance as Jai. Hema Malini is wonderful as the iconic, highly talkative and kind-hearted village belle Basanti; her comic timing is top-notch, and her dance numbers are never less than fabulous. Out of the two couple, it is Jaya Bhaduri of course who can always be trusted to do so much by doing so little. Her quietly understated performance is one of the film's assets, the other one being Amjad Khan's phenomenal turn as one of the greatest screen villains of Hindi cinema. Sholay is greatly aided by the great background score which enhances some of the most difficult scenes and helps alleviate others. R. D. Burman's soundtrack is as memorable as the film. Sholay is definitely a classic in many ways. It is not flawless, nor do I think it matters. In many ways it is a landmark film, and I'm sure non-Indians might enjoy it just as much.
Set in a rural, remote region in southern India, the film is beautifully shot, and Sippy manages to capture the essence of the village and its people. One wonderful scene shows the routine of the village and the different activities of its inhabitants in the morning, a rare glimpse into the cultural weight of the place, which few directors would bother to tap into. This is where our heroes and villains are thrown, in an interesting story which benefits from Sippy's unique direction. The realism with which some of the situations are portrayed is striking, and it is matched by a careful handling of the proceedings in ways the Indian moviegoing public, which was used to being spoonfed by Hindi filmmakers, had not been accustomed to. Note for one the way the romance between Veeru and Radha is portrayed. Just watch the scene in which Jai is playing his harmonica as Radha is walking around and turning off the Kerosene lamps. Such subtlety is rarely seen in Hindi films. This is not to say that the film is devoid of any sentimentality. Still, the overall thing is really good - the film is both entertaining and then it is also quite moving and heartbreaking in some hard-hitting scenes, not to mention the famous, harrowing parts.
The film's authenticity is achieved in large parts through the acting, particularly the grounded, authentic performances of the main characters. Sholay is in my view Sanjeev Kumar's story as it is his character's determination that carries the narrative forward. He is tremendous. Dharmendra plays the energetic and happy-go-lucky Veeru pretty well, but Bachchan is fantastic in a subdued, quiet performance as Jai. Hema Malini is wonderful as the iconic, highly talkative and kind-hearted village belle Basanti; her comic timing is top-notch, and her dance numbers are never less than fabulous. Out of the two couple, it is Jaya Bhaduri of course who can always be trusted to do so much by doing so little. Her quietly understated performance is one of the film's assets, the other one being Amjad Khan's phenomenal turn as one of the greatest screen villains of Hindi cinema. Sholay is greatly aided by the great background score which enhances some of the most difficult scenes and helps alleviate others. R. D. Burman's soundtrack is as memorable as the film. Sholay is definitely a classic in many ways. It is not flawless, nor do I think it matters. In many ways it is a landmark film, and I'm sure non-Indians might enjoy it just as much.
This movie has everything, comedy, action, drama, romance, fun, emotions. Great performance by all the characters. They are remembered even today in 2004 after nearly 30 years of the film release. I heard that this movie is now re-released with remastered sound. wow ! cant' wait to fetch the DVD of this remastered version.
The most impressive role of Gabbar by Amjad Khan was portrayed extremely well.
Its also one the longest movie. Its quite normal for bollywood movies to be 3 hours long. But this one is even longer than this. But certainly ever minute of the movie is enjoyable.
This movie is my all time favorite.
The most impressive role of Gabbar by Amjad Khan was portrayed extremely well.
Its also one the longest movie. Its quite normal for bollywood movies to be 3 hours long. But this one is even longer than this. But certainly ever minute of the movie is enjoyable.
This movie is my all time favorite.
This movie is just one of the best Hindi movie i have seen. Its one of my favorite film. It has all the elements that a good Hindi movie must have.
The settings of the hilly mountainous village, the dusty n tough terrain, the train sequence n the villain Gabbar played menacingly by Amjad Khan, were all awesome. Such is the impact of the villains acting is that u always remember him by his character's name frm the movie. One of the movies you remember for life.
Amitabh Bachan and Dharmendra were awesome too. The character of Hema malini was cheesy n unbelieavable though. A woman riding a horse chariot that too in the cow belt area wher rape is rampant. Nevertheles the film is solid entertainment.
It is a story of friendship, courage and revenge, based loosely around the concepts of Akira Kurosawa's Seven Samurai & The Magnificent Seven with shades of Once uopn a time in the west.
A true cinematic masterpiece.
The Indian filmmaker G.P. Sippy died last December at the age of 93. his son Ramesh directed this film, which remains the most famous Hindi-language movie and the biggest commercial success for Bollywood. If you want to watch one Bollywood film in his honor, this is it.
This epic has everything. It has a magnificent Seven type story, but there are only two who come to save the village. They are thieves hired by a former policeman to capture the bandit leader.
It is a spaghetti-western of sorts as there are plenty of horses, and shooting, and fights.
It is a lavish musical with amazing color and costumes as the villagers really put on a show for their simple festival of colors.
It has comedy, slapstick, romance (but NO kissing!), music, a little horror, almost continuous action, tragedy, and triumph. Like, I said, if you only see one Sippy production, this should be it.
This epic has everything. It has a magnificent Seven type story, but there are only two who come to save the village. They are thieves hired by a former policeman to capture the bandit leader.
It is a spaghetti-western of sorts as there are plenty of horses, and shooting, and fights.
It is a lavish musical with amazing color and costumes as the villagers really put on a show for their simple festival of colors.
It has comedy, slapstick, romance (but NO kissing!), music, a little horror, almost continuous action, tragedy, and triumph. Like, I said, if you only see one Sippy production, this should be it.
This movie is just the best movie i have seen. (I have watched around 570 movies) (Its my favorite movie).It has all the elements that a good movie must have:
Excellent Dialogues.
Excellent Music.
Excellent Acting. (Even the extra's where excellent)
Excellent Story/Plot.
Good Songs.
And it has much genres, who are handled very well in this movie: Action/Comedy/Romance/Drama/Adventure/Thriller (not really, but a kind of Thriller)/Musical/Crime. Each word of this movie is excellent. I think it has the greatest story ever! I was hurted when i came to know that Mr. Ram Gopal Varma is remaking this classic... Despite becoming the most successful film of its time, it failed to win any major popular or critics awards. The lone Filmfare award it got went to M.S. Shinde for Best editing. The plot is about a retired police officer Thakur (Sanjeev Kumar) who hires two convicts Veeru and Jai (Dharmendra and Amitabh Bachchan) to capture Gabbar Singh (a Dacoit) who had killed the cop's entire family (except the cop and his daughter-in-law).
Who has not seen this movie, try it once, you will love it. *****
Excellent Dialogues.
Excellent Music.
Excellent Acting. (Even the extra's where excellent)
Excellent Story/Plot.
Good Songs.
And it has much genres, who are handled very well in this movie: Action/Comedy/Romance/Drama/Adventure/Thriller (not really, but a kind of Thriller)/Musical/Crime. Each word of this movie is excellent. I think it has the greatest story ever! I was hurted when i came to know that Mr. Ram Gopal Varma is remaking this classic... Despite becoming the most successful film of its time, it failed to win any major popular or critics awards. The lone Filmfare award it got went to M.S. Shinde for Best editing. The plot is about a retired police officer Thakur (Sanjeev Kumar) who hires two convicts Veeru and Jai (Dharmendra and Amitabh Bachchan) to capture Gabbar Singh (a Dacoit) who had killed the cop's entire family (except the cop and his daughter-in-law).
Who has not seen this movie, try it once, you will love it. *****
Você sabia?
- CuriosidadesActor 'Amjad Khan' was almost dropped from the project because scriptwriter 'Javed Akhtar' found his voice too weak for Gabbar Singh's role.
- Erros de gravaçãoWhen Basanthi is being chased by bandits, while crossing the wooden bridge she does a small stunt, she moves the horse cart and breaks down the bridge and moves ahead, so the bandits are forced to take a detour to catch her. Veeru follows them and also find the bridge broken and take a detour. Both Basanti and Veeru are caught by the bandits and Jai rescues them later. While returning after being saved by Jai from Gabbar's den, Veeru, Basanti and Jai are seen crossing the same bridge which is fully intact.
- Citações
Gabbar Singh: What's going to happen to you now, Kaalia?
- Versões alternativasThere has recently been a director's cut of Sholay shown on the asian u.k. satellite channel 'Zee TV', this has not been released up till now on cinemas. It contains the original ending director Ramesh Sippy intended that shows GabarSingh being killed at the hands of Thakur, instead of just being arrested by police. The film ran into problems with Indian Censors who claimed their rules about people taking the law into their own hands and not being punished for it was not permitted and may corrupt naive viewers; for this reason the ending of the film had to be re-shot for a 'U' Rating. Other unrated footage includes a more graphic footage of the fight between Gabar and Thakur in the film's ending, the subsequent pre-torture footage of a young village boy (showing Gabar's ruthlessness), Veeru dragging a bandit with a neck-noose galluping on horse- back, Ramlal fitting metal-spiked studs on Thakur's shoes, a village person on fire during a raid by Gabar.
- ConexõesEdited into Hum Aapke Hain Koun..! (1994)
- Trilhas sonorasSholay Title Theme
Music by Rahul Dev Burman
Principais escolhas
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- How long is Sholay?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Sholay
- Locações de filme
- Bangalore, Karnataka, Índia(outskirts)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração3 horas 24 minutos
- Proporção
- 1.37 : 1
- 1.37 : 1(original negative)
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