Anand

"Babu Moshai, Zindagi Aur Maut ke Khel Mein Hum Sab Katputhli Hain" An immortal piece of dialog from an immortal movie Anand. Many a Hindi movie starts of well,but falters pretty badly in the climax. Anand was one of the few movies which grips you from start to end. Its one of the few movies which has an unforgettable climax.

Consider this the eponymous character Anand(Rajesh Khanna) lies on the bed dying. Babu Moshai(Amitabh Bachan) enters the room. He cannot bear to see his friend lying still on death bed. He holds him and shakes him up weeping uncomfortably

"Tum Mujhe Aisa Chod Ke Nahin Ja Saakte"

"20 mahine se mein tera bak bak sun raha hoon"

"Baate Karo Mujhshe" And then as if on cue, the tape recorder plays "Babu Moshai, Babu Moshai, Zindagi aur Maut Ki Khel Mein Hum Sab Katputhli Hain, Yahan kya hote hai, na tum jaane na main Sab Upar Wale ki Haath Meiin" The ghostly way in which the voice appears and the equally eerie laughter, creates such a haunting impact, that a shiver runs down my spine every time i watch this scene. It's as if Anand is speaking through his spirit, and even after death he still continues to live.

Anand is a masterpiece of the first order by Hrishida and one of my all time fav movies. Now an interesting thing regarding the dedication of Anand. It wad dedicated to Raj Kapoor and the city of Mumbai.

The Raj Kapoor connection was easy to make out, as he was Hrishida's best buddy in real life. Hrishida got his first commercial success with Raj Kapoor's Anari and Raj Kapoor got the best actor award for the movie. They were as different as chalk and cheese. While Raj Kapoor was the typical loud Punjabi extrovert,,Hrishida was the very epitome of the Bengali Babu with his sober intellectual demeanour. Also Hrishida's movies were aimed at the common man, and pretty sober and minimalist in nature, while RK was a showman par excellence with his penchant for larger than life canvas and huge settings. Hrishida himself admitted that Anand's character was based on RK's and he didn't cast RK as he couldn't bear to see his friend die on screen also. For his part Anand was a movie always close to RK's heart.

Regarding the Mumbai connection, i feel the story of Anand is somewhat linked to that of Mumbai. One could be that Hrishida made his career in Mumbai and i guess this was his way of saying thank you to the city which made him. Most of Hrishida's best movies have been Mumbai centric "Anand", "Mili","Abhimaan","Gol Maal" to name a few. Also like Anand, Mumbai is a city which though beset with innumerable problems like slums, crime, pollution, overcrowding still manages to survive and live every day. Life is not easy for an average Mumbaikar, what with all those overcrowded trains, high prices, crime rate but he/she still has a zeal for life, which is rarely found anywhere else. Its a city which gets back to normal life even after a couple of bomb blasts have destroyed large chunks. Its a city where dreams are made and realized. Its a city where people face a daily struggle and yet have an inexhaustible zest for life,much like Anand, who knows he will die but takes death head on as he says "Babu Moshai, zindag Badi Hone chahiye, Lambi nahin". Mumbai is a city that dies a thousand deaths daily, but never loses its love for life. Anand is a man who knows he is to die, but makes the best of his limited life.

It is very rare for guys to shed tears after watching a movie, this movie does make you shed tears for Anand, the main protagonist played by the superstar of the 70's Rajesh Khanna.

The movie has everything going for it. Acting, direction, story, music, dialogues etc... everything is fabulous. It has drama, humor, emotions in dollops. It is a story a dying man who looks at life with a positive attitude and enjoys his time knowing fully well his disease is incurable and that he is going to die soon.

Rajesh Khanna as Anand is absolutely brilliant, this is his career-best performance , notwithstanding movies like Kati Patang, Roti, Aradhana, Amar Prem etc. You cannot think of any other actor in this role and to think Rajesh Khanna was not the original choice(Shashi Kapoor was). He makes you laugh and cry. He causes anxiety and goose bumps. Simply superb.

Amitabh Bachchan is fantastic as babumoshai( a name with which Raj Kapoor used to address the film's director Hrishikesh Mukherjee). He showed the world that the next superstar was coming, though he really "arrived" a couple of years later. The rest of the supporting cast is also brilliant be it Johhny Walker(stands out) or Ramesh Deo or Seema or Sumitra. Everyone is wonderful.

Music is the hallmark of all great hindi movies and this one has music ranking right up there, on the top. Be it "Kahin door jab din dhal jaye" or " Maine tere liye hi saath rang" or "Zindagi kaisi hai paheli".

Maverick composer Salil Chowdury comes up with an absolutely fantastic score and singers Mukhesh and Manna Dey do complete justice to his tunes.

About the director Hrishikesh Mukherjee, what can one say, he is one of the best directors ever in the Indian film history. A guy with a complete repertoire,a complete entertainer (though people consider other directors to be more entertaining, but real movie buffs will agree with me). All his movies, he has been directing movies since 1957 are worth a watch. Some are brilliant and others watchable. None of his movies can be rated as unwatchable(except maybe Jooth bole Kauwa kaate and Jhooti).

Simply put, this is one of the best Hindi movies ever made.

What an outstanding movie!! I have heard all the prior generation people rave about this movie, so, I decided to check this movie out myself. I only have faint memories of having watched parts of this movie from my mom's lap when she and dad were watching this in the theater. The other reason why I decided to check this out was a Super-bowl half-time debate on whether Amitabh was better than Rajesh Khanna. I could not participate in this debate for two reasons: first, I was eagerly awaiting another "wardrobe malfunction" for one of the cheerleaders and secondly, I only had memories of one Rajesh Khanna movie, Haathi Mere Saathi. I remember having enjoyed it very much as a child. But that alone was not enough to quantify anything. The more recent performances of AB were fresh in my mind, but after having seen this movie, I decided that Rajesh had a class of his own. His chirpy performance in this movie is really unparalleled! What an amazing performance! Amitabh, being more junior, has not equaled Rajesh, but has done his share very well. Thus, even after watching this movie, the debate will continue.

What's New? What can possibly be new in an old movie? Guess what? there is plenty for the younger generation to take away! There is no education in the movies these days, whatsoever, except perhaps bedroom or bar sequences. The inadequacies in the field of medicine are so nicely brought forward by this movie, which is certainly over 30 years old! Now, I can understand why Munnabhai MBBS was such a hit. It had so beautifully adapted from this movie to match the present generation. Kudos to Vidhu Vinod Chopra and Sanjay Dutt (& Kamal Hassan too) for carrying this forward.

Noticeable: "BaaabuMushaai", the nick name for Amitabh, as heard from Rajesh throughout the movie, will ring in your ears even hours after you have seen the six letters "The End" on the screen. There really is no end to such people! Some sequences were simply amazing. Those that stood apart in my mind were the last scene, with a tape that had a significant pause in between; the moun-vrath guru, who so symbolically said that there is so much more than the decaying body to Anand's soul; then of course the Munirbhai sequences and the eventual backfiring of this strategy and so many more! The songs were so gentle and heart warming! The comic timing of Rajesh Khanna was simply amazing! Verdict Present day filmmakers really need to rework their brains and start thinking much much better! There is much more to Hindi cinema than just skin-show and catchy item number songs. This is a MUST-WATCH movie! I did not think so when others told me, but having experienced it myself, I believe them! I am gonna check out the other MUST-WATCH movies prescribed by the previous generation.

In 1970, Rajesh Khanna was the biggest star and was shooting for multiple movies along with Anand. But it seems he would take some time out from his other schedules would come to Hrishi da and ask him if he could shoot the next scene from Anand. That's how eager and dedicated he was to Anand. Probably he knew that this was the movie that he would be remembered for.

The movie narrates like the pages of a diary of one Dr. Bhaskar Bannerjee and his relationship with Anand Sehgal who he treated for cancer. Despite of such a heavy theme the movie is high spirited just like Anand Sehgal who likes to laugh in the face of death. Special mention should be made for attention given to each character in the movie. All the characters are well etched and everyone has given a truly inspired performance.

The last sequence must be the most dramatic sequence that I have seen in any movie. Music by Salil Chaudhary and lyrics by Yogesh and Gulzar are apt and wonderful. Definitely one of the best movies made in India.

Rajesh Khanna had always won acclaim and registered his credits in the box office hits, whenever he portrayed a sentimental, morally strong and emotionally focused role. He also did a great job in SAFAR, wherein he portrayed a similar role of a cancer stricken patient.

Nevertheless, he is not well at portraying the roles of "an angry man", "a fighting sequence", "an overly volatile role" and "clownish comedy roles" that can all be performed in a masterly manner by his arch rival, Amitabh Bachan.

However, Rajesh Khanna's personification of a lively, vivacious, death defying and winsome portrayal of a cancer stricken man was stupendously performed. His person consummately excels in mimicking soft, romantic, sad, morose and boisterously exuberant roles.

Many people contend that Amitabh would had done a better characterization if he had been offered an author backed role instead of Rajesh Khanna in ANAND. Here it may be kept in mind that Amitabh could not match a stunning performance in MILLI, where his real life spouse Jaya Bahaduri outperformed him.

The bullock cart scene immediately followed by the song "Kaheen door jab din dhal Jaye" in ANAND speaks volumes of the excellently crafted direction of Hirsihkish Mukherjee and has enlisted his name among all time great directors. This song and the one "Zindagi Kaisi he Paheli" touch the latent strings of sublime imagination with poignant originality, which cannot even remotely be identified anywhere, among the fast, untamed, crazy and meaningless songs of this age of Indian Cinema ......which seems to be overly swamped by the temporal, vulgar and money minting mentality of the producers, directors and actors.

That is to say, there is nothing worthwhile in contemporary cinema, which happens to be laden with tawdry vulgarity and incompetent intellectual standing, vis-a-vis the cerebral and in-depth creativity of movie makers of erstwhile days.