A Vergonha da Selva

Shame comes home and find his mate, June, abducted by...well..peckers! His ape explains in graphic details how June was aroused and abducted by the penises and demonstrated how it...well...spanked the monkey when the peckers aroused June. Lotsa slapstick, politically incorrect humor, not just about sex, but also about colonization ("Africa - the continent where life is spun by a thinner thread than other places"). The animation is fluent and rich, the soundtrack is rock'nrolling and this is really a bellylaugh-a-minute movie. Some people are likely to find the movie quite provocative but this is better natured than Fritz the Cat, which on occation turned quite violent without the redeeming humor, but there is certainly a kinship. The humor occationally gets quite elephantine, quite literary! Highly entertaining. 7/10

I am fairly interested in adult animation.I usually enjoy them.South Park is my favorite show(as my username would suggest), I enjoyed "Fritz The Cat" and other bakshi films as well as tons of adult anime's from japan such as "Akira", so I decided to check this film out.This is a french film from the 1970's, directed by Picha who seemed to be France's answer to Ralph Bakshi.The original version originally had to be cut down by 5min in order to obtain an R-rating.The English version also features comedians like John Belushi and Bill Murray dubbing the voices.However there is not much dialogue in this film, it's mostly just a bunch of random, unfunny little skits.The basic plot features a bald woman and a sziemise scientist who wants a special kind of hair from Tarzoon(Tarzan)'s wife June(Jane).She gets kidnapped and now it's up to Tarzoon to save her.The film is fairly short, and the majority of the film is just random skits involving jungle animals.Some of them are a bit funny, but overall the film is just boring and unfunny.It's pretty rare so check it out if you want, but I personally did not like it.

This is a movie for people that love gratuitous cartoon sexuality, large anthropomorphic genitals and general grotesquerie.

It's fun and imaginative with a lot to offer.

I especially love a sight gag of Tintin forcing the bible on the natives.

I was first intrigued by this via a still in "The Movie", an early 1980s British film periodical, where it was mentioned in an entry dedicated to animation; I also recall my father renting it on VHS – under its U.K. title of JUNGLE BURGER – in the mid-1980s but, of course, I was too young to be allowed to watch this or even understand it. The edition I acquired had the benefit of the English-dubbed soundtrack (with the hero, spoofing the popular character of Tarzan, voiced by Johnny Weissmuller Jr.[!] – son of the screen's most famous "Ape Man" – and the participation of many a "Saturday Night Live" exponent) but I opted to watch the original French version (accompanied by Italian rather than English subtitles).

Anyway, while the film is moderately amusing, it's in no way a classic (falling far below the standard of even contemporary artist/film-maker Ralph Bakshi); incidentally, it exhibits a similar predilection for explicit violence and sexuality (indeed it's swamped by the latter, particularly during the second half, with the hero depicted as impotent and where both characters and landscape are shaped like male and female genitalia)! The villainess, then, is a bald lady with fourteen breasts (perhaps a nod to the then-latest Bond adventure THE MAN WITH THE GOLDEN GUN [1974] – speaking of cinematic references, there's an obscure one involving the maligned but not-too-bad religious epic THE SILVER CHALICE [1954], which I watched for the first time only last month): she's flanked by a mad scientist with two heads who, typically for such evil "Siamese twins" caricatures, are constantly quarrelling among themselves.

Not quite awful but very far from good, this odd little movie wears out its welcome a lot sooner than you might imagine. It's like one of those sub-standard VIZ clones that cluttered up newsagent's shelves from the late eighties onward come to life, with a screenplay apparently written by an unreconstructed nightclub comedian who aims for the lowest common denominator and hits his target every time. It might be funny to see marching genitalia, a monkey poking a woman's naked breasts or the Tarzan character getting his penis stretched to impossible lengths the first couple of times, but that's really all the film has going for it in the humour department. A shame, because the animation is actually pretty good, and whoever came up with the rich soundtrack score deserved to see his work put to better use. The film achieved a minor cult following in the early days of home video in England due to its explicit (for the time) subject matter and the novelty value of seeing cute characters behaving badly.