La polizia brancola nel buio

"La Polizia brancola nel Buio" (The Police are blundering in the Dark) occupies a place of honor among the bizarre gialli. Even for a Giallo, "La Polizia brancola nel Buio" is quite strange: the film begins with a bang; a girl is driving on a road and suddenly a flat tire forces her to stop by the road. She looks around and sees someone nearby, and she asks him to help her in changing tires. He promptly goes there to help her and the girl says: "molto gentile" (that could be translated as - very nice of you). Suddenly the face of the girl changes from a smile to an expression of terror; the stranger had a pair of scissors in his hands, and starts running after her with murderous intentions. She runs through a forest, hitting branches, and losing one by one her upper clothes, till her tits are bare, it's then that the killer reaches her and slashes her throat. Sex and violence!

After a while, there's another girl on a road, and she's forced to stop her car in front of an inn, her car must be fixed, and to crown it all, rain starts to fall, a heavy rain. Will this girl survive the inn? Well, anyway, this girl is wet, she wants to get dry, so she warms herself by the fireplace, but not before taking all her clothes off. It seems that there's someone in the room, or is it just imagination? These two girls and other ones had been going to a villa nearby to make photo shoots. This villa is inhabited by odd characters; many film scenes are filmed inside its walls, the characters do nothing much, they dine, talk, play cards, and there is the owner of the villa that invented a camera that photographs thoughts… and so on. There are many people who think that this part of the film is boring, but I haven't felt this way – the dialogues are completely over-the-top, and things are weird and ridiculous. And just don't forget – there's a killer on the loose.

This film could be cool, if the director had some sense of style, but no, the death scenes and everything is kind of pedestrian. I think that the only way of breaking the limits of a low budget is through the imagination, and this (in a way) is something the filmmaker lacks, but the film is so uneven, incoherent and amateurish, that it has some strange kind of charm. Why? I don't know. I've seen this film twice already.

Following her strange disappearance, a man begins looking into his girlfriends' strange arrival at a small town that eventually leads him to a remote house occupied by a series of bizarre figures with a deadly secret that eventually brings a killer to the house knocking them off one by one.

This was a maddeningly ineffective and problematic giallo. Among the few positive points with this one is the ability of the film to at least work in the traditional genre elements somewhat effectively enough throughout here. The series of stalking scenes here aren't that bad, with the opening attack of the victim by the side of the road or a woman getting stalked in her bedroom while being spied on undressing and taking care of herself before going to bed, offering up some rather intriguing elements familiar with the genre. Both offer up clunky if still somewhat extended chase scenes featuring the unsuspecting victims going about their lives before running into the madman and being knocked off in silly-yet-brutal fashion featuring a slew of suspenseful stalking tactics and some fine nudity in the process. Other scenes, like a garden-set stalking scene or the killer taking out a victim in gruesome fashion before leaving the bloodied body to drown in a bathtub, make for equally sleazy and graphic encounters that set the stage for the wild finale that bring about some inventive twists for its positive points. Beyond that, there's just not much to this one that works. The main factor to be had here is the interminably boring and dull setup that has almost nothing at all interesting happening for long stretches. The whole idea of the disappearance taking place nearby and him coming to her aide to try to find her is a decent enough hook, much like the later investigation that turns up the family living in the remote house where he starts looking into the truth but it has just nothing all that exciting happening during this time. Dealing with a skeevy gardener making uncomfortable eyes at the young daughter, a scientist trying to make do with his latest discovery while being confined to a wheelchair, and the multitude of side characters that populate the house should've been a recipe for something to happen as he makes his way through the family uncovering what happened. Instead, everything is just undeservedly bland or drags on interminably with the outright worst of it being a dinner sequence that offers up nothing of any interest about anyone and never seems to end even with the notion of them being spied on the whole time. The other factor to this one is the general air of cheapness over everything here. The villa where everything takes place could've had some atmosphere but it's way too bright and cheerful to be effective at generating an air of danger, the flimsy effects give themselves away at nearly every opportunity with the outright goofy manner of their execution trying to look intimidating, and the whole presentation of the fabled machine that gets involved here is a straight mystery as we get nothing about what it is or how it works. The concept of the machine is such that it stretches credibility with how it even manages to catch the killer in the first place, and trying to place the actual figure doing the crimes at the point they were committed is a stretch at best and a gaping plothole at worst as it involves time-travel to pull off. It all comes together into one of the more underwhelming and bottom-tier gialli in the period.

Rated Unrated/R: Graphic Violence, Nudity, Language, and sexual scenes.

(1975) The Police Are Blundering In The Dark/ La polizia brancola nel buio (In Italian with English subtitles) CRIME THRILLER/ MYSTERY/ HORROR

Written and directed by Helia Colombo that has a young lady driver stuck in the middle of the gravel road asking someone to help her change a tire. He pulls out a knife and manages to rip off her clothes before he kills her so that her bare breasts can be seen for the world to see, and of course viewers do not know who the killer is until the very end. The next scene has the servant/ chauffeur, we find out later his name is Alberto (Francisco Cortéz) as he is reading the daily newspaper that indicates about a fourth missing model from the same area with it also reads "The Police are blundering in the dark" hence the title. Alberto then puts the newspaper down as the bus pulls up a lady gets off by the name of Lucia (Gabriella Giorgelli) has accepted the job as housekeeper for the Parissi family household. And while Lucia is settling in, it looks as if Alberto may have had to do something and as he was coming in to the Parissi resident, Enrichetta Blond (Margaret-Rose Keil). And while Enrichetta was driving home, she was driving in the middle of the night while raining and storming real hard, except that her car goes out and she stops by a hotel/ inn to use the phone. Upon calling her boyfriend, Georgio D'Amato (Joseph Arkim) he is sleeping around with another lady, and promises to pick her up the following morning. Forcing her to rent the room and stay the night. She suddenly becomes the second victim and on the following morning when Georgio arrives she is missing. And at this point, he becomes the main star as we find out he is not just a player, but he also happens to be a journalist as well. And her body is nowhere to be found, it would eventually lead him to the other last place she was seen with was the Parissi family household. It is there he is introduced to Edmondo Parissi (Danny P. Gerzog) who is wheelchair bound and is impotent; his wife, Eleonora (Halina Zalewska) and their niece, Sara (Elena Veronese) who lost her parents from a plane crash and sometimes the family doctor, D. Dalla (Richard Fielding) who grows lettuce.

One of the downsides of jotting down set ups and plots of many Eruo slasher movies is that they are forgettable and sometimes hard to describe. The only reason anyone would watch them are the voluptuous nude scenes if the violence itself does not do anything for anyone, the reason why I am giving this one 5 out of 10. Viewers get to see four of the young actresses that count the most to be nude of breasts and sometimes their rear end. Anyways, the movie does not make a ton of sense as the only appearance the police made throughout the entire run is towards the end too little too late. The killer is already dead explaining the why that does not make a ton of sense either.

A reporter agrees to meet a model friend at an isolated villa. Turns out she's been stabbed to death by an unknown assassin. The owner of the villa is a wheelchair-bound man who has invented a device for photographing thoughts. Typically for these types of movies, the house is also populated by a selection of other oddballs and eccentrics.

The Police Are Blundering in the Dark is a bargain basement yet extremely strange giallo. It opens with a half-naked woman being chased by an unseen assailant and then being stabbed to death with a pair of scissors. But from hereon in it just gets stranger. The very idea of a machine that photographs thoughts is of course ludicrous. Its nearest giallo equivalent would be the ridiculous eye device in Dario Argento's Four Flies on Grey Velvet. But that's where the comparison ends, as this flick is hardly on the same level as Argento's one. It is a somewhat bizarre entry in the giallo sub-genre it does have to be admitted and for that alone it deserves at least some recognition. But it's strictly a movie for Euro-trash connoisseurs, it's not even going to necessarily appeal to giallo enthusiasts as it's a little bit too clunkily offbeat for its own good.

I guess, after having seen 140 genuine gialli and another 40 giallo-ish thrillers, I have to accept that all the really good ones are discovered already. The only ones that occasionally still float to the surface are obscure, low-rated and forgotten for a reason. The omens for "The Police are Blundering in the Dark" were quite negative from the start. Filmed in 1972 but not released until 1975? 1972 was THE most productive year for the Italian giallo ever! Dozens of gialli were released in this year, some of the best but also many mediocre ones, so how bad must it have been not to receive a release in '72? Three years later the gialli was as good as extinct, but this film still had to be released. You know what? The Poliziotesschi replaced the giallo in terms of popularity, so let's give it a new title with a reference towards the police. Minor problem, maybe... there isn't a police officer in sight throughout the entire film.

And yet, I'd lie if I said I didn't enjoy "The Police are Blundering in the Dark" at all. The script is really poor and hardly makes any sense, but the film features three extended and gruesome murder sequences, during which the female victims are largely naked before getting sliced with scissors, knives or letter openers! Isn't that the essence of gialli?

Moreover, and I just discovered this (thank you, Wikipedia), the name of writer/director Helia Colombo is a pseudonym of Elio Palumbo, and he happens to be the songwriter of - hands down - one of the most beautiful songs ever made; - namely "Tornerò" by the band "I Santo California". If you don't know it, look it up! Fascinating how the creator of such a pure and heavenly song, also made this sleazy and misogynic thriller.